Manuel Álvarez Bravo La hija de los danzantes (The Daughter of the Dancers) 1933

  • Not on view

In this picture, as in many of Álvarez Bravo’s photographs, our experience begins with the theme of looking: we must wonder what it is that the girl sees, or what she seeks. It has been suggested that her awkwardly placed feet, with one foot atop the other as she stands on her toes, evokes the figures in Mexican reliefs and carvings made before the Spanish conquest, and that the girl, dressed in traditional Mexican costume, may be interpreted as representing a Mexico searching for its past through the window in the well-worn wall. Clearly the picture was staged, and we know that the photographer has intentionally provoked our curiosity.

Photography has an inherent power to create mystery because it only describes aspects of things and never tells the whole story. In the hands of a skillful photographer, this capacity to intrigue can become the foundation of an aesthetic, a particular artistic sensibility. Throughout his seventy-year career, Álvarez Bravo consistently made deeply human photographs rife with enigma.

Publication excerpt from MoMA Highlights: 375 Works from The Museum of Modern Art, New York (New York: The Museum of Modern Art, 2019)
Gelatin silver print
9 3/16 × 6 5/8" (23.4 × 16.9 cm)
Object number
© 2024 Estate of Manuel Alvarez Bravo / Artists Rights Society (ARS), New York / ADAGP, Paris

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