Marcel Duchamp. The Bride Stripped Bare by Her Bachelors, Even (The Green Box) (La Mariée mise à nu par ses célibataires, même [Boîte verte])

Marcel Duchamp

The Bride Stripped Bare by Her Bachelors, Even (The Green Box) (La Mariée mise à nu par ses célibataires, même [Boîte verte])

1934

Box with ninety-four collotype reproductions (some with lithograph)

Not on view

In The Green Box, Duchamp presents a collection of ninety-four loose documents that spell out some of the thinking that led to his groundbreaking and enigmatic work The Bride Stripped Bare by Her Bachelors, Even (also known as The Large Glass, now in the collection of the Philadelphia Museum of Art). These randomly organized facsimiles of photographs, handwritten notes, diagrams, and sketches contain a range of reflections and meditations, all directly or indirectly related to the idea of chance—one note, for instance, equates his 3 Standard Stoppages with “canned chance.”

Gallery label from

2020

Author Marcel Duchamp
Medium Box with ninety-four collotype reproductions (some with lithograph)
Dimensions sheet (dimensions vary): from 2 3/4 × 3 1/16" (7 × 7.8 cm) to 13 7/16 × 9 1/2" (34.1 × 24.1 cm); overall (closed): 13 1/16 × 11 × 1" (33.2 × 27.9 × 2.5 cm)
Publisher Édition Rrose Sélavy (the artist), Paris
Printer Vigier et Brunissen , Paris
Edition 300
Credit Purchase
Object number 1643.1968.1-94
Department Drawings and Prints

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Marcel Duchamp

Marcel Duchamp

American, born France. 1887–1968 188 works online

When Marcel Duchamp created his most famous work—the industrially produced urinal Fountain —it was largely ignored. Fountain was the high point of Duchamp’s campaign to dismantle and expand the boundaries of what constitutes a work of art; it had begun four years earlier, when he asked, “Can one make works that are not ‘of art’?

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