TELLUSTools. 2001. Double-LP. Composition: 12 1/4 x 24 5/8\
Long before the days of turntables and synthesizers, the composer John Cage revolutionized the way art saw music and music saw art with pieces like the infamous “4:33,” in which he took the stage, sat at the piano, prepared to play, and then sat in silence for four minutes and 33 seconds before exiting the stage. The legacy of Cage’s work is alive in many of the pieces on view in Looking at Music 3.0</a>, particularly in the work of Brian Eno, David Byrne, Christian Marclay, and John Zorn. Like Cage, these artists were invested in experimental composition and built their careers at the nexus between fine art, music, and performance.