After exhaustive research prior to conserving Untitled (Piano), it was time for reflection. MoMA curators and conservators discussed the difficult decisions ahead. We knew that Nam June Paik playfully changed his works with each installation, and often incorporated new audio and video technologies into his older video sculptures. Should we continue this tradition, or freeze the existing technologies at the moment of his death?
Posts by Glenn Wharton
May 8, 2013
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Behind the Scenes,
Conservation
Conserving a Nam June Paik Altered Piano, Part 2
April 15, 2013
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Behind the Scenes,
Conservation
Conserving a Nam June Paik Altered Piano
In 1993 MoMA acquired a piano modified with a floppy-disc drive player unit. In the gallery it plays jazz show tunes really loud. The piano also has 15 cathode ray tube (CRT) monitors stacked on it.
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