Schönfeldt employs irony in mock-pedantic works about the commodification of traditional African objects and turns the question of authenticity and commodity onto his own work. The artist’s depiction of three-headed female animals is inspired by Hindu, Assyrian, and Greco-Roman iconography and relates to his interest in pan-African religion.
Gallery label from Impressions from South Africa, 1965 to Now, March 23–August 14, 2011 .
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