Katharine Hepburn, Montgomery Clift, and Elizabeth Taylor in Suddenly, Last Summer. 1959. USA. Directed by Joseph L. Mankiewicz
These notes accompany screenings of Joseph L. Mankiewicz’s </em>Suddenly, Last Summer</a> on March 20, 21, and 22 in Theater 3.</p>
I’ve included Suddenly, Last Summer not so much for its intrinsic virtues (of which it certainly has some) but more as a case study in how complicated auteurism can become
Vik Muniz. Action Photo, after Hans Namuth from Pictures of Chocolate. 1997. Chromogenic color print. The Museum of Modern Art. Gift of Patricia Phelps de Cisneros in honor of Adriana Cisneros de Griffin through the Latin American and Caribbean Fund. © The Estate of Hans Namuth and Vik Muniz/Licensed by VAGA, New York, NY
Vik Muniz is one of the smartest and funniest artists that I have had the pleasure of working with. Last year, as part of the Artist’s Choice exhibition series, Muniz curated a show drawn from the Museum’s collection, and I worked closely with him to realize the project, titled Rebus. Muniz’s installation was one of the most memorable exhibitions from the series, and it gave me insight into the artist’s working process. This collaboration resulted from a long and ongoing relationship—since Muniz first exhibited his work at MoMA in 1997 in New Photography 13, the Museum has been showing and collecting his photographs. MoMA has recently added to the collection a key picture by Muniz, Action Photo, after Hans Namuth from Pictures of Chocolate, and we hope to continue our exploration and appreciation of this leading artist’s work.
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