When Joaquín Torres-García returned to his native Uruguay in 1934, he was 60 years old and had lived abroad for more than 40 years. During the first years of his American relocation, before he became the referential Master at Taller Torres-García, he founded and directed the Asociación de Arte Constructivo, the achronym for which—AAC—appears signed on most of his paintings from 1935 to 1938. During these years Torres-García created a series of black-and-white abstract paintings that constitute one of the most striking repertoires of synthetic abstraction ever produced in the Americas.
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