Posts tagged ‘Bruce Nauman’
April 10, 2014  |  Artists, Collection & Exhibitions
Another World
Installation view of <i>A World of Its Own: Photographic Practices in the Studio</i>, The Museum of Modern Art, February 8–October 5, 2014

Installation view of A World of Its Own: Photographic Practices in the Studio, The Museum of Modern Art, February 8–October 5, 2014

“Coming into Brancusi’s studio was like entering another world.” – Man Ray, 1963

Man Ray. Laboratory of the Future. 1935. Gelatin silver print

Man Ray. Laboratory of the Future. 1935. Gelatin silver print, 9 1/16 x 7″ (23.1 x 17.8 cm). The Museum of Modern Art, New York. Gift of James Johnson Sweeney. © 2014 Man Ray Trust/Artists Rights Society (ARS), New York/ADAGP, Paris

This short but evocative quote currently appears high on the wall just inside the entrance to The Edward Steichen Photography Galleries, on MoMA’s third floor.

October 10, 2012  |  Behind the Scenes, Library and Archives
Artists in Their Own Words: The MoMA Oral History Program

The transcripts of the Oral History Program have long been a central part of The  Museum of Modern Art Archives, known to many in scholarly circles as an unrivaled primary source for the collective memory of MoMA’s history.

August 19, 2010  |  Artists, Collection & Exhibitions
Bruce Nauman’s Days: Perspectives from the Curator and Visitors

Bruce Nauman. Days (installation view). 2009. One audio source consisting of seven stereo audio files, fourteen speakers, two amplifiers, and additional equipment. Dimensions variable. Audio (fourteen channels). Continuous play. The Museum of Modern Art, New York (Committee on Painting and Sculpture Funds, Gift of The Mimi and Peter Haas Fund, Agnes Gund, The Hess Foundation, Michael Ovitz, Jerry I. Speyer, Marie-Josée and Henry R. Kravis Foundation, Donald B. Marron, and The Jill and Peter Kraus Contemporary Acquisition Fund) and Emanuel Hoffmann Foundation, Basel, Switzerland.

Bruce Nauman’s exhibition Days, which currently occupies MoMA’s third-floor special exhibition gallery, provokes a reaction, if nothing else. One need wait only a moment in the sun-dappled corridor outside the entrance to witness a gallimaufry of expressions—grins, scowls, exclamations, sighs, guffaws—on the faces of people as they exit.

November 30, 2009  |  MoMA PS1
The Bruce High Quality Foundation Intervenes in 1969


One of the most interesting aspects of organizing exhibitions at P.S.1 is the focus on living artists. For the current 1969 exhibition—which explores a wide range of art in MoMA’s collection made during this turbulent year—we invited a younger group of artists to create interventions in the galleries that reflect and even disrupt the collection show. We included The Bruce High Quality Foundation as their work is rooted in artistic practices that emerged in the late ’60s, especially Bruce Nauman’s studio performances and Joseph Beuys’s conflation of art and broader society. Additionally, the collaborative nature of the Foundation resonates with many of the collective actions of the period. In keeping with their anonymous mode of operations, the Foundation secretly enacted this masked showdown with the 1969 artworks while the exhibition was being installed.