The humdrum life of a film archivist can occasionally be ameliorated by privileged moments. One of these was related to Intolerance (1916). Joseph Henabery (1888–1976) played Abraham Lincoln in The Birth of a Nation and had a small part in the French story of Intolerance. In 1916, under D. W. Griffith’s tutelage, he began a career as a director. Unlike some Griffith protégés (John Ford, Erich von Stroheim, Raoul Walsh), he never rose above the status of journeyman, although he did get to work with Douglas Fairbanks, Dorothy Gish, and Rudolph Valentino; he wound up making training films for the U.S. Army Signal Corps. Due to happy accident, Henabery’s real legacy lay elsewhere. When Griffith set out to recreate Babylon for Intolerance, he took a leaf from the book of Giovanni Pastrone, director of Cabiria (1914), doing serious research to ensure the authenticity of his recreation. Henabery was assigned to gather together photos and drawings of Babylonian buildings and art and compile them in a scrapbook for Griffith’s use. When Griffith’s papers were acquired by the museum by Iris Barry, the scrapbook was included. Henabery visited the Museum shortly before his death, and my colleagues and I had the pleasure of looking through his work of nearly sixty years earlier with him. The Babylonian set and the introductory crane shot that Griffith and cinematographer “Billy” Bitzer devised remain stunning. The movies had offered nothing like it before, and seldom had since.