John Cage's corner walk-up at 326 Monroe Street, near the Williamsburg Bridge, was the site of many fruitful exchanges between artists and musicians. Composer Morton Feldman and painter Ray Johnson lived upstairs, and visitors to the "Bozza Mansion" (named after Cage’s landlord) included composer and pianist David Tudor, Sari Dienes, poet M. C. Richards, composer Christian Wolff, choreographer Merce Cunningham, and Rauschenberg, among others. Cage’s loft had floor-to-ceiling windows that looked onto the river and over the Lower East Side. Cunningham dancer Carolyn Brown remembered Cage’s sparse apartment: "The floor was covered with jute matting and there were no curtains or blinds. The only thing in that apartment was a big piano with green plants on it. At night it felt free, available and open to all currents. Sounds and lights would come from the river and because there were no impediments, the air circulated freely around the apartment. The music's sound waves, people's thoughts and speech all seemed to flow…The place seemed to accurately reflect the man who lived there."