Henri de Toulouse-Lautrec. Moulin Rouge, La Goulue. 1891

Henri de Toulouse-Lautrec Moulin Rouge, La Goulue 1891

  • MoMA, Floor 3, 3 South The Edward Steichen Galleries

A dancer kicks her right foot high, petticoats swirling, while the crowd, silhouetted against the low gaslight of the dance hall, forms a circle around her. Moulin Rouge, La Goulue was commissioned for the Moulin Rouge—a newly opened cabaret that aspired to be the most luxurious nightspot in Paris—and features a well-known cancan dancer whose stage name was La Goulue, or “the glutton”: Louise Weber, a laundress who had left the countryside to seek fame and fortune in the city.

This was the first poster by Toulouse-Lautrec, and it marked the start of his meteoric rise to recognition as one of the most innovative and influential printmakers of the late nineteenth century. The lithograph is ambitiously large—so big that it had to be printed on three separate sheets of paper—and compositionally audacious, using the white of the paper, essentially an unprinted, blank area, to serve as the central form of La Goulue’s skirts. Moulin Rouge, La Goulue is also a group portrait of Paris’s famed demimonde, the society of fringe celebrities whose various members, such as the dancer Jane Avril, the hostess Misia Natanson, and man-about-town William Warrener (all subjects in Toulouse-Lautrec’s other work), are identifiable, even as silhouettes, by their distinctive hats.

Publication excerpt from MoMA Highlights: 375 Works from The Museum of Modern Art, New York (New York: The Museum of Modern Art, 2019)
sheet (irreg.): 76 3/4 x 47 1/16" (195 x 119.5 cm)
Moulin Rouge, Paris
Affiches Américaines, Charles Lévy, Paris
one of a few known proofs
Acquired through the generosity of The Contemporary Drawing and Print Associates of The Museum of Modern Art, Marie-Josée and Henry R. Kravis, Jerry I. Speyer and Katherine Farley, The International Council of The Museum of Modern Art, Kathy and Richard S. Fuld, Jr., Agnes Gund, Marlene Hess and James D. Zirin, Donald B. Marron, Sue and Edgar Wachenheim III, Carol and Morton Rapp, Linda Goldstein, Leslie J. Garfield, and Susan and Glenn Lowry in memory of Riva Castleman
Object number
Drawings and Prints

Installation views

How we identified these works

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.

If you notice an error, please contact us at [email protected].


If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].


This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].