While working at a student-run laundry facility at Black Mountain College, Asawa found a rubber stamp with the school’s initials. Intrigued by its design potential, she applied the stamp to fabric with varying pressure in mirrored rows, forming undulating columns. The result was an allover pattern similar to that of a woven textile. Asawa’s experimentation with the orientation and overlapping of stamps allowed her to alter the letters’ visual forms, creating new shapes in the process—C’s facing each other, for example, create H’s.

Gallery label from

Ruth Asawa: A Retrospective, October 19, 2025–February 07, 2026

Gallery label from "Collection 1940s—1970s," 2019

Asawa created this work while she was in charge of the student-run laundry facility at Black Mountain College, an experimental art school in North Carolina. Moving in a pattern of rows and columns, she applied an inked laundry stamp with the college’s initials to a large portion of a bedsheet. Her systematic repetition causes the letters to merge and form a grid much like the warp and weft of a textile. The school encouraged students to mine the possibilities of unorthodox materials and processes, no matter how mundane. The patterns seen here anticipate the repetitive loops in the wire sculptures she would soon begin to make.

Medium Stamped ink on fabric sheeting
Dimensions sheet (unfolded): 36 3/4 × 45 1/2" (93.3 × 115.6 cm)
Credit Acquired through the generosity of Joshua and Filipa Fink
Object number 323.2018
Department Drawings and Prints

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