Posts tagged ‘Catherine Seavitt’
Left: Long cylindrical palisade cells, the primary site of light absorption and photosynthesis, are found just below the upper surface of a leaf. Image courtesy University of Nevada, Las Vegas School of Life Sciences; Right: A merged GIS-based model of the New York-New Jersey Upper Bay, emphasizing the fluid continuity of topography and bathymetry. Deepest areas are indicated in dark blue, highest elevations in green. © Palisade Bay Team: Guy Nordenson and Associates, Catherine Seavitt Studio, and Architecture Research Office
Catherine Seavitt, AIA LEED AP, is the Principal of Catherine Seavitt Studio in New York and co-author, with Guy Nordenson and Adam Yarinsky, of the book On the Water: Palisade Bay.
As one of the authors of the 2007 Latrobe Prize study On the Water: Palisade Bay, the backstory project that led to the development of the MoMA Rising Currents workshop and exhibition, I often get asked the question, “How did you come up with the title Palisade Bay?” It’s a three-part answer.
In addition to the four teams working at P.S.1, MoMA has invited Adam Yarinsky and Architecture Research Office (ARO) to contribute to the Rising Currents project. ARO’s existing research will offer valuable contextual material for the exhibition, and a proposed solution for a site that encompasses Lower Manhattan. Here ARO gives an overview of their background as well as some initial design concepts and questions. You’ll hear more from all the teams next week.
Architecture Research Office is excited to join the teams of exceptional designers invited by MoMA to participate in Rising Currents. We come to this project after two years of research into the changing climate’s impact on New York City. Funded through the American Institute of Architects’ Latrobe Research Fellowship and conducted with structural engineer Guy Nordenson and landscape architect Catherine Seavitt, this study forms the basis of the Rising Currents workshop and exhibition. Our team studied everything we could about the Upper Bay—from its ecology to its history to its fluid-dynamic character. We learned that an era of elevated sea levels will produce more frequent and more severe storms, a challenge that necessitates a new relationship between the city and the water.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).
© Copyright 2016 The Museum of Modern Art