These notes accompany the screenings of Max Ophuls’s The Earrings of Madame de…on June 13, 14, and 15 in Theater 3.
A shot that does not call for tracks
Is agony for poor old Max,
Who, separated from his dolly,
Is wrapped in deepest melancholy.
These notes accompany the screenings of Max Ophuls’s The Earrings of Madame de…on June 13, 14, and 15 in Theater 3.
A shot that does not call for tracks
Is agony for poor old Max,
Who, separated from his dolly,
Is wrapped in deepest melancholy.
Le Plaisir, like Charles Chaplin’s The Circus</a>, has suffered neglect over the years because it happens to be sandwiched in between two of its director’s most famous films.
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