Outraged by the Cologne Dada group’s exclusion from exhibitions, Ernst and Johannes T. Baargeld used the single-issue journals they coedited, Bulletin D and Die Schammade, to publish Dada artworks, irreverent texts, wordplays, and scathing commentaries on the contemporary art establishment. The cover of Die Schammade pairs Arp’s abstract woodcut with Ernst’s “Dadameter,” a list of names that forges a connection between the small Cologne Dada group and leaders of the movement in Zurich and Paris. Schammade is a provocative made-up word combining the German scham (shame, or genitals) and made (maggot).
Gallery label from Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018.