A Western that is at once moody and ambivalent, comical and cruel, Unforgiven follows its unlikely, unheroic avengers across a broad, pristine landscape under bright skies to a frontier town where legend and death by violence are equally ridiculed. In the film, the aging Will Munny (Clint Eastwood) pleads with his former partner Ned Logan (Morgan Freeman), to come back just one more time to kill a man who slashed a prostitute. Although their task is dishonorable, their success will ensure them a peaceful old age. Bluffing his way as the third partner is a rookie outlaw (Jaimz Woolvett), who survives the unfolding events and learns a painful moral truth.

Also appearing in the film is a bogus legend, English Bob (Richard Harris), who is no verbal match for the acid-tongued sheriff (Gene Hackman). The mocking tone of the dialogue provides a counterpoint to the Western genre's rhythms of hit, run, and destroy. The idea that men who live by violence can also be brilliantly funny sharpens director Eastwood's steady gaze. With this film, which instills a new morality into the tradition of the Western, Eastwood single-handedly revived the genre.

An actor turned director, Eastwood depicts the ambivalence of his own screen characters in understated, spare terms, set against the stunning beauty of the deep landscape and culminating in fluid action scenes that end in loss and death. In this film violence is itself critiqued; there is no joyful ending for the traditional code of the West.

Publication excerpt from

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 340.

Publication excerpt from MoMA Highlights: 375 Works from The Museum of Modern Art, New York (New York: The Museum of Modern Art, 2019)

A Western that is at once moody and ambivalent, comical and cruel, Unforgiven follows its unlikely, unheroic avengers across a broad, pristine landscape under bright skies to a frontier town where legend and death by violence are equally ridiculed. In the film, the aging William Munny (Clint Eastwood) pleads with his former partner Ned Logan (Morgan Freeman) to come back just one more time to kill a man who slashed a prostitute. Although their task is dishonorable, their success will ensure them a peaceful old age. Bluffing his way as the third partner is a rookie outlaw (Jaimz Woolvett), who survives the unfolding events and learns a painful moral truth.

Also appearing in the film is a bogus legend, English Bob (Richard Harris), who is no verbal match for the acid-tongued sheriff (Gene Hackman). The mocking tone of the dialogue provides a counterpoint to the Western genre’s rhythms of hit, run, and destroy. The idea that men who live by violence can also be brilliantly funny sharpens director Eastwood’s steady gaze. With this film, which instills a new morality into the tradition of the Western, he single-handedly revived the genre. An actor turned director, Eastwood has depicted the ambivalence of his own screen characters in understated, spare terms, culminating in fluid action scenes that end in loss and death. In this film, violence is itself critiqued; there is no joyful ending for the traditional code
of the West.

Object number W15684
Department Film - Work/Variant

Explore more

Licensing

Artwork or archival images

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

Audio and film clips

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit Circulating Film and Video Library.

Text from a publication or the archives

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please fill out this feedback form.