Two recent acquisitions on view in the exhibition I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, which just opened in the Drawings Galleries, prove that text-based art need not be disembodied. While On Kawara‘s series of telegrams sent to his Dutch gallerist—one of which lent the show its title—used neutral typewriting, modest scale, and the simplest of phrases to attest to a human presence, works by Fiona Banner and Paul Chan assert corporeality through scrawled handwriting, imposing size, and thick, evocative diction. This is art that describes the body at the same time that it re-creates it.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).
© Copyright 2016 The Museum of Modern Art