It was as if I had walked into the middle of a professional cliché: crouched in the musty attic of MoMA PS1, I sifted through beaten-up boxes of institutional flotsam. I was attempting to survey the remaining materials to be included in The Records of MoMA PS1, which will open to the public at the end of 2012.
Posts by Alana Miller
Walking down Washington Avenue in Brooklyn’s Crown Heights, I frequently pass a handsome brick building with the telltale green lanterns of a former police precinct headquarters. Regal, imposing, and even a little bit spooky, the 80th Precinct Building is one of the prominent landmarks of my pedestrian and neighborhood life.
What do you get when you put a group of artists together on a condemned pier beneath the Brooklyn Bridge? No, this isn’t a joke, but the colorfully bizarre origin story of that renowned laboratory of contemporary art, MoMA PS1.
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