There’s a long history of dance and performance both inspiring and being influenced by the visual arts. The current MoMA exhibition On Line: Drawing Through the Twentieth Century, on view on the sixth floor, is full of examples of artists trying to capture dancers’ moving bodies in drawings, paintings and sculpture, as well as documenting them on film. If a line is the trace of a point in motion—an idea at the heart of On Line—then a human figure moving through space can be seen as a drawing in air, an insertion of drawing into the time and three-dimensional space of our lived world.
Posts tagged ‘Performance Exhibition Series’
In the video interview above, artists Allora & Calzadilla (Jennifer Allora and Guillermo Calzadilla) talk about their piece Stop, Repair, Prepare: Variations on “Ode to Joy” for a Prepared Piano, which is being performed at MoMA through January 11 as part of the Performance Exhibition Series. The duo have the remarkable talent for being playful and political at the same time. In their work they often juxtapose two contradicting elements, creating something new and unexpected. For Stop, Repair, Prepare: Variations on Ode to Joy for a Prepared Piano, the artists cut a hole in the middle of a grand piano and hired professional pianists to stand in it and play Beethoven’s “Ode to Joy,” upside down and in reverse, while walking the piano around the exhibition space. The result is a marvelous performance piece that is at first startling, then hilarious, and lastly, thought-provoking.
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