Mark has been a full-time preparator at the Museum for 22 years, as well as a practicing artist for over 40 years. He has exhibited extensively in the United States, Europe, and most recently in Asia. Mark’s unassuming, sweet demeanor belies an intelligent, articulate, and committed painter who has not shied away from experimenting and pushing his work in new directions. Take a look.
MoMA: When are you able to work on your artwork?
Evenings and weekends; I’m pretty disciplined about that. I look at each coming week and pencil in studio time. There is always something I can do even if it is 5 to 10 minutes. If I looked for the perfect block of time it would make it prohibitive to get any work done.
What is the best and worst part of being an artist working at the Museum?