A postage stamp is a small, government-issued square of paper adhered to mail in order to enable its circulation. An artist’s stamp, in the simplest of terms, is an object that is related to a postage stamp in either its form or content, but which does not necessarily help deliver a letter.
Posts in ‘Artists’
Ecstatic Alphabets/Heaps of Language: A Q&A with Dexter Sinister, Part 2
Today’s post is a continuation of a Q&A with Dexter Sinister, the artist collective that contributed to the exhibition Ecstatic Alphabets/Heaps of Language (on view until August 27). In the previous post, they discussed their contribution to the show: the third issue of their journal Bulletins of The Serving Library doubling as the exhibition catalogue, plus a trailer. Here is the next part of the conversation…
Surface and Light: Liz Deschenes

Liz Deschenes. Moiré #25. 2009. Chromogenic color print, 54 1/16 x 40 1/8″ (137.3 x 101.9 cm). The Museum of Modern Art, New York. Fund for the Twenty-First Century. © 2012 Liz Deschenes
Moiré (from a French textile description) occurs when two patterns (meshes, concentric rings, grids, etc.) are overlaid, creating visual interference at their intersections.
Fritz Haeg on His Project for MoMA Studio: Common Senses

Panorama view of Domestic Integrity Field Part A-1 by artist Fritz Haeg, in MoMA’s Abby Aldrich Rockefeller Sculpture Garden. Photo courtesy of Fritz Haeg
In conjunction with MoMA’s upcoming exhibition Century of the Child: Growing by Design, 1900–2000, MoMA’s Department of Education presents MoMA Studio: Common Senses, a multisensory environment at the intersection of education, design, and art
Happy Independence Day from MoMA

Jasper Johns. Flags I. 1973. Screenprint, 27 3/8 x 35 1/4″ (69.5 x 89.5 cm). Publisher: the artist and Simca Print Artists Inc., New York. Printer: Simca Print Artists Inc., New York. Edition: artist’s proof before the edition of 65. Gift of Barbara Bertozzi Castelli, New York, 2011. © 2012 Jasper Johns/Licensed by VAGA, New York
In celebration of the Fourth of July, here’s an oh-so-appropriate recent acquisition to MoMA’s collection. Jasper Johns’s screenprint Flags I (1973) is currently on view in the exhibition New to the Print Collection: Matisse to Bourgeois</a>,
Ecstatic Alphabets/Heaps of Language: A Q&A with Dexter Sinister, Part 1

Dexter Sinister (David Reinfurt and Stuart Bailey). Ecstatic Alphabets/Heaps of Language. 2012. Exhibition catalogue (cover), 224 pages plus insert, edited with Angie Keefer. With 13 “bulletins” by Andrew Blum, Pierre-André Boutang, Chris Evans, Angie Keefer, Bruno Latour, Louis Lüthi, Graham Meyer, Francis McKee, David Reinfurt, Dexter Sinister, Ian Svenonius, Benjamin Tiven, and Jessica Winter, and an essay by Laura Hoptman. Courtesy The Serving Library
Endless Anagrams: Hans Bellmer and Anna Gaskell’s Imaginary Conversation

Hans Bellmer. The Doll. 1937. White ink on black paper. The Joan and Lester Avnet Collection. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris
In organizing the third-floor Drawings collection exhibition Exquisite Corpses: Drawing and Disfiguration, I opted to create groupings based on artists’ common strategies and themes rather than chronology.
Christian Marclay: Sound on Paper
Sound forms the nucleus of much of American artist Christian Marclay’s practice. From innovative sound collages, with turntables and records employed as instruments; to the splicing and reconstituting of physical records to create strange, jumping concoctions of melodies
Re-experiencing Frank O’Hara’s MoMA Lunch Breaks
In a classroom on the Lower East Side where I teach poetry writing to eighth-graders, two headlines preside over separate bulletin boards. One says: “What poets do.”
An Invitation to See
At MoMA we strive to enable all visitors to find meaning and pleasure in modern and contemporary art. This includes people who are blind or have low vision, who are able to enjoy the Museum’s collection and special exhibitions via touch and visual description through Touch Tours
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