A selection of monotypes from the Museum’s collection currently on view highlights the unique qualities of this printmaking process and reflects an enduring interest in the monotype medium within the context of an extended investigation into one artist’s experimentation with the technique: the exhibition Edgar Degas: A Strange New Beauty. To create a monotype, an artist draws with ink or paint on a metal plate, which is then sandwiched with a damp sheet of paper and run through a printing press.
Posts tagged ‘Edgar Degas: A Strange New Beauty’
For the past five weeks, we have organized a series of weekly monotype printmaking workshops, Degas in Process: Make a Monotype, in conjunction with the exhibition Edgar Degas: A Strange New Beauty, on view on MoMA’s sixth floor through July 24. Taking Degas’s innovative use of the monotype as a starting point, these workshops are led by teaching artists—Justin Sanz, Sophy Naess, Neil Berger, Kerry Downey, and Bruce Waldman—each of whom brings a unique creative approach to their session and offers a glimpse into the sustained relevance of the monotype technique in contemporary artistic practice.
Looking at the exhibition Edgar Degas: A Strange New Beauty, one can immediately sense how strikingly modern the artworks feel, even after 120 years. Organized by senior curator Jodi Hauptman and curatorial assistant Heidi Hirschl, the show features the artist’s experimental and radical works that have rarely been attached to the widely conceived notion of “Degas” (two words: pink tutus).
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