These notes accompany the screenings of Yasujiro Ozu’s Tokyo Story on July 11, 12, and 13.
The writings of Andrew Sarris, who died June 20, are the inspiration for this series, and it is dedicated to him.
The writings of Andrew Sarris, who died June 20, are the inspiration for this series, and it is dedicated to him.
The Hollywood backstage musical had been a mainstay since the birth of the talkies.
These notes accompany the screenings of William Wyler’s Roman Holiday on June 27, 28, and 29.
How one relates to William Wyler (1902–1981) goes a long way toward delineating how one relates to the auteur theory.
These notes accompany the screenings of Kenji Mizoguchi’s Ugetsuon June 20, 21, and 22.
My uncle, Albert Green, was an internationally acclaimed ceramicist whose work is primarily in the collection of the Morris Museum in New Jersey.
These notes accompany the screenings of Max Ophuls’s The Earrings of Madame de…on June 13, 14, and 15 in Theater 3.
A shot that does not call for tracks
Is agony for poor old Max,
Who, separated from his dolly,
Is wrapped in deepest melancholy.
These notes accompany the screenings of Fritz Lang’s The Big Heat on June 6, 7, and 8 in Theater 3.
Fritz Lang (1890–1976) found his American sea legs with You Only Live Once (1937). In successive years, he adapted the themes of violence and fate that dominated his German films
For many Americans, Federico Fellini (1920–1993) is the very definition of foreign filmmaker.
These notes accompany the screenings of Fred Zinnemann’s High Noon on May 16, 17, and 18 in Theater 3.
Fred Zinnemann (1907–1997) fits comfortably into a group with such directors as Rouben Mamoulian (Applause), Lewis Milestone (All Quiet on the Western Front)
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