MoMA is one of a network of museums in New York City and around the globe that often collaborate and support one another to facilitate scholarly and engaging exhibitions. One way that we do this is by loaning artworks to other institutions.
Posts in ‘Behind the Scenes’
On Loan: Claes Oldenburg’s Profile Airflow
MoMA’s Jackson Pollock Conservation Project: One Joins Echo
In our introductory post, we explained that Jackson Pollock’s 1950 painting, One, has been relocated to MoMA’s conservation studio for study and conservation.
Richard Serra’s Delineator Comes to MoMA

Richard Serra. Delineator. 1974-75. Installation view on fourth floor of MoMA’s Painting and Sculpture Galleries
Richard Serra’s Delineator (1974-75), in the Museum’s fourth-floor collection galleries, is the newest addition to MoMA’s collection of Painting and Sculpture. The work consists of two rectangular steel plates, each measuring 10’ x 26’ and weighing in at two and a half tons apiece.
Ecstatic Alphabets/Heaps of Language: Nora Schultz
Nora Schultz is a German artist working in Berlin whose work is currently included in the group exhibition Ecstatic Alphabets/Heaps of Language, on view until August 27, 2012.
Material Lab Is a Happening Space
As the Emily Fisher Landau Education Fellow, I work cross-departmentally to evaluate MoMA’s interpretive resources (labels, audio guides, etc.), exhibitions, programs, and new initiatives by interviewing, observing, and using other methods to help MoMA offer the best visitor experiences possible.
MoMA Library Explores Photography Manuals
Kids, animals, and pretty girls: amateur photography publications are full of them.
I recently discovered that it’s been that way since the earliest years of photography
Century of the Child Online
Century of the Child: Growing by Design, 1900–2000 is an exploration and celebration of modern design for children in the 20th century, bringing together designers and artists from around the world.
Where Is One? MoMA’s Jackson Pollock Conservation Project

Installation view of Jackson Pollock’s One: Number 31, 1950, at The Museum of Modern Art, New York. 1950. Oil and enamel paint on canvas. Sidney and Harriet Janis Collection Fund (by exchange). © 2012 Pollock-Krasner Foundation/Artists Rights Society (ARS), New York
Recent visitors to The Museum of Modern Art may have found themselves wandering through the Painting and Sculpture Galleries unable to shake the sense that something is awry.
Fritz Haeg on His Project for MoMA Studio: Common Senses

Panorama view of Domestic Integrity Field Part A-1 by artist Fritz Haeg, in MoMA’s Abby Aldrich Rockefeller Sculpture Garden. Photo courtesy of Fritz Haeg
In conjunction with MoMA’s upcoming exhibition Century of the Child: Growing by Design, 1900–2000, MoMA’s Department of Education presents MoMA Studio: Common Senses, a multisensory environment at the intersection of education, design, and art
Ecstatic Alphabets/Heaps of Language: A Q&A with Dexter Sinister, Part 1

Dexter Sinister (David Reinfurt and Stuart Bailey). Ecstatic Alphabets/Heaps of Language. 2012. Exhibition catalogue (cover), 224 pages plus insert, edited with Angie Keefer. With 13 “bulletins” by Andrew Blum, Pierre-André Boutang, Chris Evans, Angie Keefer, Bruno Latour, Louis Lüthi, Graham Meyer, Francis McKee, David Reinfurt, Dexter Sinister, Ian Svenonius, Benjamin Tiven, and Jessica Winter, and an essay by Laura Hoptman. Courtesy The Serving Library
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