Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and ’60s Hollywood, film noir, B movies, and European art-house films, the printed images mimic in format, scale, and quality the often-staged “stills” used to promote films. By photographing herself in such roles, Sherman inserts herself into a dialogue about stereotypical portrayals of women. Whether she was the one to release the camera’s shutter or not, she is considered the author of the photographs. However, the works in Untitled Film Stills are not considered self-portraits.
Additional text from Seeing Through Photographs online course, Coursera, 2016