Gordon Matta-Clark Splitting 1974

  • Not on view

Matta-Clark received formal training as an architect at Cornell University, where he studied with Colin Rowe, a preeminent theorist of architectural modernism. Yet Matta-Clark did not practice architecture, which he considered a pretentious enterprise; instead he devised "anarchitecture," an alternative use of buildings entailing a rejection of what he called "the functionalist aspect of past-due Machine Age moralists." In Splitting and Circus—The Caribbean Orange, he literally dissected buildings, cutting and carving them into gravity-defying structures. The films and photocollages he made of these pieces dovetail with the experimental, disorienting quality of his architectural cuts, which constitute a denunciation not just of the functions of architecture but of the American dream of progress.

Gallery label from The Shaping of New Visions: Photography, Film, Photobook, April 16, 2012–April 29, 2013.
Collage of gelatin silver prints
40 × 30" (101.6 × 76.2 cm)
Acquired through the generosity of Walter J. Brownstone and The Family of Man Fund
Object number
© 2024 Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York

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