MoMA
Posts by Rachel Wetzler
September 15, 2010  |  MoMA PS1
Dani Leventhal: Everyday Intuition

In this interview, artist Dani Leventhal talks about her video 54 Days this Winter, 36 Days this Spring for 18 Minutes (2009), which she conceived as a site-specific installation for MoMA PS1’s Greater New York 2010 exhibition.

September 8, 2010  |  MoMA PS1
Franklin Evans: Paint and Process

In this video interview, Franklin Evans discusses his installation timecompressionmachine (2010), in which he covered the floor and walls of the gallery with unstretched canvas, screens made of painted strips of tape, and old newsprint and press releases from gallery exhibitions. Composed of numerous overlapping parts, the installation gives the sense of a work in progress. Additionally, the ephemeral nature of the installation, which exists solely for the duration of Greater New York 2010, is highlighted by Evans’s use of materials that are typically considered disposable. As the artist puts it, his environments suggest “the not-quite-finished, the in-transition, the nearly-emerging, the slowly-evolving, the near-end, and the move-towards-erasure.”

August 11, 2010  |  MoMA PS1
Conrad Ventur: This Is My Life

In this video interview, Brooklyn-based artist Conrad Ventur talks about his work, in particular his installation for the Greater New York exhibition at MoMA PS1, This Is My Life (Shirley Bassey) (2009). In this work, Ventur uses footage of Welsh singer Dame Shirley Bassey singing her 1968 hit song “This Is My Life” at various points during her decades-long career.

July 26, 2010  |  MoMA PS1
Rashaad Newsome: The Conductor

In the video above, Rashaad Newsome talks about his captivating video installation The Conductor (Fortuna Imperatrix Mundi) (2008), currently on view at MoMA PS1 as part of the the Greater New York 2010 exhibition.

July 12, 2010  |  MoMA PS1
Preserving a Forest at MoMA PS1

David Brooks’s work takes the fragile dynamics of ecosystems as its subject, creating sculptures and installations that consider the relationship between built and natural environments. One powerful example—his massive site-specific installation Preserved Forest—is currently on view as part of the Greater New York 2010 exhibition at MoMA PS1.