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Daix, P. "Il n’y a pas d’art negre dans les Demoiselles d’Avignon." Gazette des Beaux-Arts, series 6, vol. 76, no. 1221 (October 1970): 247–270.

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Delbourgo, S. Etude de la Matière Picturale de Pablo Picasso. Ottawa: Comité
pour la conservation de l’ICOM 6éme Réunion triennale, 1981.

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The Early Years, 1892–1906. McCully, Marilyn, ed. The National Gallery of Art. Washington, D.C.: Yale University Press, 1997.

Hoog, M. "Les Demoiselles d’Avignon et la peinture à Paris en 1907–1908."
Gazette des Beaux-Arts, vol. 82 (October 1973): 212–215.

Joubin, A. "Le Studio de Jacques Doucet." L’Illustration, no. 4548 (May 1930): 17–20.

Kahnweiler, D-H. The Rise of Cubism. New York: Wittenborn, Schulz,
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Koussiaki, F. "’My Picture Is a Sum of Destructions,’ Pablo Picasso (1881–1973)."
Victoria & Albert Conservation Journal, no. 34 (spring 2000): 19–22.

Ministère de la Culture et de la Communication. Picasso: Oeuvres Reçus en
Paiement des Droits de Sucession. Paris–Grand Palais, 11 Oct 1979–7 Jan 1980.

Olivier, F. Picasso and His Friends. New York: Appleton-Century, 1965.

Rosenblum, R. "The Demoiselles d’Avignon Revisited." Art News, no. 72, no. 4 (April 1973): pp. 45-48.

Rosenblum, R. Cubism and Twentieth-Century Art. New York: Harry N. Abrams, 1976.

Rubin, W. et al. Les Demoiselles d’Avignon. The Museum of Modern Art. Studies in Modern Art 3. New York: Museum of Modern Art, 1994.

Rubin, W. Picasso in the Collection of The Museum of Modern Art. New York:
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Seckel, H. Les Demoiselles d’Avignon. 2 vols. Paris: Reunion des Musées
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Stein, L. Appreciation: Painting, Poetry and Prose. New York: Crown Publishers, 1947.

Steinberg, L. "The Philosophical Brothel." October, no. 44. (spring 1988): 7–74.

For an extensive bibliography of further reading on Les Demoiselles d'Avignon, see Rubin, W. et al. Les Demoiselles d’Avignon. The Museum of Modern Art. Studies in Modern Art 3. (listed above)