Schmidt-Rottluff and other members of the Brücke (Bridge) artists’ group devoted a large part of their practice to printmaking. They embraced woodcut, in particular, for the apparent rawness of its bold, rough-hewn surfaces. Schmidt-Rottluff took inspiration from traditional African sculptures that he saw in Dresden’s ethnographic museum to create the mask-like face and totem-like body of this figure posing in front of a mirror.
Gallery label from 2021
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