Posts in ‘Collection & Exhibitions’
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Fritz Haeg on His Project for MoMA Studio: Common Senses

Panorama view of Domestic Integrity Field Part A-1 by artist Fritz Haeg, in MoMA’s Abby Aldrich Rockefeller Sculpture Garden. Photo courtesy of Fritz Haeg
In conjunction with MoMA’s upcoming exhibition Century of the Child: Growing by Design, 1900–2000, MoMA’s Department of Education presents MoMA Studio: Common Senses, a multisensory environment at the intersection of education, design, and art
A Child’s Chair: Delight in Ownership
Growing up I had my own kid-sized chair that I absolutely loved. It was made of wood, with a convertible slatted back that could swivel up for sitting or down for stepping up.
Happy Independence Day from MoMA

Jasper Johns. Flags I. 1973. Screenprint, 27 3/8 x 35 1/4″ (69.5 x 89.5 cm). Publisher: the artist and Simca Print Artists Inc., New York. Printer: Simca Print Artists Inc., New York. Edition: artist’s proof before the edition of 65. Gift of Barbara Bertozzi Castelli, New York, 2011. © 2012 Jasper Johns/Licensed by VAGA, New York
In celebration of the Fourth of July, here’s an oh-so-appropriate recent acquisition to MoMA’s collection. Jasper Johns’s screenprint Flags I (1973) is currently on view in the exhibition New to the Print Collection: Matisse to Bourgeois</a>,
Ecstatic Alphabets/Heaps of Language: A Q&A with Dexter Sinister, Part 1

Dexter Sinister (David Reinfurt and Stuart Bailey). Ecstatic Alphabets/Heaps of Language. 2012. Exhibition catalogue (cover), 224 pages plus insert, edited with Angie Keefer. With 13 “bulletins” by Andrew Blum, Pierre-André Boutang, Chris Evans, Angie Keefer, Bruno Latour, Louis Lüthi, Graham Meyer, Francis McKee, David Reinfurt, Dexter Sinister, Ian Svenonius, Benjamin Tiven, and Jessica Winter, and an essay by Laura Hoptman. Courtesy The Serving Library
Endless Anagrams: Hans Bellmer and Anna Gaskell’s Imaginary Conversation

Hans Bellmer. The Doll. 1937. White ink on black paper. The Joan and Lester Avnet Collection. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris
In organizing the third-floor Drawings collection exhibition Exquisite Corpses: Drawing and Disfiguration, I opted to create groupings based on artists’ common strategies and themes rather than chronology.
Christian Marclay: Sound on Paper
Sound forms the nucleus of much of American artist Christian Marclay’s practice. From innovative sound collages, with turntables and records employed as instruments; to the splicing and reconstituting of physical records to create strange, jumping concoctions of melodies
Taryn Simon: A Living Man Declared Dead and Other Chapters I–XVIII
In the video interview above, American photographer Taryn Simon talks about her powerful four-year project A Living Man Declared Dead and Other Chapters I–XVIII (2008–11), currently on view at The Museum of Modern Art.
Prayer Companion: Keeping Prayer Pertinent in the Digital Age
Market Buzz: Digesting Euro Turmoil……….Monsters laughed during gang rape……….Regime bulldozers pave space for Euro vision……….I feel everything will be okay……….EU to cash in on Libya………..Somali radio reporter murdered………..Dancers urge action on anorexia………..
Cindy Sherman and John Waters: A Conversation
As an admirer of both Cindy Sherman and John Waters, I was happy to see a conversation between the artists included in Cindy Sherman, the exhibition catalogue accompanying the Museum’s major retrospective of the artist’s work.
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