Seen from slightly below, the woman in this photograph has become a monumental figure, set against the open sky and the unforgiving earth. Her gesture is full of suffering but tells us nothing specific about her life or travails. Yet the sunlight falls on the palpable flesh of a person and on the worn cloth of her shift.
The picture exemplifies Lange's exceptional talent for making the leap from concrete fact to arching symbol without leaving reality behind. She made it for the Farm Security Administration, a government agency whose photographic unit was charged with documenting the plight of the rural poor in the 1930s. Her work created a lasting image of the Great Depression. It also deepened the link between the descriptive style of documentary photography and the ideal of social engagement, becoming a touchstone for photographers who felt that their work should not only record social conditions but try to persuade people to improve them.
The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999.
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Dorothea Lange
American, 1895–1965 470 works onlineIn early March, 1936, Dorothea Lange drove past a sign reading, “PEA-PICKERS CAMP,” in Nipomo, California. At the time, she was working as a photographer for the Resettlement Administration (RA), a Depression-era government agency formed to raise public awareness of and provide aid to struggling farmers.
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Farm Security Administration (FSA)
Established by President Franklin D. Roosevelt in 1937, the Farm Security Administration (FSA) provided relief to farmers who had been left impoverished by the drought and dust storms of the Dust Bowl and the financial devastation of the Great Depression.
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