MoMA
Posts tagged ‘Max Ernst’
July 31, 2014  |  Artists, Collection & Exhibitions
MoMA’s Tiniest Drawing: A Max Ernst Microbe
Max Ernst (French, born Germany. 1891–1976). Adam and Eve Expelled from the Garden of Eden. 1946–47. Gouache on cardstock, 1/2" x 1 3/8" (1.4 x 3.6 cm). The Museum of Modern Art, New York. Gift of Pierre Matisse in memory of Patricia Kane Matisse. © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris

Max Ernst (French, born Germany. 1891–1976). Adam and Eve Expelled from the Garden of Eden. 1946–47. Gouache on cardstock, 1/2″ x 1 3/8″ (1.4 x 3.6 cm). The Museum of Modern Art, New York. Gift of Pierre Matisse in memory of Patricia Kane Matisse. © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris

One of the great privileges of being a curator at MoMA is firsthand access to the works that make up our outstanding collection. Yet, even in the case of the Drawings collection, with its share of easily handled, two-dimensional works, this access often begins with an exploration of our digital database. The basic information on a work—artist, title, date, etc.—is readily available here, and makes it an invaluable resource for early research on any project.

February 26, 2014  |  Artists, Collection & Exhibitions
Leonora Carrington’s House of Fear
Installation view of Artist/Novelist, The Museum of Modern Art, January 8–March 31, 2014. Photo: Jennifer Tobias

Installation view of Artist/Novelist, The Museum of Modern Art, January 8–March 31, 2014. Photo: Jennifer Tobias

Leonora Carrington and Max Ernst’s The House of Fear (La Maison de la peur) is currently on view in the mezzanine of MoMA’s Lewis B. and Dorothy Cullman Education and Research Building, as part of the display Artist/Novelist.

October 13, 2011  |  Artists, Collection & Exhibitions
Closing the Gap: Max Ernst through the Lens of the Lower East Side

A couple of weekends ago I walked around Manhattan’s Lower East Side in silence, holding a postcard with a rectangular hole cut out of it in front of me, seeing the city anew through a cardboard window. I was being led around by two artists on a “silent performative tour” of the area

December 17, 2009  |  Artists, Collection & Exhibitions
A Surrealist Sketchbook: Enrico Donati
Enrico Donati, American, born Italy. 1909-2008. Untitled (Sketchbook). c. 1944. Ink on paper ( three details shown), 10 x 8" (25.4 x 20.3 cm). The Museum of Modern Art, New York. Gift of Adele Donati. © The Museum of Modern Art, New York

Enrico Donati. Untitled (Sketchbook). c. 1944. Ink on paper (three details shown), 10 x 8" (25.4 x 20.3 cm). The Museum of Modern Art. Gift of Adele Donati. © 2009 The Museum of Modern Art

One of the little-known highlights in the collection of the Department of Drawings is our vast array of artists’ sketchbooks, which range from intimate diaristic notations and markings, to explicit studies for complete works in other mediums, to accomplished works unto themselves, rendered as carefully and thoughtfully as paintings, for example, of the same subject matter.

This past May we received, as a gift, an outstanding example of an artist’s sketchbook. Enrico Donati, who passed away last year at the age of 99, was considered to be “the last of the Surrealists.” His wife, Adele Donati, approached the Museum about donating one of his sketchbooks to the collection.