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Posts by Charles Silver
July 10, 2012  |  An Auteurist History of Film
Yasujiro Ozu’s Tokyo Story

Tokyo Story. 1953. Japan. Directed by Yasujiro Ozu


These notes accompany the screenings of Yasujiro Ozu’s Tokyo Story on July 11, 12, and 13.

The writings of Andrew Sarris, who died June 20, are the inspiration for this series, and it is dedicated to him.

July 3, 2012  |  An Auteurist History of Film
Vincente Minnelli’s The Band Wagon

The Band Wagon. 1953. USA. Directed by Vincente Minnelli


These notes accompany the screenings of Vincente Minnelli’s The Band Wagon on July 4, 5, and 6.

The Hollywood backstage musical had been a mainstay since the birth of the talkies.

June 26, 2012  |  An Auteurist History of Film
William Wyler’s Roman Holiday

Roman Holiday. 1953. USA. Directed by William Wyler

These notes accompany the screenings of William Wyler’s Roman Holiday on June 27, 28, and 29.

How one relates to William Wyler (1902–1981) goes a long way toward delineating how one relates to the auteur theory.

June 19, 2012  |  An Auteurist History of Film
Kenji Mizoguchi’s Ugetsu

Ugetsu. 1953. Japan. Directed by Kenji Mizoguchi

These notes accompany the screenings of Kenji Mizoguchi’s Ugetsuon June 20, 21, and 22.

My uncle, Albert Green, was an internationally acclaimed ceramicist whose work is primarily in the collection of the Morris Museum in New Jersey.

June 12, 2012  |  An Auteurist History of Film
Max Ophuls’s The Earrings of Madame de…

The Earrings of Madame de…. 1953. France. Directed by Max Ophuls

These notes accompany the screenings of Max Ophuls’s The Earrings of Madame de…on June 13, 14, and 15 in Theater 3.

A shot that does not call for tracks
Is agony for poor old Max,
Who, separated from his dolly,
Is wrapped in deepest melancholy.

June 5, 2012  |  An Auteurist History of Film
Fritz Lang’s The Big Heat

Gloria Grahame and Glenn Ford in The Big Heat. 1953. USA. Directed by Fritz Lang

These notes accompany the screenings of Fritz Lang’s The Big Heat on June 6, 7, and 8 in Theater 3.

Fritz Lang (1890–1976) found his American sea legs with You Only Live Once (1937). In successive years, he adapted the themes of violence and fate that dominated his German films

May 29, 2012  |  An Auteurist History of Film
Alfred Hitchcock’s I Confess

I Confess. 1952. USA. Directed by Alfred Hitchcock

These notes accompany the screenings of Alfred Hitchcock’s I Confess on May 30 and 31 and June 1 in Theater 3.

Alfred Hitchcock (1899–1980) has thus far been represented in our series by Blackmail (1929) and Notorious

May 22, 2012  |  An Auteurist History of Film
Federico Fellini’s I Vitelloni (The Young and the Passionate)

I Vitelloni (The Young and the Passionate). 1953. Italy. Directed by Federico Fellini

These notes accompany the screenings of Federico Fellini’s I Vitelloni (The Young and the Passionate) on May 23, 24, and 25 in Theater 3.

For many Americans, Federico Fellini (1920–1993) is the very definition of foreign filmmaker.

May 15, 2012  |  An Auteurist History of Film
Fred Zinnemann’s High Noon

High Noon. 1952. USA. Directed by Fred Zinnemann

These notes accompany the screenings of Fred Zinnemann’s High Noon on May 16, 17, and 18 in Theater 3.

Fred Zinnemann (1907–1997) fits comfortably into a group with such directors as Rouben Mamoulian (Applause), Lewis Milestone (All Quiet on the Western Front)

May 8, 2012  |  An Auteurist History of Film
Kenji Mizoguchi’s The Life of Oharu

The Life of Oharu. 1952. Japan. Directed by Kenji Mizoguchi

These notes accompany the screenings of Kenji Mizoguchi’s The Life of Oharu on May 9, 10, and 11 in Theater 3.