MoMA
Posts by Emily Cushman
March 18, 2015  |  Artists, Collection & Exhibitions
Jean Dubuffet: Textures, Patterns, and Beards
Jean Dubuffet. Textural Transcription I (Transcription texturologique I). 1958. Ink on paper, mounted on board, 9 x 14 1/4" (22.9 x 36.2 cm). The Museum of Modern Art, New York. The Joan and Lester Avnet Collection, 1978. Photograph by John Wronn

Jean Dubuffet. Textural Transcription I (Transcription texturologique I). 1958. Ink on paper, mounted on board, 9 x 14 1/4″ (22.9 x 36.2 cm). The Museum of Modern Art, New York. The Joan and Lester Avnet Collection, 1978. Photograph by John Wronn. © 2015 Artists Rights Society (ARS), New York/ADAGP, Paris

Jean Dubuffet (French, 1901–1985) dedicated years to exploring and recording the natural textures he encountered in his daily life, from the mountainous, rocky landscapes of Vence and the sandy hills of El Goléa to dewy, foggy Parisian mornings or the stars far beyond our skies. Yet his most subtle and intricate depictions of surfaces may be a group of black-and-white ink-on-paper drawings created between 1958 and 1960.

January 22, 2015  |  Artists, Collection & Exhibitions
Jean Dubuffet: Memories from Nature
Installation view of Jean Dubuffet: Soul of the Underground, The Museum of Modern Art, October 18, 2014–April 5, 2015. Photograph by John Wronn

Installation view of Jean Dubuffet: Soul of the Underground, The Museum of Modern Art, October 18, 2014–April 5, 2015. Photograph by John Wronn

In July of 1963 the French artist Jean Dubuffet (1901–1985) declared of his radical lithographs, “Sometimes I took imprints of every chance element that might even suggest something: the ground, walls, stones, old suitcases, any or every sort of object—I even went so far as to do them from the naked skin of a friend’s back—and sometimes I obtained astonishing images…that I had sprinkled with tiny elements such as wires, crumbs, bits of torn paper, and all sorts of debris….”

August 14, 2014  |  Artists, Collection & Exhibitions
A Window into MoMA’s Collection of Parisian Avant-Garde Theater Programs

Henri de Toulouse-Lautrec (1864–1901) was a modern chronicler of Belle Époque Paris. Entrenched in Montmartre life, Lautrec eagerly recorded the late 19th-century dance halls, cabarets, and restaurants integral to his social life with honesty, humor, and liveliness. One of his favorite forms of entertainment was the theater;