In this radical lithograph, her first, Smith used imprints and photocopies of her own hair, face, and neck, along with a "Cher" wig, to create a wild, dynamic linear web. This print was one of the first in which she used her own body as part of the printmaking process. It signaled the uniquely inventive and sculptural approach that would characterize much of Smith's work at ULAE.
Gallery label from Artistic Collaborations: 50 Years at Universal Limited Art Editions, January 17–May 21, 2007.
We have identified these works in the following photos from our exhibition history.
Kiki Smith: Prints, Books, and Things
Dec 5, 2003–Mar 4, 2004
1 other work identified
Kiki Smith: Prints, Books, and Things
Dec 5, 2003–Mar 4, 2004
3 other works identified
Kiki Smith: Prints, Books, and Things
Dec 5, 2003–Mar 4, 2004
2 other works identified
Kiki Smith: Prints, Books, and Things
Dec 5, 2003–Mar 4, 2004
3 other works identified
Kiki Smith: Prints, Books, and Things
Dec 5, 2003–Mar 4, 2004
2 other works identified
Kiki Smith: Prints, Books, and Things
Dec 5, 2003–Mar 4, 2004
6 other works identified
Kiki Smith: Prints, Books, and Things
Dec 5, 2003–Mar 4, 2004
6 other works identified
Artistic Collaborations: 50 Years at Universal Limited Art Editions
Jan 17–May 21, 2007
1 other work identified
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