Lisa Oppenheim A Handley Page Halifax of No. 4 Group flies over the suburbs of Caen, France, during a major daylight raid to assist the Normandy land battle. 467 aircraft took part in the attack, which was originally intended to have bombed German strongpoints north of, Caen, but the bombing area was eventually shifted nearer the city because of the proximity of Allied troops to the original targets. The resulting bombing devastated the northern suburbs, 1944/2012 2012

  • Not on view

Oppenheim produces experimental films and photograms (photographs made without a camera). In Smoke and related works she uses the techniques of documentary photography to call the premises of the genre into question. She begins with the photo-sharing site Flickr, as a source for images of fire caused by natural or industrial disasters or bombing attacks (such as those over occupied France during World War II), and outputs segments of these pictures to create digital negatives. She then exposes photographic paper through the negatives, using firelight instead of the typical darkroom enlarger as a light source, then develops the photographic paper in solarol, a specially designed developer that creates a solarized effect, reversing lights and darks. The schism between the optical expressiveness of the pictures and the scientism of the captions (which are long, descriptive, and include the date and location of the event), shows that one’s understanding of the world is partial, that photography can only represent the world, and that the documentary genre is ultimately fraught with uncertainty.

Gallery label from New Photography 2013, September 14, 2013–January 6, 2014.
Five gelatin silver prints (photograms)
Overall (approx.): 24 × 110" (61 × 279.4 cm)
Fund for the Twenty-First Century
Object number
© 2024 Lisa Oppenheim

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