Ad Reinhardt. Abstract Painting. 1963

Ad Reinhardt Abstract Painting 1963

  • Not on view

In the last ten years of his life, Reinhardt focused solely on square, black paintings. In his unpublished writings, the artist indicates that these pictures relate aesthetically to monotonal Chinese paintings rather than Western painting's concepts of light and dark. These canvases are intentionally enigmatic, painted to resist interpretation and to represent the beginning of a new way of seeing and thinking about art. In 1961, Reinhardt described them thus:

A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no–contrasting (colorless) colors, brushwork brushed out to remove brushwork, a matte, flat, free–hand, painted surface (glossless, textureless, non–linear, no hard-edge, no soft edge) which does not reflect its surroundings—a pure, abstract, non–objective, timeless, spaceless, changeless, relationless, disinterested painting—an object that is self–conscious (no unconsciousness) ideal, transcendent, aware of no thing but art (absolutely no anti–art).

Gallery label from Focus: Ad Reinhardt and Mark Rothko, 2008
Oil on canvas
60 x 60" (152.4 x 152.4 cm)
Gift of Mrs. Morton J. Hornick
Object number
© 2018 Estate of Ad Reinhardt / Artists Rights Society (ARS), New York
Painting and Sculpture