It’s no secret that Ray Johnson’s tongue-in-cheek and often ambiguous style was meant to both highlight and obscure meaning through an appropriation of words and images. His life-long commitment to that practice is visible in a collection of correspondence sent to Robert Rauschenberg between the years 1952 and 1965, which is newly available in MoMA’s Archives. This collection—which includes small collages, newspaper clippings, postcards, and flyers—serves as an excellent example of Johnson’s enigmatic mail art of the 1950s and 1960s.
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