Theo van Doesburg’s long-running publication (1917–32) was originally a movement magazine for the De Stijl artists in the Netherlands. By the 1920s, it had evolved into an international review of the European avant-garde as viewed through Van Doesburg’s editorial perspective. Through De Stijl, he was a central figure in the dispersal of key texts and in reporting on events like the Congress of Constructivists and Dadaists in Weimar (which Van Doesburg organized in 1922). Through these activities, Van Doesburg was in contact with other artist/designer/publishers, such as El Lissitzky, László Moholy-Nagy, Kurt Schwitters, and Lajos Kassák, and published translations and reproductions of their works in De Stijl.