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Overview of the Collection |
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| Title: | Just Above Midtown Archives | |
| Inclusive Dates: | 1973-1995 | |
| Bulk Dates: | 1974-1989 | |
| Quantity: | 80.9 linear feet | |
| Abstract: | Records of the noted New York City gallery and performance space Just Above Midtown (active 1974-1989) and its founder and director Linda Goode Bryant. Contents include exhibition materials, business documents, correspondence, calendars and address books, photographs, slides, and sound and video recordings. Noted artists involved with the gallery include David Hammons, Senga Nengudi, Greg Tate, Lorna Simpson, Maren Hassinger, and Randy Williams. | |
Linda Goode Bryant founded the now-celebrated Just Above Midtown Gallery (JAM) in 1974 at 50 West 57th Street in New York City. At the time, 57th Street was the center of the New York commercial gallery community—galleries who largely exhibited only white artists. Goode Bryant, then 24 years old and an educator at the Studio Museum of Harlem, kept hearing of Black artists' experiences being rejected from those venues. She decided to open up her own non-profit gallery in the middle of the commercial district. In Goode Bryant's view, JAM opened not as a reactionary space, but as an inclusive, autonomous one; not a gallery just for Black artists, but for all artists regardless of race. JAM nonetheless became a haven for emerging Black artists to create, exhibit, and perform their work in the safety of a trusting and encouraging community. Artists who became early participants at JAM included David Hammons, Randy Williams, Valerie Maynard, Palmer Hayden, and Senga Nengudi. Similarly, JAM fostered the careers of staff and volunteers including Greg Tate, Randy Williams, Gylbert Coker, Janet Olivia Henry, Pat Cummings, Lowery Stokes Sims, Faythe Weaver, Horace Brockington, Kathleen Goncharov, Tony Whitfield, and AC Hudgins. JAM's inaugural exhibition Synthesis opened on November 19, 1974 which included works by David Hammons, Camille Billops, Valerie Maynard, and Randy Willims. JAM would put on a number of exhibitions and performances, as well as public programs to further foster the above-mentioned gallery community. One such program was Brunch at JAM, which offered an open buffet for a small price while patrons listened to an artist lecture or discussion.
JAM would stay at 50 West 57th Street until July 1979, when the building was sold and the rent drastically increased under new ownership. The gallery moved briefly to the southern tip of Manhattan at 32 Broadway for a year, near the tip of Manhattan, then to 178 Franklin Street in Tribeca, where they would stay for the next four years and which prompted a name change to Just Above Midtown/Downtown. In that space, JAM continued to put on exhibitions and performances, as well as creating new types of programming as a way to finance the gallery. The main example of this is Business of Being an Artist (BBA), formulated in 1982 as an educational program about entering into and freelancing in the art world as an artist. BBA was one of the first education and professional development programs of its kind. Similar to previous programs, it involved holding artist talks and panel discussions, but what made BBA unique was the recorded lectures and distribution of the VHS tapes to schools and other educational institutions. Videos featured JAM artists such as Howardena Pindell, David Hammons, Senga Nengudi, and others.
From 1974 into the early eighties, JAM had published a few exhibition catalogues, including KAPO: Paintings and Sculptures (1975) and Contextures (1978), but in 1982 they launched their first magazine, Black Currant, a quarterly artists' publication. They published four issues between 1982 and 1983, a full run of which can be found in folder II.C.13. Black Currant highlighted recent work from JAM artists and incorporated very little text, only occasionally including an artist's CV or artist statements. Janet Olivia Henry, an artist who exhibited at JAM, was at the forefront of the creative ideation and development of Black Currant and remained closely involved with JAM administrative operations.
In January 1984, JAM was evicted from 178 Franklin Street for nonpayment of rent and noise complaints. Staff worked out of a space at 225 Lafayette Street until September, when the gallery reopened in its final location at 503 Broadway in Soho. Around this time, Goode Bryant would create another subsidiary program to help finance the gallery, Corporation for Art and Television (CAT). CAT was imagined as a for-profit production facility with a tv studio and video equipment available for rental. Artists would be able to produce works of various media, including video, audio, computer animation, and photography. Goode Bryant also intended CAT to expand on JAM's ethos of experimentation and collaboration by hosting think tanks and yearly laboratory programs. Despite extensive preparation and research, CAT was never fully realized due to lack of funding.
In late 1986, JAM published their second quarterly magazine, B Culture, with Greg Tate and Craig Dennis Street heading the creative ideation and development. This publication, in contrast to Black Currant, featured articles and writings that explored contemporary art and culture and offered a space for artists and writers to engage in dialogue. JAM published three issues of B Culture between 1986 and 1987, a full run of which can be found in folder II.C.38*.
JAM's last exhibition, Sandra Payne's Most Definitely Not Profile Ladies, opened in July 1986, and in August of that year, they reluctantly closed down following a legal battle with the landlord. JAM staff would continue to host programming in other venues until 1989, when operations ceased entirely. Linda Goode Bryant left the gallery world to pursue other projects. She won a Guggenheim Fellowship and Peabody Award for directing and producing several documentary films, and most recently founded and runs two non-profit organizations dedicated to urban social change, Active Citizen Project (ACP) and Project EATS. For an extensive chronology, see the exhibition catalogue for Just Above Midtown: Changing Spaces edited by Thomas T. Lax and Lilia Taboada, pages 27–45, 87–113, and 149–161.
The Just Above Midtown Gallery (JAM) Archives presents a comprehensive record of the activities and operations of the noted New York City gallery, open from 1974 to 1986. The collection describes and documents the JAM's general operations and the multitude of exhibitions, public programs, and publications JAM produced. Material types include exhibition and performance announcements, posters, press releases, newspaper clippings, correspondence, advertisement mechanicals, invoices, monthly bills, personal calendars and notebooks, magazine page layouts and mockups, original photography, negatives, slides, audio interviews, and video and audio tapes. Records containing Personally Identifiable Information (PII) occur throughout the collection and have been separated and replaced with redacted copies.
The archive is organized into four series: I. Artist Files, II. Exhibitions and Programming Records, III. Administrative Records, and IV. Media. Series I contains the collected artist files kept by Linda Goode Bryant and other JAM staff, and the subseries divisions reflect the original divisions of the files. Artists who were involved with JAM or had previously been exhibited were split into male artist files and female artist files, subseries I.A and I.B, and non-exhibiting artists were kept as their own distinct group, subseries I.C. The artist files primarily contain collected material, rather than original documents, although files of some of the more well-known artists such as Sandra Payne, Senga Nengudi, and David Hammons will include correspondence, sketches, exhibition-related photographs, or other materials. The non-exhibiting artist files mainly consist of submissions sent to JAM from artists in the New York City area.
Materials documenting JAM's exhibitions and programming records can be found in Series II, with the main bulk of exhibition records located in subseries II.A. Materials include exhibition announcements, correspondence, notes and memos, posters, flyers, press releases, and more. Records of JAM's programming such as Business of Being an Artist and Corporation for Art and Television can be found in II.B and include research, planning, financial and other records. Subseries II.C contains records documenting JAM publications, including the magazines Black Currant and B Culture and a few exhibition catalogues. Records in this series include artwork submissions, subscription orders, essay drafts, copies of issues, mechanicals and dummy issues, sales, and advertising records.
Series III, Administrative Records, is the most extensive series in this collection. The series is organized into four subseries: III.A Correspondence and General Administration, III.B Financial and Legal, III.C Development, and III.D Real Estate. Founder Linda Goode Bryant remained director of JAM throughout its tenure while other employees came and went; the gallery often relied on volunteer and intern work from artists and art workers. Therefore, the majority of materials within this series were generated, received, and kept by Goode Bryant. The series was largely unorganized as received, though distinct groups of records were broken out into subseries. The main group of administrative records includes operational correspondence, maintenance issues, notes and research, job openings and applicants, and other organizational material. There are also groupings of particular materials including personnel files and yearly calendar notebooks, appointment books, and calendars which extensively detail JAM's day-to-day operations. Additional materials located here include JAM's official seal of incorporation and four rolodexes of contacts compiled by Goode Bryant. JAM's constant financial struggles are a notable part of its history. Subseries III.B and III.C document these difficulties, with III.B containing financial records detailing Goode Bryant's efforts to fund JAM's operations, including invoices, bills, payments, correspondence, checkbooks and other records, while Subseries III.C documents the ongoing search for grants and funding from corporate, charitable, and government sources. Equally integral to JAM's history is their several locations; their choice of an initial space on 57th Street and their subsequent evictions and moves farther south mirrored the migration of the larger art market. Records of their properties and search for spaces, including tenant correspondence, meeting notes, lease documents and insurance records, blueprints, building research, can be found in Subseries III.D.
Series IV comprises the audiovisual materials documenting performances and programs at JAM for wider distribution. This includes a comprehensive collection of slides of individual artists' works and installation images of exhibitions throughout JAM's spaces in Subseries IV.A. Slides were integral to the operation of JAM as artists would drop off slides of their work in order to be considered for exhibitions and representation. JAM's slide collection contains both artist submissions and JAM-generated images documenting exhibitions, installations, and performances. Series IV.B comprises audio and video recordings produced, collected, and preserved by Just Above Midtown. and includes all the recordings received as part of The Just Above Midtown Archives. Original recording formats include open reel sound recordings and audio tape cassettes; and U-Matic, U-Matic S, Betamax, and VHS video cassettes. The recordings are divided into three subseries. Subseries IV.B.i contains all extant recordings produced for the Business of Being an Artist (BBA) video project; Subseries IV.B.ii is a group of audio cassettes that record original, in-person Business of Being and Artist lectures and workshops held at JAM; and Subseries IV.B.iii is composed of all other sound and video recordings received as part of the JAM Archives including recordings of works performed at JAM and other recordings by JAM-associated artists. Finally, Subseries IV.C contains oral histories conducted in 2021 by Thomas T. Lax and Lilia Taboada as part of their preparation of the exhibition Just Above Midtown: Changing Spaces..
An extensive illustrated guide to JAM's history and its archives can be found at https://research.moma.org/jam-archives.
The records are open for research and contain few restricted materials. Where noted, materials containing sensitive Personally Identifiable Information (PII) have been separated and replaced with redacted copies.
Index Terms |
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| This collection is indexed under the following headings in the library catalog of The Museum of Modern Art. Researchers desiring materials about related topics, persons, or places should search the catalog using these headings. | ||
| Subjects: | ||
| Art dealers -- New York (N.Y.) | ||
| Art dealers -- New York (State) -- New York -- Archives | ||
| Art, Abstract | ||
| Art, American -- 20th century -- Sources | ||
| Artists' periodicals | ||
| Conceptual art -- United States -- Exhibitions | ||
| Museum of Modern Art (New York, N.Y.) -- Audio-Visual Archives | ||
| Performance art -- History -- Sources | ||
| Document Types: | ||
| Artist files | ||
| Audiocassettes | ||
| Business records | ||
| Exhibition catalogs | ||
| Magazines | ||
| Personal papers | ||
| Photographs | ||
| Slides (photographs) | ||
| Videocassettes | ||
Within the MoMA Archives, folders related to JAM artists and the gallery itself can be found in the MoMA PS1 Archives, the MoMA Exhibition Records, and Political Art Documentation and Distribution (PAD/D) Archive, a New York City art group operating at the same time as JAM. Additional copies of many JAM publications may be found in the MoMA Library and, as many JAM artists have risen to prominence, the Library also has a significant collection of artist files, exhibition catalogues, and other materials documenting their careers. The library also has the artist files collected by Franklin Furnace, another alternative art space in New York City and a frequent collaborator of JAM. Outside of MoMA, documents related to JAM and artists' interactions with the gallery can also be found in individual artist's papers at the Archives of American Art, including the Lowery Stokes Sims Papers, Senga Nengudi Papers, and the Maren Hassinger Papers. Additionally, oral histories and other research materials can be found in The Camille Billops and James V. Hatch Archives at Emory University, a collection devoted to the subject of 20th-century African American arts and letters.
Records in this collection were generated or received by Linda Goode Bryant during the operation of the JAM gallery and after. After JAM ceased operation, the records remained in Goode Bryant's possession, moving between residential apartments and commercial storage units until receipt by MoMA in 2021.
The Just Above Midtown records were received by the MoMA Archives on deposit in July 2021 to facilitate research for the exhibition Just Above Midtown: Changing Spaces. Following the show in April 2023, a grant from the Mellon Foundation enabled the Archives to gain permanent custody of the records and formally establish the JAM Archives.
Published citations should take the following form:
Long version: Just Above Midtown Archives, [series.folder]. The Museum of Modern Art Archives, New York.
Short version: JAM, [series.folder]. MoMA Archives, NY.
While materials are generally in good condition, some fragile documents and photographs have been interleaved with acid-free paper or placed in Mylar sleeves as appropriate. All items have been rehoused in acid-free archival folders. All files have been kept in their original order when possible. Folder titles generally reflect the original written title of the folder before processing and rehousing. If no title existed then one was created. Oversized items have been flattened and put into oversize acid-free folders and boxes.
Series I: Artist Files |
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Series I consists of received materials from both JAM exhibiting artists and artist submissions for consideration. The artist files were originally organized into male artist files, female artist files, and mixed artist files. Male and female artist files contained files for JAM exhibiting artists, which are in Series I.A and I.B., and the mixed artist files were files for artists who had submitted work examples for consideration, which can be found in I.C. Folders primarily include CVs, press clippings, letters of interest, exhibition ephemera, and slides of artworks. There are some files for exhibiting JAM artists files in the Non Exhibiting boxes, which have been recorded and moved to the correct series. |
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Subseries I.A: Male Artist Files |
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| Folder | Title | Date |
| I.A.1 | Charles Abramson Contains an exhibition catalogue for Spaces V, Amelie A. Wallace Gallery, SUNY College at Old Westbury, March 2–March 26, 1981. Folder originally filed in I.C Non-Exhibiting Artists. |
1981 |
| I.A.2 | Arnie Achtman Correspondence. |
1981-1982 |
| I.A.3 | Richard R. Armijo Press release for a window installation at The New Museum, press clippings, and a checklist for JAM exhibition Richard R. Armijo: Recent Pictures, December 2–22, 1982. Folder originally filed in I.C Non-Exhibiting Artists. |
1982 |
| I.A.4 | Bimal Banerjee Includes a list of works with prices, a copy of exhibition catalogue for Remains-The Artist in Environment, Hofstra University, November 14–December 21, 1979. |
1973-1978 |
| I.A.5* | Bimal Banerjee Exhibition posters for Carbontransfer, Columbia University, March 21–April 14, 1978 and JAM, May 6–June 3, 1978. |
1978 |
| I.A.6 | Culverson Blair | 1974 |
| I.A.7 | David Boxer | 1976 |
| I.A.8 | Craig Bromberg | 1983 |
| I.A.9 | Daryl Chin Includes a mockup of a brochure. |
1980-1983 |
| I.A.10 | Albert Chong Includes correspondence, and a checklist with prices for JAM exhibition Albert Chong: Color Photographs, December 8, 1983–January 7, 1984. |
1983 |
| I.A.11 | Yoshiko Chuma Includes performance photographs. |
1984 |
| I.A.12* | Yoshiko Chuma Poster for 5 Car Pile-Up, Danspace, April 14–17, 1983. |
1983 |
| I.A.13 | Houston Conwill (Folder 1 of 2) Includes correspondence with David Hammons and Linda Goode Bryant, installation photos, and loan agreements. Artwork photographs were shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1978-1982 |
| I.A.14 | Houston Conwill (Folder 2 of 2) Includes copies of periodicals Neworld (February/March 1979) and Black Art: An International Quarterly 3 no. 3 (1979). |
1978-1982 |
| I.A.15 | Michael Creighton | 1981-1982 |
| I.A.16 | Jean-Paul Curtay Includes mockup of a press release, and correspondence. |
1982 |
| I.A.17 | Alonzo Davis Includes exhibition catalogue for Varying Directions of Contemporary Black Artists, Otis Art Institute Gallery, January 26–February 23, 1975. |
1970-1979 |
| I.A.18 | Willis Davis | 1975 |
| I.A.19 | Michael Desiano Includes price sheet. |
1981 |
| I.A.20 | Landres Dessisso | 1975 |
| I.A.21 | John E. Dowell, Jr. Includes correspondence, and exhibition catalogues for Recent Drawings and Prints, Lunn Gallery, September 18–October 10, 1973, and Recent Works, A.J. Wood Galleries, December 2–January 12, 1979. |
1977-1982 |
| I.A.22 | Ed Epping Includes correspondence. |
1981-1982 |
| I.A.23 | Peter Feldstein Includes correspondence, receipts, and a price list. |
1977-1981 |
| I.A.24 | Joshua Fried Includes correspondence, press releases and tickets for JAM music performance Joshua Fried on February 19, 1983, and resume. Personal information redacted. Folder originally filed in I.C Non-Exhibiting Artists. Restricted material removed: Original unredacted document(s) containing PII. |
1983 |
| I.A.25 | Carl Goldhagen | 1983 |
| I.A.26 | Bill Gordh | 1981 |
| I.A.27 | Mel Green Includes correspondence and receipt of artwork sales. |
1975-1977 |
| I.A.28 | Jeffrey Greenberg Invitation for JAM performance Her Clow Looks for Work. The Audience Prepares. Careful Actions in the Cold and Dark, December 15th, 1983. Folder originally filed in I.C Non-Exhibiting Artists. |
1982-1983 |
| I.A.29 | David Hammons (Folder 1 of 3) Includes photographs of Hammons creating his body prints. |
1975-1998 |
| I.A.30 | David Hammons (Folder 2 of 3) Includes exhibition catalogue for Between Objects and Illusions, Robeson Gallery at Rutgers University, June 18–September 5, 1980. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1975-1998 |
| I.A.31 | David Hammons (Folder 3 of 3) Includes a collaged photograph and a sketch for the exhibition invitation for JAM exhibition Dreadlock Series, April 6–26, 1976, and photographs of Hammons creating his body prints. All items in the folder were shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1975-1998 |
| I.A.32 | David Hammons Articles (Folder 1 of 3) | 1976-1981 |
| I.A.33 | David Hammons Articles (Folder 2 of 3) Includes exhibition catalogues for Art on Paper: Witherspoon Annual Exhibition, Witherspoon Art Gallery at The University of North Carolina at Greensboro, November 19–December 17, 1978; Wall Works, the Alternative Center for International Arts, November 29–December 30, 1978; Visual Politics, the Alternative Museum, April 17–May 22, 1982; Migraciones, El Museo de Arte Moderno la Tertulia, December 1976; Migrations, Gallery of Art at Howard University, August 28–September 23, 1978; and Jus'Jass: Correlations of Painting and Afro-American Classical Music, Kenkeleba Gallery, October 28–December 4, 1978. |
1976-1982 |
| I.A.34 | David Hammons Articles (Folder 3 of 3) | 1976-1982 |
| I.A.35 | David Hammons Guggenheim Fellowship Application Includes personal correspondence and drawings of artworks. |
1978-1984 |
| I.A.36* | David Hammons Includes exhibition posters for JAM exhibition Naming Things: A Collaboration by David Hammons, Bill T. Jones, and Philip Mallory Jones, September 29–October 1, 1983; Spaces V with David Hammons, Charles Abramson, and Jorge Rodriguez, Amelie A. Wallace Gallery at the State University of New York College at Old Westbury, March 2–28, 1981; and Migrations: A National Exhibition of African-American Printmakers, the Gallery of Art at the College of Fine Arts at Howard University, August 28–September 23, 1978, and an enlarged portion of a contact sheet depicting an unknown performance. |
undated |
| I.A.37 | Bill Harris Includes correspondence. |
1976-1977 |
| I.A.38 | Joe Harris | 1976 |
| I.A.39 | Palmer C. Hayden—Bio Includes drafts of a biography. |
1975-1978 |
| I.A.40 | Palmer C. Hayden—Exhibitions (Folder 1 of 2) Includes exhibition invitations and exhibition catalogues for JAM exhibition The Many Facets of Palmer Hayden (1890–1973), February 15–March 5, 1977. |
1975-1978 |
| I.A.41 | Palmer C. Hayden—Exhibitions (Folder 1 of 2) Includes photographs and negatives of artworks, correspondence, and a certificate of insurance. |
1975-1978 |
| I.A.42 | Palmer C. Hayden—Lists Includes slides and a list of works for the JAM exhibition Unseen Watercolors and Drawings (January 25, 1975-unknown closing date), a receipt of works from the Metropolitan Museum of Art, official gallery records including list ofworks, and sales and financial statements. |
1975-1978 |
| I.A.43 | Palmer C. Hayden—Press Contains press articles, and exhibition catalogues for The John Henry Series and Paintings Reflecting the Theme of Afro–American Folklore, Fisk University, February 22–March 20, 1970; Southern Scenes and City Streets, The Studio Museum in Harlem, March 17–April 21 1974; the first annual Black and Hispanic Arts and Humanities Festival, Stuyvesant Restoration, August 16–24, 1980, and Golden Opportunity Gallery 62, September 18–November 30, 1978. |
1970-1978 |
| I.A.44 | Headley Includes correspondence. |
1982 |
| I.A.45 | Edgar Heap of Birds Includes exhibition catalogue for I-80 Series: Edgar Heap of Birds, Joslyn Art Museum in Omaha, Nebraska, August 21–October 17, 1982. |
1968 |
| I.A.46* | Edgar Heap of Birds Poster titled Natural Living People. |
1983 |
| I.A.47 | Bert Hechanova Includes shipping documents, and a list of artworks. |
1981 |
| I.A.48 | Fred Holland | 1984 |
| I.A.49 | Noah Jemison Includes financial correspondence and documentation. |
1976-1979 |
| I.A.50 | Ulysses Jenkins | 1978-1981 |
| I.A.51 | John Jesurun | 1983 |
| I.A.52 | Bill T. Jones | 1981 |
| I.A.53 | KAPO Includes two copies of the exhibition catalogue for the JAM exhibition KAPO: Paintings and Sculptures, February 17–March 8, 1975, a guest list for the opening, budget and financial documents, and handwritten notes. |
1981 |
| I.A.54 | Winston Kennedy Includes sales receipt. |
1974-1975 |
| I.A.55 | Michael Kirby Flyer for a screening of The Alchemical Caligari at JAM, October 19–28, 1981. Folder originally filed in I.C Non-Exhibiting Artists. |
1981-1982 |
| I.A.56 | David Lampson | 1976-1977 |
| I.A.57 | Hugh Levick Includes financial documents. |
1982-1983 |
| I.A.58 | Norman Lewis | 1979 |
| I.A.59 | Leo Lightning Includes financial documents. |
1982 |
| I.A.60 | Louis Lopes Includes a 7" vinyl record titled Ovenmen by Ovenman and Marc Maniac. |
1982 |
| I.A.61 | Leonard Mainor | 1982 |
| I.A.62 | Phillip Mallory Jones Photocopies of a poster for the JAM performance series Naming Things: A Collaboration by David Hammons, Bill T. Jones, and Philip Mallory Jones, September 29–October 1, 1983. Folder originally filed in I.C Non-Exhibiting Artists. |
1983 |
| I.A.63* | Phillip Mallory Jones Folder originally filed in I.C Non-Exhibiting Artists. Exhibition poster was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
undated |
| I.A.64 | Jeff McMahon Includes performance photographs and JAM press releases. Folder originally filed in I.C Non-Exhibiting Artists. |
1983 |
| I.A.65* | Jeff McMahon Poster for performance titled Rate of Exchange at P.S. 122, December 17–19, 1983. Folder originally filed in I.C Non-Exhibiting Artists. |
1983 |
| I.A.66 | Brad Melamed Includes small handbound, printed books titled Anniversaries, I Was Born in 1954, Barricades in Suburbia, and Skeletons in My Closet. |
1982 |
| I.A.67 | Thom Metzger (Metzger Landers Seman) | 1984 |
| I.A.68 | George Mingo | 1981-1983 |
| I.A.69 | Milton Moss | 1976 |
| I.A.70 | George Osterman Includes Osterman's screenplay for Sherri's Birthday. |
1983 |
| I.A.71 | Frank Parker Includes annotated blueprints of the JAM/Downtown gallery. |
1982 |
| I.A.72 | Joe Pat Parker | 1982 |
| I.A.73 | John Perry III Includes a price list for photographs. |
1983 |
| I.A.74 | Russell Redmond | 1981-1982 |
| I.A.75 | Vernon Reid Contains a photocopy of an article from the Brooklyn newspaper The City Sun, January 29–February 4, 1986. |
1986 |
| I.A.76 | Geo Ripley | 1982 |
| I.A.77 | Jacques Roch | 1983 |
| I.A.78 | Jorge Rodriguez (Folder 1 of 2) Includes essays from student participants in the JAM Art Museum Program, created by Rodriguez during his time as an Artist-In-Residence. Rodriguez would work with schools to organize museum visits for children to better understand art history. |
1983-1984 |
| I.A.79 | Jorge Rodriguez (Folder 2 of 2) Includes exhibition catalogue for Spaces V: Charles Abramson, David Hammons, Jorge Rodriguez, Amelie A. Wallace Gallery at SUNY College at Old Westbury, March 2–26, 1981. Also includes financial documents. |
1976-1978 |
| I.A.80* | Jorge Rodriguez Poster for Spaces V at Amelie A. Wallace Gallery at the State University of New York at Old Westbury, March 2–26, 1981. |
1981 |
| I.A.81 | ROHO | 1974 |
| I.A.82 | Eric Schmidt Includes transcript of JAM performance The Piano Above Heaven on November 4, 1984. |
1983-1984 |
| I.A.83* | Eric Schmidt Poster for JAM performance The Piano Above Heaven on November 4, 1984. |
1984 |
| I.A.84 | Rick Schwab Includes a list of sculptural installations and prices, a press release for JAM exhibition Sculptural Installation, March 6–27, 1982. Also includes hand-drawn diagrams for installations, and correspondence. Folder originally filed in I.C Non-Exhibiting Artists. |
1980-1982 |
| I.A.85 | Smith Brothers | 1983 |
| I.A.86 | Peter Stickland Includes press releases, financial records, and mailing lists. Folder originally filed in I.C Non-Exhibiting Artists. |
1982 |
| I.A.87 | Greg Tate | 1987 |
| I.A.88 | Russ Thompson Includes extensive handwritten correspondence with Linda Goode Bryant, financial documents, and price lists. |
1974-1977 |
| I.A.89 | Francesc Torres Press packet. |
1984 |
| I.A.90 | Dennis de Visscher Press releases and flyers for Knife Dance performance at JAM on February 16, 1983. |
1981-1983 |
| I.A.91 | Stuart White Contains photographs of artworks. |
undated |
| I.A.92 | Tim Wilkins Includes sales receipts. |
1975 |
| I.A.93 | Payton Wilkinson (Tim Siciliano) | 1983 |
| I.A.94 | Aubrey Williams Includes CV. |
undated |
| I.A.95 | Randolph (Randy) Williams (Folder 1 of 2) Includes exhibition catalogue for 35 Under 35, Lever House, August 4–21, 1980. |
1977-1981 |
| I.A.96 | Randolph (Randy) Williams (Folder 2 of 2) Includes artwork photographs. |
1977-1981 |
| I.A.97 | William T. Williams Includes exhibition catalogue for Recent Works by Manuel Hughes, William T. Williams, and Jack Whitten, Alternative Center for International Arts, April 21–May 19, 1979. |
1979 |
| I.A.98 | Richard Winston Contains a single receipt of works to JAM. |
undated |
| I.A.99 | Albert Wong Folder originally filed in I.C Non-Exhibiting Artists. |
1980-1983 |
| I.A.100 | Roy Woodruff Contains a single receipt of works to JAM. |
1976 |
| I.A.101 | Toshuhusa Yoda Includes exhibition catalogue for Art Today '80: Toeko Tatsuno, Yoshiro Negishi, and Toshihisa Yoda, Seibu Museum of Art, November 15–December 17, 1980, a list of works at JAM, and bills. |
1980-1981 |
Subseries I.B: Female Artist Files |
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| Folder | Title | Date |
| I.B.1 | Arlene Absatz | 1977 |
| I.B.2 | Jeanette Adams Includes copies of poetry books Love Lyrics (1982), Sukari (1979), and Picture Me in a Poem (1980). |
1982 |
| I.B.3 | Adrienne Allenhaus | 1983 |
| I.B.4 | Cathryn Arcomano | 1978 |
| I.B.5 | Joelle Ballonzoli Includes financial documents. |
1982 |
| I.B.6 | Cathey Billian and Mel Wong Includes notes, press releases, press, and correspondence. |
1983-1984 |
| I.B.7* | Cathey Billian and Mel Wong Two copies of an exhibition poster for Future Antiquities, Whitney Museum of American Art, May 18–22, 1984. |
1984 |
| I.B.8 | Cathy Billian Includes catalogue for Light: Recent Issues in Illumination, Morris Museum of Arts and Sciences, November 21–January 3, 1983 and Emily Lowe Gallery, February 13–March 13, 1983, a letter of recommendation from Linda Goode Bryant, and an exhibition catalogue for Between Object and Illusion, Rutgers University, June 18–September 5, 1980. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1980-1983 |
| I.B.9 | Sydney Blum | 1980-1984 |
| I.B.10 | Lenora Champagne Folder originally filed in I.C Non-Exhibiting Artists. |
1983 |
| I.B.11 | Barbara Chase-Riboud Includes receipt of works. |
1978 |
| I.B.12 | Susan Ruth Cohen | 1984 |
| I.B.13 | Blondell Cummings Contains single article from the New York Daily News, November 7, 1982. |
1982 |
| I.B.14 | Susan Dallas-Swann | 1979-1982 |
| I.B.15* | Susan Dallas-Swann Poster for Light Duck Opera at the University of Massachusetts Hampden Theater, March 12–13, 1982. |
1982 |
| I.B.16 | Julia Demaree Includes untitled handbound and printed book of poetry by Demaree. |
1981 |
| I.B.17 | Naomi Dickerson Includes the exhibition catalogue for At Cranbrook: Downtown Detroit: Twenty-one Artists, '79, Cranbrook Museum of Art, November 20, 1979–January 20, 1980. |
1981-1982 |
| I.B.18 | Jane Dickson | 1982 |
| I.B.19 | Marjorie DiLascia Includes receipt of works. |
1976 |
| I.B.20 | Dinosaur | 1982 |
| I.B.21 | Marcy R. Edelstein Includes price list. |
1979-1981 |
| I.B.22 | Marianne Edwards Includes a loan agreement. |
1983 |
| I.B.23 | Meg Eginton | 1983 |
| I.B.24 | Wendy Ward Ehlers Includes sketches of shirts. |
1977-1980 |
| I.B.25 | Eve Eisenstadt | 1981 |
| I.B.26 | Beth Elliot Images of artworks. |
undated |
| I.B.27 | Shelley Farkas | 1977-1980 |
| I.B.28 | Ellen Fischer Contains single sheet resume. |
undated |
| I.B.29 | Susan Fitzsimmons | 1977-1979 |
| I.B.30 | Jo Ann Freeman | 1983-1984 |
| I.B.31 | Barbara Garber | 1983 |
| I.B.32 | Hope Gillerman Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1983 |
| I.B.33 | Ilona Granet | 1982 |
| I.B.34 | Jessica Hagedorn and the Gangster Choir | 1983 |
| I.B.35 | Gini Hamilton | 1979 |
| I.B.36 | Carol Hamoy | 1981 |
| I.B.37 | Maren Hassinger Includes shipping documents. |
1978-1981 |
| I.B.38 | Cynthia Hawkins Includes Art Now/New York Gallery Guide 11 no.5 (January 1981). |
1980-1981 |
| I.B.39 | Anne Heimann Includes shipping documents. |
1981-1982 |
| I.B.40 | Nona Hendryx The Art of Defence Press Packet | 1984 |
| I.B.41* | Nona Hendryx The Art of Defence Press Packet | 1984 |
| I.B.42 | Donna Henes | 1980 |
| I.B.43 | Janet Henry | 1983 |
| I.B.44 | Adrienne Hoard Includes exhibition catalogue for Adrienne W. Hoard. Prints, Paintings and Drawings, The Studio Museum in Harlem, September 18–November 6, 1977. |
1977 |
| I.B.45 | Roni Hoffman | 1980 |
| I.B.46 | Earnestine Rainey Huff (James Huff) Includes catalogues for the 1975 traveling exhibition Portraits of Dignity, and the 1976 traveling exhibition James and E. Rainey Huff. |
1976-1977 |
| I.B.47 | Suzanne Jackson Includes copies of Jackson's books of poetry and artworks Animal (1978) and What I Love (1972). |
1972-1978 |
| I.B.48 | Jennifer Jazz Includes a screenplay for I Heard About Your Cat and A Table by the Window. |
undated |
| I.B.49 | Tamara Jenkins | 1986 |
| I.B.50 | Jerilyn Juriner | 1981 |
| I.B.51 | Lisa Karrer and Roberta Levine Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1983 |
| I.B.52 | Adrienne Kennedy Includes the script for Funnyhouse of a Negro: A Play in One Act (1969), and the script for the one-act play A Movie Star Has to Star in Black and White (1976). |
1982 |
| I.B.53 | Cynthia Kuebel | 1981 |
| I.B.54 | Barbara Lehman Folder originally filed in I.C Non-Exhibiting Artists. |
1983 |
| I.B.55* | Barbara Lehman Poster for the JAM performance The Beautiful Princess Sings, November 4, 1983. Folder originally filed in I.C Non-Exhibiting Artists. |
1983 |
| I.B.56 | Fern Logan | undated |
| I.B.57 | JoAnn MacFarlane | 1982 |
| I.B.58 | Valerie Maynard (Folder 1 of 2) Includes shipping documents. |
1975-1977 |
| I.B.59 | Valerie Maynard (Folder 2 of 2) Includes exhibition catalogue Sons and Others. Women Artists See Men, The Queens Museum, March 15–April 27, 1975, and Journal of the National Medical Association 69 no. 8 (August 1977). |
1975 |
| I.B.60 | Sandra McKee | 1983 |
| I.B.61 | Margaret Miller | 1979-1981 |
| I.B.62 | Susan Mogul Includes issue of Images and Issues (March/April 1984). |
1981-1983 |
| I.B.63* | Susan Mogul Exhibition posters for the installation and performance Waiting at the Soda Fountain, Los Angeles Institute of Contemporary Art, February 3–27, 1980, and Poster for Waiting at the Soda Fountain [here titled Waiting at Columbia] at the restaurant Columbia Coffee Shop, Hollywood, California, June 25–July 21, 1979. |
1980 |
| I.B.64 | Linda Montano | 1983 |
| I.B.65 | Jeanna Moutoussamy Includes financial statements, shipping documents, and a price list. |
1978 |
| I.B.66 | Wenke Muhleisen | 1982 |
| I.B.67 | Judy Negron | 1977 |
| I.B.68 | Senga Nengudi (Folder 1 of 2) Includes a book of sketches, installation photos, shipping documents, financial statements, and exhibition catalogues for Remains-The Artist in Environment, Emily Lowe Gallery at Hofstra University, November 11–December 21, 1979; and Dialects of Isolation, A.I.R. Gallery, September 2–20, 1980. |
1973-1981 |
| I.B.69 | Senga Nengudi (Folder 2 of 2) Includes Art Now/New York Gallery Guide 11 no.6 (February 1981). |
1981 |
| I.B.70* | Senga Nengudi, R.S.V.P. Exhibition Poster Exhibition held at JAM, March 8–26, 1977. Exhibition poster was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1977 |
| I.B.71 | Linda Nishio Contains a copy of Nishio's book A Short Story, II. |
1979 |
| I.B.72 | Hope Oillerman Contains single sheet of handwritten notes. |
undated |
| I.B.73 | Sandra Payne Includes Art Now/New York Gallery Guide 11 no.5 (January 1981). |
undated |
| I.B.74 | Alize Phillips Includes exhibition catalogues for 15 New Talents: A 15th Anniversary Exhibition, The Aldrich Museum, September 16–December 16th, 1979 and Contemporary Reflections 1976–1977, The Aldrich Museum, May 7–September 5, 1977. |
1978-1980 |
| I.B.75 | Howardena Pindell (Folder 1 of 2) Includes Art Now/New York Gallery Guide 8 no.3 (November 1977), shipping documents and a loan receipt. |
1976-1981 |
| I.B.76 | Howardena Pindell (Folder 2 of 2) Includes loan agreement, and Portfolio: The Magazine of the Visual Arts 11 no.1 (February/March 1980). |
1976-1981 |
| I.B.77 | Adrian Piper (Folder 1 of 2) Folder originally labeled "The Decade Show. Spring 1984." |
1984 |
| I.B.78 | Adrian Piper (Folder 2 of 2) Copies of press articles. |
1976-1984 |
| I.B.79 | Nancy Prager Includes a list of sales. |
1975-1976 |
| I.B.80 | Renee A. Riley | 1974 |
| I.B.81 | Megan Roberts and Raymond Ghirardo | 1982 |
| I.B.82 | Betsy Rosenwald Includes March 1983 exhibition schedule. |
1983 |
| I.B.83 | Czashka Ross Includes an application for a grant from The Canada Council. |
1981-1982 |
| I.B.84 | Betye Saar Contains press articles and a CV. |
undated |
| I.B.85 | Kiki Smith Contains honorarium documentation. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1986 |
| I.B.86 | Kit-Yin Snyder | 1981-1989 |
| I.B.87 | Spiderwoman Theater | undated |
| I.B.88 | Shirley Stark | 1976-1977 |
| I.B.89 | Judith Stiles | 1978 |
| I.B.90* | Judith Stiles Handwritten correspondence from Stiles to Linda Goode Bryant on the back of an exhibition poster for Hole Construction/Ditch Etiquette, University of Massachusetts, Amherst, September 25–October 7, 1978. |
1978 |
| I.B.91 | Kaylynn Sullivan Includes shipping documents. |
1981-1986 |
| I.B.92 | Sharon E. Sutton Includes artist proof of a relief print signed by Sutton titled Mountain of a Winter Moon (1976). |
1975-1980 |
| I.B.93 | Barbara Tebbets (Folder 1 of 2) | 1978-1980 |
| I.B.94 | Barbara Tebbets (Folder 2 of 2) Includes painted fabric swatches, some mounted on paper. |
1978-1980 |
| I.B.95 | Wendy Wilson Contains single sheet CV. |
undated |
| I.B.96 | Maryan Zafar Includes exhibition catalogue All In Line: An Exhibition of Linear Drawing, Joe and Emily Lowe Art Gallery, Syracuse University, November 23, 1980–January 18, 1981 and Terry Dintenfass, Inc., January 31, 1981–February 27, 1981. |
1980-1981 |
| I.B.97 | Janet Ziff and Madeleine Keller Contains single article from the New York Post, June 21, 1982. |
1982 |
| I.B.98 | Janet Ziff | 1982 |
Subseries I.C: Non-Exhibiting Artist Files/Submissions |
||
| Folder | Title | Date |
| I.C.1 | Yura Adams Includes descriptions of performance works. |
1983 |
| I.C.2 | Terry Adkins | undated |
| I.C.3 | Lee Adler Includes periodical Dupont Context 4, no. 1 (January 1975). |
1967-1976 |
| I.C.4* | Lee Adler Exhibition poster for Lee Adler: Recent Paintings, New Bertha Schaefer Gallery, March 31–April 19, 1973. |
undated |
| I.C.5 | Mary Ahrendt Includes exhibition catalogues for New Work, Chicago Minneapolis, MCAD Gallery, Minneapolis College of Art and Design, December 10, 1982–January 27, 1983, Recent Color, San Francisco Museum of Modern Art, September 3–November 7, 1982, and Portmanteau, Herron Gallery, Herron School of Art, September 10–October 23, 1982. |
1982-1983 |
| I.C.6 | Brenda Alejandro | undated |
| I.C.7 | Jean Allen Includes a copy of Five Men: Portraits in Four Acts (1987), Five Women: Portraits in Four Acts (1981), and draft and final copy of Anima: An Experiential Journal 8, no. 1 (Fall 1981). |
1981-1987 |
| I.C.8 | Jerri Allyn Includes a flyer for Artists Call Against U.S. Intervention in Central America, CV, a transcript of Love Novellas: An Audio Installation installed at Franklin Furnace, March 16–April 9, 1983. |
1982-1983 |
| I.C.9 | Tom Andrews and Karen Williams Press release for performance at P.S. 122. |
1983 |
| I.C.10 | Inez Andrucyk Includes a sketch of a performance. |
1983 |
| I.C.11 | Robert Ansell and Gabriel Roth (The Moving Center) Handwritten note detailing a conversation. |
undated |
| I.C.12 | Sara Garden Armstrong Includes installation photographs, and an exhibition catalogue for Given: A Space:, Birmingham Museum of Art, Birmingham, Alabama, May 17–June 21, 1981. |
1981-1983 |
| I.C.13 | Dianne Arndt | 1982-1984 |
| I.C.14 | ArtVolt Correspondence. |
1987 |
| I.C.15 | Asian American Art Ensemble Includes press release and pamphlet for performance event Generation organized by composer Fred Wei-han Houn at 531 Jay Street, Brooklyn, on November 20th, 1982. |
1982 |
| I.C.16 | Lynne Augeri | 1983 |
| I.C.17* | Lynne Augeri Exhibition poster for Lynne Augeri, Foto Gallery, January 15–February 26, 1983. |
1983 |
| I.C.18* | The Basement Group Performance schedule for February, March, April and May of unknown year. |
undated |
| I.C.19 | Roland Bastien Includes exhibition proposal. |
undated |
| I.C.20 | Janet Pines Bender | 1981 |
| I.C.21 | George Bennet Includes a course list catalog for Fall 1982 Program for Continuing Education at the School of Visual Arts. |
1982 |
| I.C.22 | Denita M. Benyshek | 1984 |
| I.C.23 | John Bernd Press release for Lost and Found, Dance Theater Workshop, October 4–25, 1983. |
1983 |
| I.C.24 | Janet Biehl | undated |
| I.C.25 | Eric Bogosian | 1982 |
| I.C.26 | Jean-Paul Bourelly | 1988 |
| I.C.27 | Jennifer Bowden | 1982 |
| I.C.28 | Chris Burnside | 1984 |
| I.C.29 | William Carroll | 1982 |
| I.C.30* | Ping Chong Poster for Arace performances at La Mama February 17–29, and March 1–4, 1984. |
1984 |
| I.C.31 | Susan Chorpenning | undated |
| I.C.32 | Nancy Clark | 1983 |
| I.C.33 | Alice Eva Cohen | 1983 |
| I.C.34 | Bill Cole and Hafiz Shabazz; Wind and Thunder | 1983 |
| I.C.35 | Jane Comfort | 1983 |
| I.C.36 | Christine Costan | 1983 |
| I.C.37 | Michael Cummings | undated |
| I.C.38 | Eric Darton | 1983 |
| I.C.39 | Michael Davis | undated |
| I.C.40 | Arnette De Mille | 1982 |
| I.C.41 | Charles Dennis | 1982 |
| I.C.42 | Frank Diaz Resume, mailing lists, correspondence. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
undated |
| I.C.43 | Rosalind W. Dimon | undated |
| I.C.44 | Robert Dombrowski | undated |
| I.C.45 | Gill Dominguez | undated |
| I.C.46 | Dreams On Screen Handwritten notes. |
undated |
| I.C.47 | Richard Ducker | undated |
| I.C.48 | S.K. Duff | undated |
| I.C.49 | Kathy Duncan Newspaper clippings and JAM form. |
1983 |
| I.C.50 | Barbara Duyfjes | 1983 |
| I.C.51 | Peter Engelbrecht Information for prints for sale at JAM. |
undated |
| I.C.52 | Wayne Enstice | 1983 |
| I.C.53 | Karen Eubel | 1983 |
| I.C.54 | Nancy Evans | undated |
| I.C.55 | Holly Fairbanks and Dancers | 1983 |
| I.C.56 | Eiko Fan | 1983-1984 |
| I.C.57 | Fast Forward | undated |
| I.C.58 | Claire Ferguson | 1981-1983 |
| I.C.59 | Karen Finley and Harry Kipper Performance proposal and press clippings. |
undated |
| I.C.60 | Astrid Fitzgerald Includes a price list and a receipt of works. |
1976-1978 |
| I.C.61 | Thomas Flynn | 1982 |
| I.C.62 | Stephen Frailey | undated |
| I.C.63 | L. Dyyon Frazier Correspondence and receipt of works. |
1975-1980 |
| I.C.64 | Joanne Frueh | 1982 |
| I.C.65 | Shirley Fuerst | 1978 |
| I.C.66 | Phillip Galgiani Includes a description of a performance titled Basic Meaning. |
undated |
| I.C.67 | Harold Garde | undated |
| I.C.68 | Chasen Gavers | 1983 |
| I.C.69 | Amara Geffen | undated |
| I.C.70 | Jane Gilmor | 1982 |
| I.C.71 | Judith Glantzman | 1984 |
| I.C.72 | David Glaser | 1982 |
| I.C.73 | Lynne Gleason | 1984 |
| I.C.74 | Dale Godde | undated |
| I.C.75 | Carol Goebel | undated |
| I.C.76 | Doron Golan | undated |
| I.C.77 | Gary Goldberg | undated |
| I.C.78 | Howard Goldstein | undated |
| I.C.79 | Ani Gonzalez-Rivera Correspondence, slides, and a project proposal for an artist book. |
1982-1983 |
| I.C.80 | Linda Goodman Includes an exhibition poster for Monotypes, Rubicon Gallery, November 2–December 2, 1980. |
1980 |
| I.C.81 | Alfred Görig Contains copy of a catalogue for Alfred Görig: Arbeiten 1977–1981 documenting a two-month workshop organized by the Cultural Department of Munich at Artists Workshop Lothringer Straße, February 17–March 1, 1981. |
1981 |
| I.C.82 | Renée Green | 1982 |
| I.C.83 | Vanalyne Carroll Green | undated |
| I.C.84 | Patricia Grossman | 1984 |
| I.C.85 | Gitta Gsell Includes a poster for D.I.G. Desert Island Game performed in 1983 at multiple locations in New York City. |
1984 |
| I.C.86 | Isadora Guggenheim Includes a poster for performance Lifting Belly, St. Mark's Church, May 24–27, 1984. |
1984 |
| I.C.87 | Ken Haas | 1983 |
| I.C.88 | Alex Hahn Schedule for Jonathan Prosser's Contraclub held at Blue Door on November 27th, 1982, which includes Hahn's State of Being. |
1982 |
| I.C.89 | Anne Hammel Includes proposal and budget for performance Eating Disorder: Cannibal Tribes. |
1982 |
| I.C.90 | Jane Handzel | undated |
| I.C.91 | Soshannah Hardaway | undated |
| I.C.92 | Rachel Harns | undated |
| I.C.93 | Barbara Harris | undated |
| I.C.94 | Valerie Harris | 1983 |
| I.C.95 | Jessica Hart Correspondence and a photograph of Hart in front of her work. |
1979 |
| I.C.96 | Mona Hatoum | 1982 |
| I.C.97 | Shirley Henderson | 1982 |
| I.C.98 | J. Michele Hill | undated |
| I.C.99 | Vinson Hill | 1981 |
| I.C.100 | Josef Hnizdil | undated |
| I.C.101 | Amalia Hoffman | undated |
| I.C.102 | Barry Holden | 1982 |
| I.C.103 | Catherine Hondrop Press release and pamphlet for performance Nomad at Dance Theater Workshop on March 19th and 20th, 1983. |
1983 |
| I.C.104 | Richard Hora | 1983 |
| I.C.105 | Nancy Hoyt | 1981-1982 |
| I.C.106 | Jeanne Hutchins | 1982 |
| I.C.107 | Isaac Jackson | 1983 |
| I.C.108 | David Jaggard | 1983-1984 |
| I.C.109 | Andrew Janetti | 1983 |
| I.C.110 | MLJ Johnson | undated |
| I.C.111 | Bill Jones | undated |
| I.C.112 | Brata Christian Jones | 1984 |
| I.C.113 | Rhodessa Jones Press for various performances. |
1983 |
| I.C.114 | Constance De Jong Press for a performance of the opera Satyagraha with score by Philip Glass and libretto by Glass and De Jong. |
1981 |
| I.C.115 | Robert Kane | 1982 |
| I.C.116 | Shelagh Keeley | undated |
| I.C.117 | Germaine Keller | undated |
| I.C.118 | Genrich Khudyakov | undated |
| I.C.119 | Mikyung Kim | undated |
| I.C.120 | Deborah Kimsey and Karen Skladany | 1983 |
| I.C.121 | Julius Klein Review of a performance and small flyers for performances. |
undated |
| I.C.122 | Iona Kleinhaut | undated |
| I.C.123 | Susan Kouguell Includes proposal for a performance. |
undated |
| I.C.124 | Gregory Kwiatek | 1982 |
| I.C.125 | Eliot Lable | 1979 |
| I.C.126 | Oliver Lake | undated |
| I.C.127 | Mary Jane Leach | undated |
| I.C.128 | Michelle Leiberman Transparencies. |
undated |
| I.C.129 | Denis Levaillant | 1983 |
| I.C.130 | Roy Levin | 1978 |
| I.C.131 | Jennifer Ley Includes a script for the one-act play An Urban Fairytale. |
1982 |
| I.C.132 | Larry J. Lippold | undated |
| I.C.133 | Rob List Includes project proposal. |
1982-1983 |
| I.C.134 | Ron Littke | undated |
| I.C.135 | Pearl Lomax | 1983 |
| I.C.136 | Maria Lovullo | undated |
| I.C.137 | Leslie Lowinger | undated |
| I.C.138 | Pedro Lujan | 1982 |
| I.C.139 | Manuel Macarrula | undated |
| I.C.140 | Alastair MacLennan Performance flyers. |
undated |
| I.C.141 | John Malpede | 1982 |
| I.C.142 | Lauren Mar Includes a copy of Mar's book of poetry titled Living Furniture. |
1982 |
| I.C.143 | Adrian Margaret Smith Piper CV. |
undated |
| I.C.144 | Ulysses Marshall | undated |
| I.C.145 | Alex Marvo | undated |
| I.C.146 | Frank Maya | undated |
| I.C.147 | D.J. McDonald Includes catalogue for Levittown and the American Dream: A Performance and Symposium held at Brown University on October 14th and 15th, 1983. |
1983-1984 |
| I.C.148 | Peter G. McGehee Includes script for play Beyond Happiness. |
1984 |
| I.C.149 | Tom McGovern | undated |
| I.C.150 | Jennifer McGregor | 1982 |
| I.C.151 | Rinda Metz | 1978 |
| I.C.152 | Tim Miller Contains a performance poster for Cost of Living, The Kitchen, April 20–23, 1983, and a poster that reads, "Tim Miller: Survey of Human Happiness." |
1983 |
| I.C.153 | Todd Miner Contains CV and slides of artworks. |
undated |
| I.C.154 | Joan Moment | 1981 |
| I.C.155 | Jay Moon Includes a copy of Working Papers for a New Society 8, no. 3 (May/June 1981). |
1980-1981 |
| I.C.156 | Rafael Morales | undated |
| I.C.157 | Brian Moran Notes and flyers related to Moran's performance Stop That Before You Kids Get Hurt! at JAM, November 3, 1983. |
1983 |
| I.C.158 | Susan Morningstar | 1982 |
| I.C.159 | Quentin Morris | undated |
| I.C.160 | Eileen Muir | undated |
| I.C.161 | Yves Musard Includes correspondence. |
1983 |
| I.C.162 | Paulette Nenner Includes correspondence. |
undated |
| I.C.163 | Phil Niblock | undated |
| I.C.164 | Robert Nicco | undated |
| I.C.165 | Bernard D. O'Gara | undated |
| I.C.166 | Lorraine O'Grady Includes correspondence and flyers for a performance titled Rivers, First Draft on August 18th, 1982 as part of the Art Across the Park event series in Central Park. |
1981-1986 |
| I.C.167 | Mike Osterhout | 1980-1984 |
| I.C.168 | Steven Parlato | undated |
| I.C.169 | Michael Peglau | 1982 |
| I.C.170 | Herb Perr Contains single press release for a performance titled Men Are Circles; Men Are Spears at Franklin Furnace, October 1983. |
undated |
| I.C.171 | Lawrence Philip Slides. |
undated |
| I.C.172 | Nancy Riegelman Picot Includes correspondence from JAM. |
1982 |
| I.C.173 | John Pinder-Hughes Contains a single sheet of handwritten notes on exhibition expenses. |
undated |
| I.C.174 | Pink Inc. | 1982 |
| I.C.175 | Nancy du Plessis | 1984 |
| I.C.176 | Alyson Pou | 1983 |
| I.C.177 | Prisoner Art Project | 1982 |
| I.C.178 | Psychodrama | 1982 |
| I.C.179 | Jeffrey Pullens | 1977 |
| I.C.180 | Judith Ren-Lay | 1983 |
| I.C.181 | Richard Rew | undated |
| I.C.182 | Sophie Rivera | undated |
| I.C.183 | Terrell Robinson | undated |
| I.C.184 | Ron Rocco Includes correspondence with The Solomon R. Guggenheim Museum regarding a performance of Zaroff's Tale. |
1983-1984 |
| I.C.185 | Pablo Romero | undated |
| I.C.186 | Iris Rose and Gary Cathey | 1982 |
| I.C.187* | Iris Rose and Gary Cathey Poster for a performance piece titled Mysteries at 87 Franklin Street, January 22–30, 1982. |
1982 |
| I.C.188 | Barbara Roux | 1982 |
| I.C.189 | Assotto Saint (Yves Lubin) Includes script for the play Risin' to the Love We Need. |
1982 |
| I.C.190 | Keith Sanborn | 1983 |
| I.C.191 | Andrea Sazz Includes handwritten notes and poems. |
1982 |
| I.C.192 | Lesby Schiff | 1981 |
| I.C.193 | Myrna Schloss | 1982 |
| I.C.194 | Jim Self/Frank Moore | 1983-1984 |
| I.C.195 | Sylvia Salazar Simpson | 1983 |
| I.C.196 | Theodora Skipitares | undated |
| I.C.197 | The Sleazebuckets | 1983 |
| I.C.198 | Bradley Steiner | 1983 |
| I.C.199 | Andrea Stitt and Tara Babel | 1983 |
| I.C.200 | Kim Strommen | 1982 |
| I.C.201* | Kim Strommen Exhibition poster for The Faculty Show, Washington University Art Gallery, November 14, 1982–January 9, 1983. |
1983 |
| I.C.202 | Sarah Sully | 1984 |
| I.C.203 | Cecil Taylor | undated |
| I.C.204 | Three Teens Kill Four | 1983 |
| I.C.205 | Yasunao Tone | 1983 |
| I.C.206 | Dianne Turr | undated |
| I.C.207 | Jeffrey Turtletaub | undated |
| I.C.208 | Video Free Earth | 1982 |
| I.C.209 | Francisco P. Viri | 1982 |
| I.C.210 | Naomi Waksberg | 1981 |
| I.C.211 | Leon Waller | 1982 |
| I.C.212 | Larry M. Weiss | 1982 |
| I.C.213 | Gina Wendkos | 1982 |
| I.C.214 | Stuart J. White Includes two copies of the exhibition catalogue for Between Object and Illusion, Robeson Gallery at Rutgers University, June 18–September 5, 1980. |
1980 |
| I.C.215 | William Pope L. Includes detailed notes, diagrams, and scripts of a performance titled Anxiety Speaks//Not Us. Folder origninally filed as Pope L. William. |
1983 |
| I.C.216 | Ann Wilson | 1983 |
| I.C.217 | Gilberto Wilson | 1979 |
| I.C.218 | Peggy Yunque | undated |
| I.C.219 | Paul Zaloom | undated |
| I.C.220 | Paul Zelevansky and David Cole Includes a copy of book Fizzical Wrapture: de om mani padme hum by David Cole, and The Case for the Burial of Ancestors: Book 1 by Zelevansky. |
1981-1982 |
| I.C.221* | Paul Zelevansky and David Cole Poster whose description on verso reads "A page from Shadow Architecture at the Crossroads, a visual novel in progress. Paul Zelevansky Jan. 1982." |
undated |
| I.C.222 | Paul Zelevansky and Terry Stoller Includes correspondence and a vinyl flexi disc of Anthony And The Ascetics—At The Crossroads. |
1983 |
| I.C.223* | Paul Zelevansky and Terry Stoller Poster for album Anthony And The Ascetics—At The Crossroads. |
undated |
| I.C.224 | Zaza Ziemba | 1981 |
| I.C.225 | Ellen Zweig | 1982 |
| I.C.226 | Rhonda Zwillinger | 1982 |
|
|
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Series II: Exhibitions and Programming Records |
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|
Series II details JAM's exhibitions, programs, and publications. There was no original order so this series has been organized chronologically. JAM programs such as Business of Being an Artist (BBA) and Corporation for Art and Television (CAT) would occasionally include exhibitions alongside their programming. Some items include personal information such as social security numbers, which have been redacted. |
||
Subseries II.A: Exhibition Records |
||
|
Subseries II.A contains all of JAM's exhibition records, which include planning and research documents, exhibition ephemera, press clippings, and correspondence. All exhibitions and performances mentioned in this series took place at the JAM gallery unless otherwise indicated. Some exhibitions, such as Afro-Pop, were unrealized. The monthly exhibition schedules contain both folded and flattened copies in separate folders. Items have been arranged chronologically. |
||
| Folder | Title | Date |
| II.A.1* | Signed JAM Poster Souvenir print by Aaron Bell to mark the inauguration of JAM. Numbered 5/200 and signed by individuals involved with the gallery at the time. |
1974 |
| II.A.2 | 1974 Includes a list of works for Synthesis, budget projections, informational memos, and correspondence. |
1974 |
| II.A.3 | Synthesis Includes an exhibition announcement, statements, checklist with prices, correspondence, budget notes, and exhibition planning notes. Exhibition announcement was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1974-1975 |
| II.A.4 | Synthesis Inaugural Exhibition Contains press releases, announcements, and artist biographies. |
1974 |
| II.A.5 | Sydney x Rolando Contact sheets of artworks by unknown artists. |
undated |
| II.A.6 | Miscellaneous Press Informational flyers, a press release for Synthesis, and newspaper clippings. Also includes copies of exhibition catalogues for Maren Hassinger 1971–1991 at Hillwood Art Museum (1991), and David Hammons Selected Works 1968–1974 at California State University, September 29–October 17, 1974. |
1974-1991 |
| II.A.7 | Camille Billops | 1974-1975 |
| II.A.8 | Process as Art: In Situ Includes annotated exhibition schedules for 1974–1982, correspondence, budget documents, hand-drawn diagrams. |
1974-1978 |
| II.A.9 | David Hammons, Greasy Bags and Barbeque Bones Photographs | 1975 |
| II.A.10 | Kapo: Paintings and Sculptures Exhibition Catalogue JAM exhibition, February 17–March 8, 1975. |
1975 |
| II.A.11 | Catti Contains artwork photographs, CV, a blueprint, exhibition invitations, and a price list for Mirror as Medium at JAM, June 7–26, 1976. |
1975-1979 |
| II.A.12 | Vivian Browne | 1975-1980 |
| II.A.13 | Elizabeth Catlett | 1975-1976 |
| II.A.14 | Exhibition Invitations 1976 Contains invitations for the following exhibitions: Fantasy for the Fair Eyed Mystics by Noah Jemison, January 4–22, 1976; Círculos by Jorge Luis Rodriguez, March 16–April 2, 1976; David Hammons Dreadlock Series, April 6-26, 1976; Milton Moss from May 17–June 5, 1976; Paper, Fabric, Glass group exhibition, June 28–July 28; Xerograms by Joe Harris, October 9–30th, 1976; and In Recognition featuring Barbara Chase-Riboud, Shelley Farkas, Suzanne Jackson, Valerie Maynard, Senga Nengudi, Howardena Pindell, Betye Saar, and Wendy Wilson, December 11–31, 1976. |
1976 |
| II.A.15 | Hammons, Nengudi, Hayden, Conwill David Hammons, Senga Nengudi, Palmer Hayden, and Houston Conwill. Includes press articles, correspondence, loan forms, a copy of the exhibition catalogue for JAM exhibition The Many Facets of Palmer Hayden from February 15–March 5, 1977, an essay draft for The Process as Art: In Situ and a price list for Light Textures/Three. |
1976-1977 |
| II.A.16 | Received Works from Croquis Gallery | 1976-1977 |
| II.A.17 | Gallery Group Exhibition invitations and checklist. |
1976 |
| II.A.18 | Paper, Fabric, Glass Includes exhibition invitations, artist CVs, and press clippings. |
1976 |
| II.A.19 | In Recognition | 1976 |
| II.A.20 | Light Textures in Three | 1976 |
| II.A.21 | Harlem Art Collection | 1976-1980 |
| II.A.22 | Statements Known and Statements New, November 2– 20, 1976 Includes loan forms, check lists, price lists, correspondence |
1976 |
| II.A.23 | Summer Group Exhibition July 6–August 20, 1976 Includes a checklist and price list. |
1976 |
| II.A.24 | Exhibition Invitations 1977 Contains invitations for the following exhibitions: Recent Photographs by David Lampson, January 25–February 12, 1977; Emerging Spirits by Valerie Maynard, April 27–May 28, 1977; Howardina Pindell, October 11–November 5, 1977; Transparent Relationships by Susan Fitzsimmons, November 8–December 3, 1977; and Recent Works with Paper by Randy Williams, December 6, 1977–January 7, 1978. |
1977 |
| II.A.25 | Concept as Art Press release and loan forms. |
1977 |
| II.A.26 | General Exhibition Reviews 1977 Includes a copy of the exhibition catalogue for JAM exhibition The Many Facets of Palmer Hayden, February 15–March 5, 1977. |
1977 |
| II.A.27 | Horace Pippin Exhibition Catalogue Traveling exhibition organized and shown at The Phillips Collection, February 25–March 27th 1977, and the Terry Dintenfass Gallery, April 5–30th, 1977. With essay by Romare Bearden. |
1977 |
| II.A.28 | The Many Facets of Palmer Hayden Exhibition Catalogue | 1977 |
| II.A.29 | Exhibition Invitations 1978 Contains invitations for the following exhibitions: Houston Conwill: Notes of a Griot, March 14-April 8, 1978; Contextures '78 held at The Edward Kennedy 'Duke" Ellington School for the Arts, April 7-April 28, 1978; South Africa: Impressions by Jeanne Moutoussamy, April 11-May 6, 1978; Banerjee: Works on Paper, May 31–June 25, 1978; and Photography 4: Mixed Concepts, June 6–July 1, 1978. |
1978 |
| II.A.30 | General Exhibition Reviews 1978 | 1978 |
| II.A.31 | Miscellaneous Exhibition Records Includes press releases for JAM exhibitions Turnabout, About TV, and The Process as Art: In Situ. Also includes a letter from Linda Goode Bryant to Gloria Steinam, a comment sheet for David Hammons Dreadlock Series, an essay draft for Afro-Pop, a price list and budget breakdown for Pocket Art, and a photograph of an artwork by Houston Conwill. |
1978-1981 |
| II.A.32 | Pocket Art (Folder 1 of 2) Correspondence, budget, resumes of submission artists, and memos. |
1978 |
| II.A.33 | Pocket Art (Folder 2 of 2) Artist resumes, correspondence, and artwork receipts. |
1978-1983 |
| II.A.34 | Private Myths: Unearthings of Contemporary Art Exhibition catalogue for Private Myths: Unearthings of Contemporary Art, The Queens Museum, March 11–May 7, 1978. |
1978 |
| II.A.35 | Contextures Loans | 1978 |
| II.A.36 | Duet by Judith Stiles and Shelley Farkas, August 21–September 21, 1978 Includes installation images, a checklist, a price list, notes, and acopy of Duet: An Experience in Visual Communication (1978) by Shelley Farkas and Judith Stiles. |
1976-1978 |
| II.A.37* | Duet by Judith Stiles and Shelley Farkas Exhibition Poster Exhibition poster for Duet by Judith Stiles and Shelley Farkas, August 21–September 21, 1978. |
1978 |
| II.A.38 | It's A Crowd | 1978 |
| II.A.39 | Photography 4: Mixed Concepts Works by Shelley Farkas, Peter Feldstein, and Deborah Strick. Contains a price list, correspondence, and exhibition invitations. |
1978 |
| II.A.40 | Frank Stewart Contains a single press clipping from East Side Express on March 9, 1978 announcing Stewart's work being shown at Peg Alston Arts. |
1978 |
| II.A.41 | General Exhibition Reviews 1979 | 1979 |
| II.A.42 | Remains—The Artist in Environment Exhibition Catalogue Held at the Emily Lowe Gallery at Hofstra University, November 11–December 21, 1979. |
1979 |
| II.A.43 | Exhibition Invitations 1980 Contains invitations for the following exhibitions: Sydney Blum and Barbara Tebbetts, September 6–17, 1980; and Rogation Sunday by Roni Hoffman, November 8–29, 1980. |
1980 |
| II.A.44 | Dialogues Newspaper clippings and performance series press release. |
1980 |
| II.A.45* | Dialogues Poster October 4–November 1, 1980. Poster was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1980 |
| II.A.46 | Dialogues | 1980 |
| II.A.47 | Dialogues October 4–November 1, 1980. Contains checklist. |
1980 |
| II.A.48 | Dialogues Show Notes Handwritten notes. |
1980 |
| II.A.49 | Outlaw Aesthetics Exhibition announcement was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1980 |
| II.A.50 | Film Screening Flyer Flyer for film screenings in June of an unknown year. |
c. 1982 |
| II.A.51* | Afro-American Art in the 20th Century Poster Exhibition held at the Jamaica Arts Center, January 15–March 8, 1980 and The Bronx Museum of the Arts, March 19–May 30, 1980. |
1980 |
| II.A.52 | Exhibition Invitations 1981 Contains invitations for the following exhibitions: Vestige by Senga Nengudi, February 7–28, 1981; Recent Color Photographs by Peter Feldstein, March 7–28, 1981; Reference Points: by Maryam Zafar, March 14–April 4th, 1981; Czashka Ross, Mitch Schmidt, and Cythia Kuebel, April 11–May 2, 1981; Turnabout group exhibition, May 9–30th, 1981; From the Files: VARS at JAM group exhibition, June 6–27, 1981; Victims a performance by Kaylynn Sullivan, September 10–20, 1981; and Empty Tents by Marcy Edelstein, October 3–24, 1981. |
1981 |
| II.A.53 | Decision by Arms? Artists Bios and Info | 1981-1982 |
| II.A.54* | Decision by Arms? Artists Bios and Info Exhibition poster for Rhonda Zwillinger-Kachina: Spring Rites, Windows on White, March 4–April 3, 1982. |
1982 |
| II.A.55 | Decision by Arms? General Notes Includes correspondence, notes, exhibition layouts, loan agreements, press releases, artwork photographs, flyers, and artist book Investing Public Trusts by Mike Metz (1981). |
1981-1982 |
| II.A.56 | Decision by Arms? Artists Includes artwork and installation photos. |
undated |
| II.A.57* | Decision by Arms? Artists Handwritten letter by Gerri Jones used in performance Fallout Fashion by the art group Dinosaur. |
|
| II.A.58 | Turnabout Artist resumes, flyers, notes, and correspondence. |
1981 |
| II.A.59 | Turnabout Press Release | 1981 |
| II.A.60 | Turnabout Press Also includes newspaper clippings from 1977–1980. |
1981 |
| II.A.61 | Turnabout Includes notes, correspondence, and a press release. |
1981 |
| II.A.62 | Susan Ruth Cohen | 1981 |
| II.A.63 | Susan Loonsk October 3–24, 1981. | 1981 |
| II.A.64 | Mitch Schmidt | 1981 |
| II.A.65 | Poetry Reading Contains press releases for poetry readings by Barry Yourgrau and Chuck Rosenberg on December 17, 1981. |
1981 |
| II.A.66 | From the Files: VARS at JAM Exhibition Contains a press release for an exhibition for Creative Artists Public Service's Visual Arts Referral Service (VARS), and a press release for performance Naming Things: A Collaboration by David Hammons, Bill T. Jones, and Philip Mallory Jones, September 29–October 1, 1983. |
1981 |
| II.A.67 | Exhibition Schedule: October 1981 | 1981 |
| II.A.68* | Exhibition Schedule: October 1981 | 1981 |
| II.A.69 | Bert Hechanova Exhibition Catalogue | 1981 |
| II.A.70 | Exhibition Flyers and Press Releases Contains press releases, flyers, and newsclippings for thirty exhibitions between 1981 and 1984. |
1981-1983 |
| II.A.71 | D Visions Video Art Gallery Press releases and financial receipts related to Crossovers exhibition at JAM. |
1981 |
| II.A.72 | Crossovers Includes three issues of Ear Magazine East 6 v.1 (November/December 1980), v.2 (February/March 1981), and v.3 (April/May 1981), and a copy of Oldest Man Understands (1978) by David Betts Garland. |
1978-1982 |
| II.A.73 | Crossovers Includes book of poetry Life Dance by Oliver Lake and Diane Keaton's book of photography Reservations. |
1978-1981 |
| II.A.74 | Crossovers (Folder 1 of 2) | 1981 |
| II.A.75 | Crossovers (Folder 2 of 2) Contains a binder of installation photographs from exhibition Peter Van Riper: Graphics and Holography, MoMA PS1, January 14–22, 1977, and the related performance Simone Forti and Peter van Riper: Paper Piece, Two Inches, Big Room, January 14, 15, 1977. |
1977 |
| II.A.76* | Crossovers Posters for films Unmade Beds and The Blank Generation by Amos Poe, and a poster for Women's Walk in January 1978. |
1981 |
| II.A.77 | Crossovers Correspondence and exhibition invitations for Philip Corner. Includes Art Lines 2 no.6 (June 1981). |
1980-1981 |
| II.A.78 | Crossovers Contains correspondence and an exhibition proposal. |
1981 |
| II.A.79 | Crossovers Includes a copy of Paper Air 2 no.3 (1965) by Jackson Mac Low. |
1981 |
| II.A.80* | Crossovers Exhibition poster for Crossovers. |
1981 |
| II.A.81 | Crossovers Contains correspondence with artists and the video art gallery D. Visions. |
1981 |
| II.A.82 | Crossovers Research, press clippings, notes. Includes exhibition catalogue for Robin Rose, Middendorf/Lane Gallery, February 14–March 14, 1981. |
1981 |
| II.A.83 | Crossovers Includes an issue of City Arts Monthly (June 1981) and Art Beat (September 1980), and correspondence and work samples from Chaka Khan. |
1980-1981 |
| II.A.84 | Crossovers Contains correspondence and poems from Philip Wofford. Also includes a copy of the poetry book Grand Canyon Search Ceremony by Philip Wofford. |
1981 |
| II.A.85 | Crossovers Includes exhibition planning notes, a tentative schedule, exhibition invitations, and correspondence. |
1981 |
| II.A.86 | Crossovers Contact Sheets Photos by Shelley Farkas. |
1981 |
| II.A.87 | Crossovers Thank-yous Includes Blondell Cummings performance images. |
1981 |
| II.A.88 | Crossovers Benefit Loan agreements, mailing lists, and press. |
1981-1982 |
| II.A.89 | Artists Performance Proposals 1981–1982 | 1981-1982 |
| II.A.90 | Exhibition Invitations 1982 Contains invitations for the following exhibitions: Russel Redmond, October 7–27, 1982; Retroactive by Janet Henry, January 9–30, 1982; Papo Colo: Lost and Gained Paradise, Part One, April 6-28, 1982; Paintings on Paper by Ellen Weider, October 8–27, 1982; Blind Dates a collaborative performance by Blondell Cummings, Senga Nengudi, and Yasunao Tone, November 20, 1982; Wall Structures by Creighton Michaels, December 2–22, 1982; and The Wall of Fools by Ed Epping, December 2–22, 1982. |
1982 |
| II.A.91 | 1982–1983 Exhibition List Includes resumes, correspondence, and exhibition list for 1982 and 1983. |
1981-1983 |
| II.A.92 | Payton Wilkinson and Tim Siciliano Artist resumes, press releases, and flyers. |
1982 |
| II.A.93 | Ellen Weider Artwork photographs and a pricelist for Paintings on Paper, October 7–27, 1982. |
1982 |
| II.A.94 | Papo Colo | 1982 |
| II.A.95 | James Andrew Brown | 1982 |
| II.A.96 | Phyllis Bulkin Lehrer Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982 |
| II.A.97 | Blind Dates Collaboration Contact sheets and photos of performance, notes, receipts, and artists honorariums. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982 |
| II.A.98 | Performance Photographs Artist unknown. |
1982 |
| II.A.99* | Exhibition Schedule: January 1982 | 1982 |
| II.A.100 | Exhibition Schedule: February 1982 | 1982 |
| II.A.101* | Exhibition Schedule: February 1982 | 1982 |
| II.A.102 | Exhibition Schedule: March 1982 | 1982 |
| II.A.103* | Exhibition Schedule: March 1982 | 1982 |
| II.A.104 | Exhibition Schedule: April 1982 | 1982 |
| II.A.105* | Exhibition Schedule: April 1982 | 1982 |
| II.A.106 | Exhibition Schedule: May 1982 | 1982 |
| II.A.107* | Exhibition Schedule: May 1982 | 1982 |
| II.A.108 | Exhibition Schedule: June 1982 | 1982 |
| II.A.109* | Exhibition Schedule: June 1982 | 1982 |
| II.A.110 | Exhibition Schedule: September 1982 | 1982 |
| II.A.111* | Exhibition Schedule: September 1982 | 1982 |
| II.A.112 | Exhibition Schedule: October 1982 | 1982 |
| II.A.113* | Exhibition Schedule: October 1982 | 1982 |
| II.A.114 | Exhibition Schedule: November 1982 | 1982 |
| II.A.115* | Exhibition Schedule: November 1982 | 1982 |
| II.A.116 | Exhibition Schedule: December 1982 | 1982 |
| II.A.117* | Exhibition Schedule: December 1982 | 1982 |
| II.A.118 | Fallout Fashion Performance May 15, 1982. |
1982 |
| II.A.119* | Fallout Fashion Performance May 15, 1982. |
1982 |
| II.A.120 | Research: Watts Tower, Judith Wilson Includes a booklet on the Watts Tower and an essay by Judith Wilson. |
undated |
| II.A.121 | Exhibition Schedules and Press Includes early drafts of exhibition schedules and photocopies of articles. |
1982-1984 |
| II.A.122* | Kit-Yin Snyder, Cloister Architectural drawing by the artist of her installation at JAM in 1982, and exhibited alongside the installation. Drawing was given to the MoMA Archives in February 2024 by Kit-Yin Snyder, in honor of her mother, Lum Wai Fong. |
1982 |
| II.A.123 | Spectre Woman Mixed Media Presentation | 1982 |
| II.A.124 | April 1982 Exhibitions Includes notes, a checklist for Lori Solondz and a press release for four exhibitions, Lori Solondz, Ordinary Behavior by Peggy Diggs, Lost and Gained Paradise Part 1 by Papo Colo, and In the White Place by Peggy Yunque, April 6–28, 1982 |
1982 |
| II.A.125 | Peggy Yunque Contains a press release and hand written notes. |
1982 |
| II.A.126 | Ordinary Behavior by Peggy Diggs, April 6–28, 1982 Includes correspondence, exhibition invitations, installation diagrams, and installation images. |
1982 |
| II.A.127 | The Fine Art of Waitressing Exhibition Invitations | 1982 |
| II.A.128 | Michael Gitlin Includes a copy of Film Library Quarterly 15 no.2-3 (1982). |
1982-1983 |
| II.A.129 | Performance Attendance | 1982 |
| II.A.130 | What I Do for Art Press Clippings | 1982 |
| II.A.131 | What I Do For Art Catalogue Photos Also includes a guest book from 1977–1978. |
1977-1982 |
| II.A.132 | What I Do For Art Letters to Artists and Extra Artist Info | 1982 |
| II.A.133 | What I Do For Art Loans | 1982 |
| II.A.134 | What I Do For Art Artist Resumes | 1982 |
| II.A.135 | What I Do For Art Illustrated Press Release | 1982 |
| II.A.136 | What I Do for Art Essay Statements | 1983 |
| II.A.137 | Exhibition Invitations Contains press releases, exhibition invitations, and correspondence concerning various exhibitions at P.S.1, Danspace, The Kitchen, and Visual Studies Workshop. |
1982-1983 |
| II.A.138* | Exhibition Posters and Schedules Posters and schedules from other institutions (and not involving JAM artists) including Journey Across 3 Continents Film Festival, the Metropolitan Museum of Art, October–November 20, 1983; Art/Life One Year Performance by Linda Montano and Tehching Hsieh, July 4, 1983; A Movie Will Be Shown Without the Picture by Louise Lawler, Bleecker Street Cinema, April 3, 1983; Franklin Furnace September October exhibition schedule; Danspace Presents: History An American Dream by Anne Bogart and Kevin Kuhlke, St. Mark's Church, October 20–23, 27–30, 1983; Dead Fathers Club by Gina Wendkos and Jim Farmer, Performing Garage, April 20–May 1, 1983; 9th Street Festival Presents New Music America 1983 schedule; Preparing for War, Brooklyn Army Terminal, September 24–October 30, 1983; T.A.G. Action Performance schedule for Fall 1983; Papo Colo: Images of the New World, INTAR Latin American Gallery, October 12–November 9, 1983; The Kitchen exhibition schedules for April, March, May and June 1983; and a poster containing the text "Mo David (415) 821–9713." |
1982-1984 |
| II.A.139 | NYSCA Individual Artist Project | 1982-1983 |
| II.A.140 | Performances Not To Be Seen Handwritten notes and project budget and description. |
1982 |
| II.A.141 | Collaboration '82 Press releases and planning notes for Blind Dates. |
1982 |
| II.A.142 | Exhibition Invitations 1983 Contains invitations for the following exhibitions: Geo Mingo: Recent Works, January 6-26, 1983; Rhonda Tymeson, January 6–29, 1983; Triangles Equally Abreast performances by Lisa Karrer and Roberta Levine, January 28–30, 1983; Carl Goldhagen, April 7–27, 1983; Jacques Roch, April 7–27, 1983; Toshida Yoda, May 7–28, 1983; and Art Biz, a group exhibition of the works by the participants of the program Business of Being an Artist, July 12–29, 1983. |
1983 |
| II.A.143 | Rhonda Tymeson Includes slides. |
1983 |
| II.A.144 | Stephen Sarocky | 1983 |
| II.A.145 | Joel Carreiro | 1983 |
| II.A.146 | David Boxer Press release, resume, and price list. |
undated |
| II.A.147 | John Brathwaite Resume. |
undated |
| II.A.148 | Carlyle Brown Notes and a flyer. |
undated |
| II.A.149 | Henry Block Resume. |
undated |
| II.A.150 | Coral Bourgeois | 1983 |
| II.A.151 | Howardena Pindell Items originally in a binder. Contains artwork photographs and press, and the exhibition catalogue for Remains-The Artist in Environment at Hofstra University, November 14–December 21, 1979. |
1983 |
| II.A.152 | Loan Agreements Loan agreements for JAM exhibition Art Biz, July 12–29, 1983. |
1983 |
| II.A.153 | Exhibition Notes for Essays | undated |
| II.A.154 | 1983–1984 Tentative Performance Schedule; 1984–1985 Performance Series Description | 1982-1985 |
| II.A.155 | A Love Story Checklist, installation photographs, artist resumes, and artwork photographs. Exhibition catalogue for Dawoud Bey: Recent Photographs, The Cinque Gallery, April 10–30, 1983. |
1983 |
| II.A.156 | A Love Story Includes shipping documents, loan agreements, and correspondence. Includes a copy of Unemployment, a video/book installation piece, by Earl Ripping (1982). |
1983 |
| II.A.157 | About TV Notes and shipment records. |
1983 |
| II.A.158 | About TV Press release was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1983 |
| II.A.159* | About TV Poster | 1983 |
| II.A.160 | Ted Castle Includes essayist contract and essay drafts. Related to About TV |
1983-1984 |
| II.A.161 | Announcement for T.V. Love by Jane Comfort and Diamond Fever by Peter Rose and Noah Shapiro Performances took place on June 21 and 22, 1985. Performances are a part of the presentation series In the Rough. |
1985 |
| II.A.162 | American Dream Photographs | 1983 |
| II.A.163 | American Dream | 1983 |
| II.A.164 | American Dreams Brochure Brochure with the performance schedule for the JAM series of exhibitions titled American Dreams. The front reads "it's eight o'clock, you're downtown. Why?" A copy of the brochure for American Dreams was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1983 |
| II.A.165* | American Dreams Brochure Brochure with the performance schedule for the JAM series of exhibitions titled American Dreams. |
1983 |
| II.A.166 | American Dreams Catalogue Essayists | 1983 |
| II.A.167 | Nona Hendryx, Alexis DeVeaux, Sandra Payne, Yoshiko Chuma Collaboration Includes notes, a project description, and articles. Related to American Dreams exhibition series. |
1982 |
| II.A.168 | John Howell Artist materials related to American Dreams exhibition series. |
1982 |
| II.A.169 | Press Releases Contains press releases for American Dreams and the related performance Naming Things: A Collaboration by David Hammons, Bill T. Jones, and Philip Mallory Jones, September 29–October 1, 1983. |
1983 |
| II.A.170 | American Dreams Brochure | 1983 |
| II.A.171 | Robert Duncan American Dreams exhibition review. |
1983 |
| II.A.172 | American Dreams Restaurant Confirmations | 1983 |
| II.A.173 | American Dreams Resumes | 1983 |
| II.A.174 | American Dreams Press Coverage | 1983 |
| II.A.175 | American Dreams Programs | 1983 |
| II.A.176 | American Dreams Restaurant Donations | undated |
| II.A.177 | "Corp Performance List" Single photocopy of a page with information on local lawyers. |
undated |
| II.A.178 | Hot Text/Erotic Texts Contains single sheet of notes. |
undated |
| II.A.179 | Photography: New Approaches Includes shipping documents, loan agreements, and correspondence. |
1983 |
| II.A.180 | Space Heads Performance Series | 1983 |
| II.A.181 | The Waitresses Contains a press kit and a performance proposal. |
1983 |
| II.A.182 | Exhibition Schedule: February 1983 | 1983 |
| II.A.183* | Exhibition Schedule: February 1983 Exhibition schedule was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1983 |
| II.A.184* | Exhibition Schedule: March 1983 | 1983 |
| II.A.185 | Exhibition Schedule: April 1983 | 1983 |
| II.A.186* | Exhibition Schedule: April 1983 | 1983 |
| II.A.187 | Exhibition Schedule: May 1983 | 1983 |
| II.A.188* | Exhibition Schedule: May 1983 | 1983 |
| II.A.189 | Exhibition Schedule: June 1983 | 1983 |
| II.A.190* | Exhibition Schedule: June 1983 | 1983 |
| II.A.191 | Exhibition Schedule: December 1983 | 1983 |
| II.A.192* | Exhibition Schedule: December 1983 | 1983 |
| II.A.193 | Membership Brochure | 1983 |
| II.A.194 | 4th Tokyo Video Festival Brochure Held on June 17, 1982, features video works by Megan Roberts and Raymond Ghirardo. |
1983 |
| II.A.195* | 4th Tokyo Video Festival Poster | 1983 |
| II.A.196 | Afro-Pop Proposal | 1983 |
| II.A.197 | Afro-Pop Notebook | 1984 |
| II.A.198 | Afro-Pop Essay Drafts | 1983 |
| II.A.199 | Afro-Pop Oral Diaries Oral diaries were an aspect of the exhibition in which participating artists would interview a member of the Black community about what Black culture looks like to them. Blank forms, notes, and memos. |
undated |
| II.A.200 | Afro-Pop Oral Diary Forms | 1982 |
| II.A.201 | Afro-Pop Scholars | 1982-1983 |
| II.A.202 | Afro-Pop Music Includes notes, correspondence, flyers, and a calendar for September 1983–May 1984. |
1982-1984 |
| II.A.203 | Afro-Pop Beauty | 1983 |
| II.A.204 | Afro-Pop Humor Contains a single press release for A Night of Black Humor. |
1983 |
| II.A.205 | Afro-Pop Dance | 1983 |
| II.A.206* | Afro-Pop Dance Poster for Dance Black America festival at Brooklyn Academy of Music, April 21–24, 1983. |
1983 |
| II.A.207 | Afro-Pop Dance Photocopy of a newspaper article about street performers from an unknown year. |
undated |
| II.A.208 | Afro-Pop General Includes correspondence, RSVP responses, and budget proposals. |
1981-1983 |
| II.A.209 | Afro-Pop Schedule Includes budget proposals, flyers, press releases, and exhibition descriptions. |
1982 |
| II.A.210 | Afro-Pop Volunteer List | 1982 |
| II.A.211 | Afro-Pop Fashion Includes a copy of Double Dutch Rule Book (1974), and an issue of Dance Scope 12 no. 2 (Spring/Summer 1978). |
1982 |
| II.A.212 | Afro-Pop Design Concepts | 1982 |
| II.A.213 | Afro-Pop Scholar Solicitations Includes Spring 1981 and Winter 1982 issues of Future Funk. |
1981-1983 |
| II.A.214 | Afro American Popular Culture Informational booklet. |
undated |
| II.A.215 | Afro Ball Description | 1982 |
| II.A.216 | Afro-Pop Music Event, Letters to Talent | 1983 |
| II.A.217 | Afro-Pop Music Event, Copies of Concept | undated |
| II.A.218 | Afro-Pop Kickoff Reception | 1982 |
| II.A.219 | Afro-Pop Budget | undated |
| II.A.220 | Afro-Pop Donations, Contributors | 1983 |
| II.A.221 | Afro-Pop Video Release Forms | 1982 |
| II.A.222 | Afro-Pop Notes Filled-out notebook of handwritten notes. |
undated |
| II.A.223 | Afro-Pop Audience Development Scholars, scholar consultants, artists, staff. |
1982 |
| II.A.224 | Afro-Pop Budget | undated |
| II.A.225 | Master List Music Handwritten list of musicians and contact numbers. |
undated |
| II.A.226 | Afro-Pop Available Talent and Fees Contains a single piece of correspondence to the World Saxophone Quartet. |
1983 |
| II.A.227 | Afro-Pop Unavailable Talent | 1983 |
| II.A.228 | Afro-Pop Liquor Contains a single business card for a bartending service. |
undated |
| II.A.229 | Manhattan Center License Agreement | undated |
| II.A.230 | Afro-Pop Events: Ball/Menu | 1983 |
| II.A.231 | Afro-Pop Miscellaneous Correspondence concerning the Afro-Pop Ball. |
1983 |
| II.A.232 | Afro-Pop General Handwritten list of artists. |
undated |
| II.A.233 | Afro-Pop Reproduction Images/Visuals Contains handwritten notes and a single photographic slide. |
undated |
| II.A.234 | Afro-Pop Fraternities and Sororities Requests for contact information. |
1983 |
| II.A.235 | Articles | 1983-1984 |
| II.A.236 | Afro-Pop Possible Programming | 1984 |
| II.A.237 | Sandra Payne Afro-Pop memo. |
1984 |
| II.A.238 | Randy Williams Afro-Pop memo. |
1984 |
| II.A.239 | Ralph Lemon Afro-Pop memo. |
1984 |
| II.A.240 | Kaylynn Sullivan Afro-Pop memo. |
1984 |
| II.A.241 | April–June 1983 Press Releases Exhibitions mentioned include: Smith Bros World Tour performance on April 15, 1983, Linda Montano: Performance Excerpts on April 29 and 30, 1983, The Anniversary Party June 10, 1983, Hot Type: Erotic Texts on June 17, 1983, and The Master's Dream is the Slave's Desire on June 24, 1983. |
1983 |
| II.A.242 | Atlanta MARTA Commission | 1983 |
| II.A.243* | Atlanta MARTA Commission Blueprints | undated |
| II.A.244 | Audience Surveys | undated |
| II.A.245 | Stored Artwork Information | 1983 |
| II.A.246 | Blank Forms | undated |
| II.A.247 | Performance Artist Lists Performance flyers. |
undated |
| II.A.248 | Miscellaneous Photographs Photos and contact sheets include Senga Nengudi's exhibitions R.S.V.P. (1977) and Vestige (1981), an image of Stevie Wonder at the opening for Synthesis (1974), and artworks images of work included in What I Do For Art (1982). |
undated |
| II.A.249 | Performance Mailing List | undated |
| II.A.250 | Performance Audience Record | undated |
| II.A.251 | Domino Performance programs at JAM sponsored by New Radio and Performing Arts, Inc. |
undated |
| II.A.252 | Audience Development Program Handwritten notes. |
undated |
| II.A.253 | Ultra Thin Management Contains press releases for Ultra Thin Management, a new artist management company, and for Eric Bogosian's performance Funhouse at the New York Shakespeare Festival on June 23, 1983. |
1983 |
| II.A.254 | Press Clippings Contains a single clipping from Village Voice on March 8, 1983. |
1983 |
| II.A.255 | Arts Management Agencies Contains a flyer for non-profit organization Pentacle. |
undated |
| II.A.256 | Lucy Lippard Exhibition Proposal Includes slides with artwork by Jolene Rickard, Jerry Keanrs, Sarah Swenson, Anton Van Dalen, and "Machida" (1983). |
1983 |
| II.A.257 | Assistant Curator Info Includes slides. |
1983-1984 |
| II.A.258 | Assistant Curator Resumes | undated |
| II.A.259 | Program Administrators Info | undated |
| II.A.260 | JAM Artist Shows Contains resumes, statements, and checklists for the concurrent solo shows of Albert Chong, Joanne Freeman, and Sydney Blum from December 8, 1983–January 7, 1984. |
1983-1984 |
| II.A.261 | JAM Block Party "A June Night, Moonlight, and You" Blank forms, business cards, correspondence, research, receipts, and schedules. Includes a sketch of Basquiat by an unknown artist. |
1983 |
| II.A.262 | Nancy Princenthal Includes correspondence and essayist contract. |
1984 |
| II.A.263 | JAM Performance Series Proposals | 1984-1985 |
| II.A.264 | NYSCA Sponsored Individual Artist Projects Artist proposals from Sydney Blum and Dinosaur for a NYSCA sponsored project. |
1984 |
| II.A.265 | Pro Arts January 1984 Events Calendar | 1984 |
| II.A.266 | Several Stories Tall Collaboration between Yoshiko Chuma, Nona Hendryx, Fred Holland, and Oliver Lake. Include contracts and outline of performance. |
1984 |
| II.A.267 | Several Stories Tall Payment File Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984 |
| II.A.268 | Collaboration Photos Contact sheets of portraits. |
undated |
| II.A.269 | Shared Resources, Peter Rose Performances on December 9 and December 16, 1985. Related to folders II.A.293–295. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1986 |
| II.A.270 | JAM Laboratory Honorarium Vouchers Also includes proposals, receipts, and a pamphlet for Spiderwoman Theater JAM at JAM as a part of the performance series In the Rough. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1986 |
| II.A.271 | Rachel Rosenthal Correspondence for the performance series Talk Shows. |
1984 |
| II.A.272 | Jane Comfort Correspondence for the performance series Talk Shows. |
1984 |
| II.A.273 | Windshear Invitation and Advertisements | 1985 |
| II.A.274 | "Expect the Unexpected" Pamphlet Pamphlet announcing JAM's move from 178 Franklin Street to 503 Broadway. |
1985 |
| II.A.275 | Frances Torres Paths of Glory Exhibition Catalogue Held in the Fine Arts Center Art Gallery at State University of New York at Stony Brook, March 12–April 19, 1985. |
1985 |
| II.A.276 | Retakes: Blondell Cummings, Letters of Intent Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982-1986 |
| II.A.277 | Retakes: John Kelly, Letters of Intent Proposals for participation in the exhibition. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985-1986 |
| II.A.278 | Retakes: John Kelly Resumes and vouchers. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985-1986 |
| II.A.279 | Retakes: Lisa Kraus Resumes and vouchers. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985-1986 |
| II.A.280 | Retakes: Hope Gillerman Resumes and vouchers. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985-1986 |
| II.A.281 | Retakes: Harry Shepherd Resumes and vouchers. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985-1986 |
| II.A.282 | Retakes: Press Releases | 1985 |
| II.A.283 | Retakes: Production, Expenses, Receipts Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985 |
| II.A.284 | Retakes: Address and Phone Numbers | 1985 |
| II.A.285 | Birth of a Nation Inquiry | 1985 |
| II.A.286 | Fred Holland Correspondence and selected press clippings. |
1985-1986 |
| II.A.287 | Meg Eginton and Al Taylor Lab Project, Confirmation Letters and Contracts Includes original proposal, receipts, invitations, correspondence, honorarium vouchers, notes, and press clippings. Wind Shear November 21, 22, and 23, 1985. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985 |
| II.A.288 | 1985–1986 Program Schedule | 1985-1986 |
| II.A.289 | Most Definitely Not Profile Ladies, Sandra Payne Contains exhibition invitations and the signed guest book from the exhibition. |
1986 |
| II.A.290 | Most Definitely Not Profile Ladies, Sandra Payne Exhibition invitations and press releases. |
1986 |
| II.A.291 | Press Releases | 1986 |
| II.A.292 | JAM Lab Program, Notes Includes slides, schedules, applications, and notes. |
1986-1987 |
| II.A.293 | Shared Resources, Vince Chaney Performance with Vincent Chancey and The Third Order on June 18, 1986. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1986 |
| II.A.294 | Shared Resources, Arlene Schloss Performance Excerpts from an Opera Cabaret on May 19, 1986. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1986 |
| II.A.295 | Shared Resources, Steve Coleman Performance on April 17, 1986. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1986 |
| II.A.296 | David Hammons, On the Spot Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1986 |
| II.A.297 | JAM Artists List | 1986 |
| II.A.298 | Elizabeth Streb Lab Project, Confirmation Letters and Contracts Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1986 |
| II.A.299 | Knit 1, Risk All Laboratory Project Invitations Held at The Knitting Factory, June 2–5, 1987. |
1987 |
| II.A.300 | Talk Shows General Two pages of notes. |
undated |
| II.A.301 | Talk Shows Contract agreements with artists and notes. |
undated |
| II.A.302 | Talk Shows Promotional Material Contains press clippings. |
1987 |
| II.A.303 | 1987 Program: Alva Rogers Includes press clippings and correspondence. |
1987 |
| II.A.304* | 1987 Program: Alva Rogers Tearsheets from Interview (July 1987). |
1987 |
| II.A.305 | 1987 Program: Fred Holland Includes press clippings, correspondence, and exhibition invitations. |
1987-1988 |
| II.A.306 | 1987 Program: Dancenoise Includes press clippings and correspondence. |
1987 |
| II.A.307 | 1987 Program: Graham Haynes Includes press clippings and correspondence. |
1987 |
| II.A.308 | 1987 Program: Gerri Allen Includes press clippings, a contact sheet of portraits, and correspondence. |
1987 |
| II.A.309 | 1987 Program: Butch Morris | 1987 |
| II.A.310 | Kit-Yin Snyder Contains project proposal. |
1987 |
| II.A.311 | David Hammons Project Includes exhibition catalogue for Who's Uptown: Harlem '87, Schomburg Center for Research in Black Culture, March 11–April 16, 1988. |
1988 |
| II.A.312 | Critic's Choice: Suggestions for Sponsor Packages | 1987-1988 |
| II.A.313 | Critic's Choice: Sponsors—Philip Morris Contains Philip Morris Annual Report 1987. |
1987 |
| II.A.314 | Critic's Choice: Press Release | 1988 |
| II.A.315 | Marketing: Artist Promo Pieces Includes Critics Choice posters, brochures, exhibition invitations, and a press kit for D Visions 1981 Video Awards Festival. |
undated |
| II.A.316* | Critic's Choice: Poster | 1988 |
| II.A.317 | Critic's Choice: Administrative Tasks | 1988 |
| II.A.318 | Critic's Choice: Box Office | 1988 |
| II.A.319 | Critic's Choice: Program Notes Program mock-ups. |
1988 |
| II.A.320 | Critic's Choice: Press Letters | 1988 |
| II.A.321 | Critic's Choice: Press Release 1 | 1988 |
| II.A.322 | Critic's Choice: Promotion International Art Festival Program | 1988 |
| II.A.323 | Critic's Choice: 24/7 SPYZ | 1988 |
| II.A.324 | Critic's Choice: BOSHO | 1988 |
| II.A.325 | Critic's Choice: Advertisements | 1988 |
| II.A.326 | Critic's Choice: Artists Honoraria Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1988 |
| II.A.327 | Critic's Choice: Village Gate Contract Includes financial notes. |
1988 |
| II.A.328 | Critic's Choice: Jean-Paul Bourelly Includes a contract with the American Federation of Musicians of the United States and Canada. |
1988 |
| II.A.329 | Critic's Choice: Graham Haynes and No Image | 1988 |
| II.A.330 | Critic's Choice: Steve Coleman and Five Elements | 1988 |
| II.A.331 | Critic's Choice: Alva Rogers | 1988 |
| II.A.332 | Critic's Choice: Vernon Reid | 1988 |
| II.A.333 | Critic's Choice: Invitations to Suppliers | 1988 |
| II.A.334 | Critic's Choice: Memos and Timetables | 1988 |
| II.A.335 | Critic's Choice: Reservation Forms Contains a list of complimentary tickets. |
1988 |
| II.A.336 | Critic's Choice: Hamiett Bluett | 1988 |
| II.A.337 | Critic's Choice: Correspondence with Artists Contains two letters to Chris Rock. |
1988 |
| II.A.338 | Critic's Choice: Staff List | 1988 |
| II.A.339 | Critic's Choice: Video Editing | 1988 |
| II.A.340 | Critic's Choice: Artists Availability Contains lists of artists. |
undated |
| II.A.341 | Critic's Choice: Photographs for Sponsors Package | undated |
| II.A.342 | Other Festivals and Events Includes flyers, brochures, newspaper articles, and pamphlets for events in New York City in 1988. |
1988 |
| II.A.343 | Markus Johnson Exhibition Proposal Exhibition titled Urban Artists. |
1989 |
| II.A.344 | Exhibition Invitations Unknown Year Nancy Prager, April 26–May 14. |
undated |
Subseries II.B: Program Records |
||
|
Subseries II.B documents JAM's public programs, including Business of Being an Artist (BBA), Corporation for Art and Television (CAT), Innovative Real Estate Ventures (IRV), and an unrealized coffee shop, Café Dada. Records include correspondence, research and planning, and program ephemera, and have been organized by program in rough chronological order. CAT was the largest of JAM's public programs, and it included annual artist-in-residence programs with either a performance or an exhibition held at the end of the residence. CAT also had a planned concert series titled CATconcerts to be held in 1989 that was never fully realized. |
||
| Folder | Title | Date |
| II.B.1 | Art Organization Brochures | 1973-1983 |
| II.B.2 | African Contemporary Art Exhibition catalogue for African Contemporary Art, Wisconsin Memorial Union Main Gallery, March 16–31, 1977. |
1977 |
| II.B.3 | BBA Proposals | 1978-1979 |
| II.B.4 | BBA Historical Documents Contains press releases, budgets, pilot program planning, financial projections, interest forms, and fact sheets. |
1978-1981 |
| II.B.5 | BBA Publicity | 1979 |
| II.B.6 | BBA Program 1979–1980 Press, flyers, memos, and calendars. |
1979-1980 |
| II.B.7 | Rockefeller Proposal: BBA 1979–1980 | 1979-1980 |
| II.B.8 | BBA Fiscals 1979–1980 Budget projections and notes. |
1979-1980 |
| II.B.9 | BBA Video Research and Documents | 1979-1983 |
| II.B.10 | BBA 1980 Includes introductory advertisements and memos. |
1979-1980 |
| II.B.11* | BBA 1980 Business of Being an Artist advertisement. |
1980 |
| II.B.12 | BBA Press Folder Press clippings. Materials slightly water-damaged. |
1980 |
| II.B.13 | BBA Program 1980–1981 Press, flyers, memos, and calendars. |
1980-1981 |
| II.B.14 | BBA NYSCA Application 1980–1981 | 1980-1981 |
| II.B.15* | BBA Historical Documents Program poster and a photograph of 1981 participants by Shelley Farkas. |
1980-1981 |
| II.B.16 | Programs Similar to BBA | 1980 |
| II.B.17 | BBA Reference Material Contains helpful and informational flyers and documents concerning subjects such as grant writing, fundraising, competition exhibitions, record keeping, and slide selection. Also includes the pamphlet Artists Information Directory (1980) published by the Job Development Services of the Cultural Council Foundation Artists Project. |
1980 |
| II.B.18 | Business of Art and the Artist, American Museum of Natural History Contains a brochure and tentative schedule for the American Museum of Natural History's program, The Business of Art and Artists. |
1980 |
| II.B.19 | BBA Speakers Signed Contracts | 1980-1981 |
| II.B.20 | BBA Blank Registration Forms | 1981 |
| II.B.21 | Blank Service Contracts | undated |
| II.B.22* | Business of Being an Artist November 1981–June 1982 Schedule Poster Poster was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1981-1982 |
| II.B.23 | BBA Speakers | 1981-1982 |
| II.B.24 | BBA Ads and Listings Includes September 26, 1981 issue of Village Voice. |
1981-1983 |
| II.B.25 | BBA 1981–1982 (Folder 1 of 2) Contents were originally part of a spiral bound notebook. Contains scholarship registration forms, correspondence, books, and service contracts. |
1981-1982 |
| II.B.26 | BBA 1981–1982 (Folder 2 of 2) Contents were originally part of a spiral bound notebook. Contains scholarship registration forms, correspondence, books, and service contracts. |
1981-1982 |
| II.B.27 | BBA Resources for Distribution | 1981 |
| II.B.28 | BBA Mailing Lists: Possible Students and Volunteers | 1981-1982 |
| II.B.29 | "Weird Artists" Correspondence and resumes from artists. |
1982-1984 |
| II.B.30* | Business of Being an Artist October 1982–March 1983 Schedule Poster | 1982-1983 |
| II.B.31 | Business of Being a Writer Schedule | 1982-1983 |
| II.B.32 | Business of Being a Writer Informational program. |
1983 |
| II.B.33 | Business of Being a Writer Flyers, mailing lists, and notes. |
undated |
| II.B.34 | BBA Letters to Speakers | 1982-1983 |
| II.B.35 | BBA Speaker Contract/Payment Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982-1983 |
| II.B.36 | BBA Schedule | 1982-1983 |
| II.B.37 | BBA Video/Original Proposal | 1982-1983 |
| II.B.38 | To Be Paid/BBA Speakers | 1982-1983 |
| II.B.39 | BBA Broadcast | 1982-1984 |
| II.B.40 | BBA, The Competition | 1982-1983 |
| II.B.41 | Bertha Rogers Correspondence and slides. |
1982 |
| II.B.42 | BBA 1982–1983 Program | 1982-1983 |
| II.B.43 | BBA Interview Correspondence | 1982-1983 |
| II.B.44 | Camera Mart Rental Catalog | 1983 |
| II.B.45 | BBA Still Photographs From Tape 1 Photographic stills from an unknown BBA video recording. |
undated |
| II.B.46 | BBA Photos Contact sheets of BBA speakers taken by Christopher Frank. |
undated |
| II.B.47 | Art.v. Brochure BBA educational video series. |
undated |
| II.B.48 | Print Work for BBA Labels Contains blank labels and notes for BBA tapes. |
undated |
| II.B.49 | BBA Receipts | 1983 |
| II.B.50 | BBA Tapes Includes receipts, service contracts, artist CV's, and drafts of correspondence. |
1983 |
| II.B.51* | BBA Tapes Poster for a performance titled Talent is Useless by Claude Rutault held at 219 Mott Street on April 7th of an unknown year. |
undated |
| II.B.52 | BBA Speaker Correspondence | 1983 |
| II.B.53 | BBA Tape Duplication | 1983 |
| II.B.54 | BBA Resources for Production | undated |
| II.B.55 | Marketing Interns | 1983-1984 |
| II.B.56 | Association of Independent Video and Filmmakers, General Information | undated |
| II.B.57 | Copyright and Trademark, General Information | 1983 |
| II.B.58 | Market Research Video Distribution | undated |
| II.B.59 | American Film Festival Correspondence, entry form, and a certificate for an honorable mention. |
1983-1984 |
| II.B.60 | BBA Brochure | 1983 |
| II.B.61 | "Steps for a Successful Bulk Mailing" Handwritten notes. |
undated |
| II.B.62 | Intern Assignment Sheets Blank forms. |
undated |
| II.B.63 | BBA Video Proposals for Tape #2 Single sheet of handwritten notes. |
undated |
| II.B.64 | BBA Video Service Contracts Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
undated |
| II.B.65 | BBA Script Drafts of scripts. |
undated |
| II.B.66 | BBA Interview Questions Notes on prospective interview questions for BBA video series. |
1983 |
| II.B.67 | Other Cities, Leads to Follow Handwritten notes. |
undated |
| II.B.68 | Service Contracts Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1983 |
| II.B.69 | BBA Mailing List | undated |
| II.B.70 | JAM Seminars 1983–1984 | 1983-1984 |
| II.B.71 | Informal Forums | 1983 |
| II.B.72 | BBA Panel Art Who? | 1983-1984 |
| II.B.73 | BBA NYSCA Proposal | 1983-1984 |
| II.B.74 | BBA Eavesdrop Program Planning | 1983-1984 |
| II.B.75 | BBA Eavesdrop and Art Who? Original Proposal | 1983-1984 |
| II.B.76 | Art Biz Exhibition July 1983 Includes exhibition invitations. |
1983 |
| II.B.77 | Correspondence with BBA Participants | 1983-1984 |
| II.B.78 | BBA Tape #1 Production Notes | 1983 |
| II.B.79 | BBA Permission and Release Forms | 1983 |
| II.B.80 | BBA Video Series Funding Proposal Financial Project | 1983-1984 |
| II.B.81 | BBA Screenings 1/84 Includes flyers for Mind Your Own Business screening in Los Angeles at Pro Arts on January 23, 1984. |
1983-1984 |
| II.B.82 | Business of Being an Artist: New Museum Screening | 6-Jun-84 |
| II.B.83 | BBA Video Marketing Proposal Rough Drafts | 1984 |
| II.B.84 | BBA Video Final Postproduction | 1984 |
| II.B.85 | BBA Final Report N.Y. Community Trust | 1984 |
| II.B.86 | BBA Scholarship Applicant Response Templates | undated |
| II.B.87 | Marketing—BBA Fall '84 Video | 1984-1985 |
| II.B.88 | Marketing—Sample Advertisements | undated |
| II.B.89 | Correspondence Sent | 1984 |
| II.B.90 | BBA Video, MET Screening | 1984 |
| II.B.91 | BBA Video, Equipment Rental for Screenings | 1984 |
| II.B.92 | BBA Video, Press Screening | 1984 |
| II.B.93 | BBA Video, The Independents Submission to the film and video program The Independents aired by The Learning Channel. |
1984 |
| II.B.94 | BBA Blank Order Forms | undated |
| II.B.95 | BBA Video Order Forms | undated |
| II.B.96 | Equipment, Apple Community Affairs Grants | 1984 |
| II.B.97 | BBA Slides | 1984 |
| II.B.98 | BBA Artforum Review Artforum September 1984 article by Barbara Kruger. |
1984 |
| II.B.99 | BBA Video Orders and Inquiries | 1984-1985 |
| II.B.100 | BBA Preview Records Production | 1984-1985 |
| II.B.101 | BBA Screenings, Wade Miller Includes a copy of the film periodical The Independent (December 1983). |
1984 |
| II.B.102 | BBA WNET/Thirteen | 1984 |
| II.B.103 | BBA Sources for Mailing Lists | 1984-1986 |
| II.B.104 | BBA Reproductions (Wade Lithgow) Research on videocassette tape reproduction companies. |
1984 |
| II.B.105 | BBA Comparable Tapes | 1984 |
| II.B.106 | BBA Tape Marketing and Sales Includes a guest list for Business of Being an Artist film screening at the Metropolitan Museum of Art on March 20, 1984. |
1984-1986 |
| II.B.107 | BBA Legal Copyrights | 1984-1986 |
| II.B.108 | BBA Fundraising: New York Community Trust | 1984 |
| II.B.109 | Tony Whitfield Correspondence CAT correspondence to 1985–1986 artists, and financial forms. |
1985 |
| II.B.110 | Drafts of Essay The History of the Art Market | undated |
| II.B.111 | Francesc Torres Paths of Glory Exhibition catalogue for Francesc Torres Paths of Glory, Fine Arts Center Art Gallery, State Univeristy of New York at Stony Brook, March 12–April 19, 1985. |
1985 |
| II.B.112 | BBA Rentals 11/85 | 1985 |
| II.B.113 | BBA Sales 11/85 | 1985 |
| II.B.114 | BBA Preview Agreements/Order Forms | undated |
| II.B.115 | BBA College Art Association of America Advertisement | 1985-1986 |
| II.B.116 | Benefit Art Auction for Parallel Film Brochure for a benefit on May 7, 1985. |
1985 |
| II.B.117 | BBA Video Distribution: Maren | undated |
| II.B.118 | BBA Labels for 3/4" U-Matic Tapes | undated |
| II.B.119 | BBA Labels for VHS Tapes | undated |
| II.B.120 | BBA Tape Rental Inquiries | 1985-1986 |
| II.B.121 | BBA Tape Copyright Registration | 1985 |
| II.B.122 | BBA Video Marketing Distribution Sources | undated |
| II.B.123 | Inventory BBA Video | 1985 |
| II.B.124 | BBA Screening for Critics | 1984 |
| II.B.125 | BBA Exhibit | 1983 |
| II.B.126 | BBA About TV Brochure | undated |
| II.B.127 | Maren Hassinger BBA Inquiry | 1985 |
| II.B.128 | College Art Association 1986 Convention Informational booklet. |
1986 |
| II.B.129 | BBA Tape Marketing | 1986 |
| II.B.130 | BBA Financial Contracts Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
undated |
| II.B.131 | CAT Consultants | 1984 |
| II.B.132 | CAT Think Tanks | 1984-1985 |
| II.B.133 | CAT Development | 1984 |
| II.B.134 | CAT Publicity Undated single sheet of a photocopied article from City Beat from April 25. |
undated |
| II.B.135 | CAT Financial Statistics and Income Report | undated |
| II.B.136 | CAT Lab and Television Studio One sheet of notes. |
undated |
| II.B.137 | CAT R&D Concept Development Typed and edited draft of initial organizational charts, objectives, and marketing strategies. |
undated |
| II.B.138 | CAT Business Plan Bound copy of the CAT business plan. |
undated |
| II.B.139 | CAT Business Plan, Master Copy | undated |
| II.B.140 | CAT Phase 1: Specs and Budget | 1984-1985 |
| II.B.141 | CAT Competitors Location Directory | 1985 |
| II.B.142 | CAT Training Program: Magalink Production | 1986 |
| II.B.143 | CAT Arlene Wysong's Notes | 1987-1989 |
| II.B.144 | CAT Limited Partnership $2,000,000 Package | 1985 |
| II.B.145 | CAT Submission: Candida Alvarez and Dawoud Bey | undated |
| II.B.146 | CAT Submission: Emma Amos | 1983 |
| II.B.147 | CAT Submission: Inez Andrucyk | undated |
| II.B.148 | CAT Submission: George Bass and Nancy Nosta | 1984 |
| II.B.149 | CAT Submission: Lorna Bieber | 1983 |
| II.B.150 | CAT Submission: Macyn Bolt | 1983 |
| II.B.151 | CAT Submission: Power Boothe | 1984 |
| II.B.152 | CAT Submission: Andrea Blum Includes a copy of Momentary Hall (1982) by Andrea Blum, and slides. |
1982-1984 |
| II.B.153 | CAT Submission: Lenora Champagne | 1984 |
| II.B.154 | CAT Submission: Gail Conrad | undated |
| II.B.155 | CAT Submission: Russell Drisch | 1983 |
| II.B.156 | CAT Submission: Bradley Eros | undated |
| II.B.157 | CAT Submission: Semih Firincioglu | undated |
| II.B.158 | CAT Submission: Joanne Freeman Slides. |
undated |
| II.B.159 | CAT Submission: James Grigsby | 1984 |
| II.B.160 | CAT Submission: Lucy Hemmendinger | undated |
| II.B.161 | CAT Submission: Fred Holland | undated |
| II.B.162 | CAT Submission: Charles H. Hollingsworth, Jr. Spiral-bound script titled A Lion in the Field. |
undated |
| II.B.163 | CAT Submission: Brian Jucha | 1984 |
| II.B.164 | CAT Submission: Ruth Kahn | undated |
| II.B.165 | CAT Submission: Leslie Kamen | undated |
| II.B.166 | CAT Submission: Michael Katchen | 1983 |
| II.B.167 | CAT Submission: Judy Kennedy | undated |
| II.B.168 | CAT Submission: Mikyung Kim | undated |
| II.B.169 | CAT Submission: Kinematic | undated |
| II.B.170 | CAT Submission: Robert Kippur | undated |
| II.B.171 | CAT Submission: Christine Kristen | undated |
| II.B.172 | CAT Submission: Paul Laster | undated |
| II.B.173 | CAT Submission: Jessica Lenard | undated |
| II.B.174 | CAT Submission: G. Roy Levin | undated |
| II.B.175 | CAT Submission: Larry List | undated |
| II.B.176 | CAT Submission: Joanne Lowenthal | undated |
| II.B.177 | CAT Submission: Mary K. McFerran | 1984 |
| II.B.178 | CAT Submission: Betsy McLindon | undated |
| II.B.179 | CAT Submission: Jeff McMahon Contains a single sheet of slides. |
undated |
| II.B.180 | CAT Submission: Thomas Micchelli | undated |
| II.B.181 | CAT Submission: Florian Michel | undated |
| II.B.182 | CAT Submission: Bebe Miller | undated |
| II.B.183 | CAT Submission: John M. Monti | 1983 |
| II.B.184 | CAT Submission: Michael Mooney | undated |
| II.B.185 | CAT Submission: Lilian Mulero | undated |
| II.B.186 | CAT Submission: Linda Mussmann | 1984 |
| II.B.187 | CAT Submission: Georg Osterman | 1984 |
| II.B.188 | CAT Submission: Nancy Pierson | undated |
| II.B.189 | CAT Submission: Linda Sue Rappaport/Lesley Farlow | undated |
| II.B.190 | CAT Submission: Layne Redmond | 1981 |
| II.B.191 | CAT Submission: Jayce Salloum | 1982 |
| II.B.192 | CAT Submission: Steven Salzman | undated |
| II.B.193 | CAT Submission: Philip Sanders | undated |
| II.B.194 | CAT Submission: Carl Schnedeker | 1984 |
| II.B.195 | CAT Submission: Rick Schwab | 1982 |
| II.B.196 | CAT Submission: Laurence F. Simon | 1984 |
| II.B.197 | CAT Submission: Fran Shalom | undated |
| II.B.198 | CAT Submission: Tom Shaw | undated |
| II.B.199 | CAT Submission: Rochelle Shicoff | undated |
| II.B.200 | CAT Submission: Drew Shiflett | 1982 |
| II.B.201 | CAT Submission: Theodora Skipitares | 1982 |
| II.B.202 | CAT Submission: Stephanie Skura/Terry Moyemont | 1984 |
| II.B.203 | CAT Submission: Nan Smith | undated |
| II.B.204 | CAT Submission: Kit-Yin Snyder | 1984 |
| II.B.205 | CAT Submission: Stephen Spera | undated |
| II.B.206 | CAT Submission: Rich Staub | undated |
| II.B.207 | CAT Submission: Sara Stites | undated |
| II.B.208 | CAT Submission: Craig Stockwell | undated |
| II.B.209 | CAT Submission: Gail Swithenbank | undated |
| II.B.210 | CAT Submission: Robert Paul Tavetian | undated |
| II.B.211 | CAT Submission: Terciliano, Jr. | undated |
| II.B.212 | CAT Submission: Ken Thurlbeck | undated |
| II.B.213 | CAT Submission: Time and Space Limited | undated |
| II.B.214 | CAT Submission: Susan Togut | undated |
| II.B.215 | CAT Submission: Robert Tong | undated |
| II.B.216 | CAT Submission: Ulek Toshek | undated |
| II.B.217 | CAT Submission: Byron Utley | undated |
| II.B.218 | CAT Submission: Larry Walczak | 1985 |
| II.B.219 | CAT Submission: James "Jabbo" Ware | |
| II.B.220 | CAT Submission: Ken Weinberg | undated |
| II.B.221 | CAT Submission: Edmund Wesley Contains a script for musical titled The Morning Comes!. |
1984 |
| II.B.222 | CAT Submission: Stuart J. White | 1983 |
| II.B.223 | CAT Submission: Gergard Wolfe | undated |
| II.B.224 | CAT Submission: Mel Wong Dance Company/Cathey Billian Includes a VHS tape with works titled Migration, Telegram, and Desert Ghosts. |
1983 |
| II.B.225 | CAT Submission: Tim Young | 1985 |
| II.B.226 | CAT Submission: Rhonda Zwillinger | 1980-1984 |
| II.B.227 | CAT Submission: Unknown Artists | undated |
| II.B.228 | CAT Submission: Assorted Slides Slides from Dan Hurlin, Houston Conwill, C. Reid, Albert Chong, and unknown artists. |
undated |
| II.B.229 | Lab Artists | 1984 |
| II.B.230 | Elizabeth Streb CAT Proposal | 1984 |
| II.B.231 | Artist Proposals 1985–1986: Under Consideration Proposal from Jeff McMahon. |
1985-1986 |
| II.B.232 | Expect the Unexpected Pamphlet Proofs | 1985 |
| II.B.233 | Production Video Equipment Rental Info | 1982 |
| II.B.234 | CAT Advertising Research | 1985 |
| II.B.235 | TransAfrica/New York Support Committee | 1983 |
| II.B.236 | TransAfrica 82/83 | undated |
| II.B.237 | TransAfrica | 1982 |
| II.B.238 | Food Component: Concept for Physical Plant, Ambience Handwritten notes. |
undated |
| II.B.239 | Group Sales-Food Service | 1982 |
| II.B.240 | Feasibility Study | 1982 |
| II.B.241 | Realtors Q and A's | undated |
| II.B.242 | Tribeca Restaurants Q and A's | undated |
| II.B.243 | Expansion Plan Opening and Facilities Includes a proposal for The Artists' Place to the Ford Foundation. |
1982 |
| II.B.244 | Analysis of Current Artists Facilities Handwritten notes. |
undated |
| II.B.245 | Expansion Funding Resources, Loans | 1982 |
| II.B.246 | Expansion Fundraising: Information on Potential Contributors | 1982 |
| II.B.247 | NEA Application Requests | 1979-1980 |
| II.B.248 | Fundraising Government NEA Challenge Grant Financial Reports | 1979-1983 |
| II.B.249 | Fundraising Government NEA Challenge Grant Application (Folder 1 of 2) | 1979-1980 |
| II.B.250 | Fundraising Government NEA Challenge Grant Application (Folder 2 of 2) | 1979-1980 |
| II.B.251 | NEA Application Requests and Support Material | 1976-1977 |
| II.B.252 | Ann Schoenfeld File Contains a Letter of Agreement for a curatorial residency program. |
undated |
| II.B.253 | CAT Marketing Mechanicals | undated |
| II.B.254 | CAT—555 Broadway | undated |
| II.B.255 | CAT Consultants: Meetings and Memos | 1985 |
| II.B.256 | Marconi Equipment | undated |
| II.B.257 | MCI Equipment | undated |
| II.B.258 | Performance Admission Procedure Single flyer. |
undated |
| II.B.259 | Performance Program Budget Single sheet of financial records. |
1982-1983 |
| II.B.260 | Anne Hammel Submission | undated |
| II.B.261 | The Girl Artists Submission | 1983 |
| II.B.262 | CAT General Information | 1984-1985 |
| II.B.263 | General JAM/CAT Information | 1984-1985 |
| II.B.264 | LAB Contracts 1984–1985 | 1984-1985 |
| II.B.265 | LAB Guidelines | undated |
| II.B.266 | LAB Aplications | undated |
| II.B.267 | CAT Budget $5,000,000 Building Purchase Equipment | undated |
| II.B.268 | CAT Concept Development: ICA Puck Negotiations and Plans | 1983 |
| II.B.269 | CAT Admin Sample Personnel File | 1984 |
| II.B.270 | CAT Budget 503 Broadway $8.7 Package Contains real estate budget proposal. |
1984 |
| II.B.271 | CAT Budget 503 Broadway $1.9 Package Contains real estate budget proposal. |
1984 |
| II.B.272 | CAT Budget 503 Broadway Drafts | 1984 |
| II.B.273 | CAT Attorney Correspondence | 1987 |
| II.B.274 | CAT Marketing Sony | 1988 |
| II.B.275 | CAT Wallace/DeNiro Raw Notes | 1986 |
| II.B.276 | CAT Wallace/DeNiro Documents Correspondence with Paul Wallace, a representative of an entertainment production group, concerning a the purchase of a building on Greenwich Street for sale. The building would eventually be purchased by actor Robert DeNiro. |
1986-1987 |
| II.B.277 | CAT Wallace/DeNiro Newspaper and Magazine Clippings | 1989-1990 |
| II.B.278 | CAT Reference Venture Capital Firms | undated |
| II.B.279 | JAM Detailed Request and Support Material | undated |
| II.B.280 | CAT Reference Venture Capital Firms—Master | undated |
| II.B.281 | Laboratory Artists Miscellaneous | 1984 |
| II.B.282 | Gina Wendkos CAT Lab proposal. |
undated |
| II.B.283 | CAT—A.M. (Artist Management) Handwritten notes and a draft of a request. |
undated |
| II.B.284 | John Jesurun | 1983 |
| II.B.285 | Stephanie Skura Contains a single piece of correspondence to Tony Whitefield. |
undated |
| II.B.286 | Dan Hurlin | 1983-1984 |
| II.B.287 | Blank CAT Honorarium Forms | undated |
| II.B.288 | Blank CAT Living Stipend Forms | undated |
| II.B.289 | Blank CAT Production Allowance Forms | undated |
| II.B.290 | CAT Commercial Projects: German Television Art T.V. Series Development | 1984 |
| II.B.291 | September Review CAT Lab submissions and proposals. |
1985 |
| II.B.292 | CAT Lab Program 1984–1985 | 1984-1985 |
| II.B.293 | CAT Lab Program 1985–1986 | 1984 |
| II.B.294 | CAT Lab Production Budgets 1984–1985 | 1984-1985 |
| II.B.295 | CAT Lab Review Notes | 1984 |
| II.B.296 | CAT Sample Cover Letters | 1984 |
| II.B.297 | Keith Sonnier Includes resume and press. |
1977-1983 |
| II.B.298* | Keith Sonnier Exhibition poster for a solo exhibition at Galerie Rolf Ricke, March 16–April 25, 1984. |
1984 |
| II.B.299 | CAT Think Tanks List of artists under consideration for participation. |
undated |
| II.B.300 | Blank Artists Contracts | 1984-1985 |
| II.B.301 | Artist Contract Forms | undated |
| II.B.302 | Adrienne Kennedy (Folder 1 of 2) Includes correspondence and scripts. |
1983 |
| II.B.303 | Adrienne Kennedy (Folder 2 of 2) | undated |
| II.B.304 | Dance Series 1985–1986 | 1985-1986 |
| II.B.305 | Christian Marclay CAT Lab proposal. |
1984-1985 |
| II.B.306 | Nona Hendryx | 1984 |
| II.B.307 | 1978 April Budget | 1978 |
| II.B.308 | CAT Marketing Plan and Strategy | undated |
| II.B.309 | CAT Realty Inquiries | 1987 |
| II.B.310 | 503 Broadway Rentals, Marketing | c.1985 |
| II.B.311 | NEA Visual Arts | 1987-1988 |
| II.B.312 | Artists Honoraria FY 1987 Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985-1987 |
| II.B.313 | Shared Resources Butch Morris Project Related to folders II.A.293–295. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1986 |
| II.B.314 | Lorna Simpson On The Spot Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
undated |
| II.B.315 | Consultant T/E: Franklyn Beemish Informational flyers. |
undated |
| II.B.316 | Ad Agencies: Activity August–September 1987 Newspaper clippings. |
1987 |
| II.B.317 | Ad Agencies: Activity October–November 1987 Newspaper clippings. |
1987 |
| II.B.318 | Ad Agencies: Saatchi and Saatchi | 1988 |
| II.B.319 | Ethnic Issues: Minority Business Development Agencies | 1984 |
| II.B.320 | Ethnic Issues: Current Events Newspaper and magazine clippings. |
1986 |
| II.B.321 | Ethnic Issues: Minority Vendor Programs Newspaper clippings. |
1985 |
| II.B.322 | Ethnic Issues: Minority Telecommunications Development Program Newspaper clippings. |
1985-1986 |
| II.B.323 | Ethnic Issues: Black Directors 1989 Newspaper clipping. |
1989 |
| II.B.324 | Ethnic Issues: Collecting Black Art Magazine clipping. |
1986 |
| II.B.325 | Ethnic Issues: Spike Lee Magazine clippings. |
1986 |
| II.B.326 | Ethnic Issues: Inside Black Hollywood Magazine clippings. |
1986 |
| II.B.327 | Ethnic Issues: Blacks in Business, Wall Street Journal Newspaper clippings. |
1988 |
| II.B.328 | Ethnic Issues: Gannett Newspaper clipping. |
1988 |
| II.B.329 | Ethnic Issues: Current Events Newspaper clippings. |
1988 |
| II.B.330 | Ethnic Issues: TLC Groups Newspaper clippings. |
1988 |
| II.B.331 | Marketing Clients: Potential Client List | 1985 |
| II.B.332 | CAT Responses to Initial Inquiry | 1988 |
| II.B.333 | Corporate Clients: Procter and Gamble | 1985 |
| II.B.334 | CAT Initial Correspondence | 1988 |
| II.B.335 | Photo Equipment Manufacturers Promotional materials. |
undated |
| II.B.336 | Photo Equipment Rental Promotional materials. |
undated |
| II.B.337 | Photo Old Equipment List | undated |
| II.B.338 | Directory of Recording Studios | undated |
| II.B.339 | Recording Studio Rate Cards | undated |
| II.B.340 | CAT Publications Survey | 1987 |
| II.B.341 | CAT Financial Research, notes, and correspondence. |
1985 |
| II.B.342 | Corporation for Art and Television Notes, administrative information, business proposals and plans, and correspondence. |
1982-1983 |
| II.B.343 | Development Programs Budgets | 1978-1983 |
| II.B.344 | 1985–1986 CAT Program Artists List of artists selected for CAT programs. |
1985-1986 |
| II.B.345 | CAT Budgeting Includes memos announcing CAT's creation. |
1983-1984 |
| II.B.346 | Development Program: Budgets and Income | 1978-1981 |
| II.B.347 | CAT Loan Requests | 1985 |
| II.B.348 | CAT Letters to Banks | 1984-1985 |
| II.B.349 | CAT Real Estate Plans | 1984-1985 |
| II.B.350 | Theater Rental | 1985 |
| II.B.351 | CAT Fundraising: Office of Economic Development, Start Up Loan | 1983-1984 |
| II.B.352 | CAT Fundraising: Chemical Bank, Start Up Loan | 1984 |
| II.B.353 | CAT Fundraising: Public Service Contract Proposal | 1984 |
| II.B.354 | Audited Financial Statement | 1983 |
| II.B.355 | Programs at JAM 1984–1985 | 1984-19845 |
| II.B.356 | CAT Fundraising: City of New York, Start Up One Time Contribution | 1984 |
| II.B.357 | CAT Laboratory Proposal Guidelines | 1984-1985 |
| II.B.358 | CAT Business Plan, Office Copy | undated |
| II.B.359 | CAT Graphics | 1984-1985 |
| II.B.360 | Celebration: Eight Afro-American Artists Selected by Romare Bearden Exhibition catalogue for Celebration: Eight Afro-American Artists Selected by Romare Bearden, Henry Street Settlement, February 17–April 1, 1984. |
1984 |
| II.B.361 | Consultant Report, Non-Current: Workaday World | 1984-1985 |
| II.B.362 | Consultant Report, Non-Current: Howard Massey | 1984-1985 |
| II.B.363 | Consultant Report, Non-Current: Adcom | 1985 |
| II.B.364 | Resume: Peter Feldstein | 1987-1988 |
| II.B.365 | Real Estate: 120-130 West 21st Street | 1987-1988 |
| II.B.366 | Real Estate: 130 Prince Street Includes blueprints. |
1986 |
| II.B.367 | CAT Financing Request | 1985 |
| II.B.368 | Financial: SuperCalc Disc Libraries, CAT | undated |
| II.B.369 | CAT Meeting Notes and Finances | 1988-1989 |
| II.B.370 | CAT Admin: Invoices/Advent, General Operating Expenses | 1987 |
| II.B.371 | CAT Business Plan: Restaurant | 1982 |
| II.B.372 | CAT Admin: Invoices/Advent, Vandalear Walker | 1987 |
| II.B.373 | CAT Admin: Invoices/Advent, Linda Goode Bryant | 1987 |
| II.B.374 | CAT Facilities | 1988 |
| II.B.375 | CAT Business Plan Draft | undated |
| II.B.376 | CAT Business Plan: Principles Biographies | undated |
| II.B.377 | CAT Advisory: Stan Robertson | 1987 |
| II.B.378 | JAM Staff Lists | undated |
| II.B.379 | CAT Market Study | undated |
| II.B.380 | Sets with Scripts, Plots Without Action Program description, and slides. |
1985 |
| II.B.381 | CAT Financials | 1985-1987 |
| II.B.382 | Marketing: Press Releases FY 1986 Also includes press clippings and newspaper articles. Includes exhibition catalogue for JAM exhibition The Many Facets of Palmer Hayden, February 15–March 5, 1977. |
1986-1987 |
| II.B.383 | Legal: JAM/CAT Analysis | 1984 |
| II.B.384 | Files FY 1985 Records concern real estate, finances, and CAT. |
1984-1985 |
| II.B.385 | Funding History 1984–1987 | 1984-1987 |
| II.B.386 | IRS Filing for Renewal of Exemption | 1980-1981 |
| II.B.387 | Fundraising Program Description (Overview) | 1984-1987 |
| II.B.388 | CAT Marketing Plan and Strategy | undated |
| II.B.389 | "Expansion and Stabilization Program for JAM" (Folder 1 of 2) | 1982 |
| II.B.390 | "Expansion and Stabilization Program for JAM" (Folder 2 of 2) A proposal titled The Artist's Place. |
1982 |
| II.B.391 | CAT Correspondence | 1985-1988 |
| II.B.392 | JAM Laboratory Program Proposals 1 | 1986-1987 |
| II.B.393 | JAM Laboratory Program Proposals 2 | 1986-1987 |
| II.B.394 | JAM Laboratory Program Proposals 3 | 1986-1987 |
| II.B.395 | CAT Lab Project: Gary Falk Includes honorariums and receipts. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985-1986 |
| II.B.396 | CAT Property Inquiries and Notes | 1987-1989 |
| II.B.397 | Consultant Report: Architectural Criteria, Nissen Press packet. |
undated |
| II.B.398 | Consultant T/E: Bob Nissen | 1986 |
| II.B.399 | CAT Market Study and Business Plan Bound business plan. |
1986 |
| II.B.400 | CAT Market Study and Business Plan Draft | 1986 |
| II.B.401 | FY 1983 Includes an exhibition schedule and financial statements. |
1983 |
| II.B.402 | CAT Architectural Criteria Report | 1986 |
| II.B.403 | CAT Stationery Designs | 1985 |
| II.B.404 | CAT Budget Proposal Includes a business plan and marketing strategy packet. |
1985 |
| II.B.405 | CAT Initial Financial Projections | 1985 |
| II.B.406 | Pro Formas December 1987 Includes handwritten notes. |
1987 |
| II.B.407 | CAT Urban Development Corporation: Minority Revolving Loan Fund | 1986 |
| II.B.408 | CAT Production Facility Project | 1983 |
| II.B.409 | CAT Client/Production Companies | undated |
| II.B.410 | Financial Services Corporation: Industrial Revenue Bonds Blank forms. |
undated |
| II.B.411 | CAT Al-Mac Capital Corporation | 1986 |
| II.B.412 | CAT Typesetters Typeface samples. |
undated |
| II.B.413 | CAT Admin Invoices/Advent, Linda Goode Bryant | 1988 |
| II.B.414 | CAT Admin Invoices/Advent, General Operating Expenses | 1988 |
| II.B.415 | Interest Rate .085% Financial calculation sheets. |
1986 |
| II.B.416 | Interest Rate 10% Financial calculation sheets. |
1986 |
| II.B.417 | Interest Rate .135% Financial calculation sheets. |
1986 |
| II.B.418 | CAT Admin Invoices/Advent, Vandalear Walker | 1987 |
| II.B.419 | CAT Legal General Partnership Agreement Printer Forms | 1988 |
| II.B.420 | CAT Pro Formas January 1988 | 1988 |
| II.B.421 | CAT Loan Proposal | 1985 |
| II.B.422 | CAT First Budgets (Folder 1 of 2) Contains a loan package request. |
1985 |
| II.B.423 | CAT First Budgets (Folder 2 of 2) | 1984-1988 |
| II.B.424 | CAT Five Year Plan, First Draft | 1984 |
| II.B.425 | CAT Space Search Includes a notebook with handwritten notes and research on the search for art spaces. |
1983-1985 |
| II.B.426 | CAT Notes and Research | 1984 |
| II.B.427 | CAT Laboratory Program 1984–1985 | 1984-1985 |
| II.B.428 | Copy "CATs" | 1984 |
| II.B.429 | CAT—Staffing Charts | undated |
| II.B.430 | CAT—Job Applicant Resumes | 1984 |
| II.B.431 | NEA CAT Correspondence Includes artist honorarium for Bill T. Jones. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1983-1984 |
| II.B.432 | NEA Application Draft Includes financial projections, budgets, and programming schedules. |
1984 |
| II.B.433 | CAT Film Equipment | 1985 |
| II.B.434 | CAT Consultants: Facility Designers Handwritten notes. |
undated |
| II.B.435 | CAT Arbitrage (C. Lee) | 1986 |
| II.B.436 | CAT REDPP Application, November 1986 Regional Economic Development Partnership Program. Blank forms. |
1986 |
| II.B.437 | Advent Equities Finance Request, July 1987 | 1987 |
| II.B.438 | Advent Equities Description Summary | 1987 |
| II.B.439 | Advent Equities Legal Correspondence | 1988 |
| II.B.440 | CAT REDPP Applications, State UDC | 1986 |
| II.B.441 | CAT Financial Calculation Sheets Includes financial forecast predictions. |
1985 |
| II.B.442 | CAT Pre-Promotional Material | 1984 |
| II.B.443 | CAT IDA, First Application | 1984-1985 |
| II.B.444* | CAT American Express Building Blueprints Labeled "TV Studio Facilities." |
1985 |
| II.B.445 | CAT Budgets: Rough Draft Calculations | 1985 |
| II.B.446 | CAT Early Projections, Allocations and Miscellaneous | 1986 |
| II.B.447 | CAT Financial Assistance and Support: Initial Correspondence | 1988 |
| II.B.448 | CAT Governor's Office of Film and Television Contains a single letter from Linda Goode Bryant to Bruce Feinberg. |
1988 |
| II.B.449 | CAT Mayor's Office of Film and Television Contains a single letter from Linda Goode Bryant to Ben Gruberg. |
1988 |
| II.B.450 | CAT UNC Ventures Contains a single letter from UNC acknowledging the receipt of the CAT business plan. |
1988 |
| II.B.451 | CAT Developers: W&M Properties Contains a summary of W&M Properties staff and facilities. |
undated |
| II.B.452 | CAT Public/City Politicians Contains a mailing list of 1986 council members and correspondence. |
1985-1986 |
| II.B.453 | CATconcerts '89 Spiral-bound booklet of press for a series of concerts. |
1989 |
| II.B.454 | CATconcerts: Graham Haynes | 1987 |
| II.B.455 | CATconcerts: Geri Allen Press Photo | undated |
| II.B.456 | CATconcerts: Tour Survey Forms Blank forms. |
undated |
| II.B.457 | CATconcerts: Promotional Mail Piece 1 | 1988 |
| II.B.458 | CATconcerts: Promotional Mail Piece 2 | undated |
| II.B.459 | CATconcerts: The Deed | undated |
| II.B.460 | CATconcerts: Promotions, Drafts of Copy | 1988-1989 |
| II.B.461 | CATconcerts: Letters to Possible Presenters | |
| II.B.462 | CATconcerts: Alva Rogers | 1988 |
| II.B.463 | CATconcerts: Tape Cover Mechanical | 1988 |
| II.B.464 | CATconcerts: Gerri Allen | 1987 |
| II.B.465 | CATconcerts: College/University Response | 1988 |
| II.B.466 | CATconcerts: Tour Mailing List | 1988 |
| II.B.467 | CATconcerts: Artist Fees | 1988 |
| II.B.468 | CATconcerts: Artist, Bosho | 1988 |
| II.B.469 | CATconcerts: Artist, John-Paul Bourelly | 1988 |
| II.B.470 | CATconcerts: Jean-Paul Bourelly Photocopies of articles. |
1987-1988 |
| II.B.471 | CATconcerts: Artist, Vernon Reid | 1988 |
| II.B.472 | CATconcerts: Artist, Haynes and No Image | undated |
| II.B.473 | CATconcerts: Artist, 24/7 SPYZ | 1988 |
| II.B.474 | CATconcerts: Artist, Steve Coleman and the Five Elements | 1988 |
| II.B.475 | CATconcerts: Outward Visions | 1979-1985 |
| II.B.476 | CATconcerts: Tanglewood | undated |
| II.B.477 | CATconcerts: Goals/Objectives | undated |
| II.B.478 | CATconcerts: Promotions, Original Copy | undated |
| II.B.479 | CATconcerts: Promotion Price List | undated |
| II.B.480 | CATconcerts: Promotion First Newsletter | 1989 |
| II.B.481 | CATconcerts: Promotion, Mechanical and Supplies | 1988 |
| II.B.482 | CATconcerts: Letters to Concert Planner | 1988 |
| II.B.483 | CATconcerts: Tour Sheets | 1987 |
| II.B.484 | CATconcerts: Tour Spheres | 1988-1989 |
| II.B.485 | CATconcerts: Tour Survey Worksheets | undated |
| II.B.486 | CATconcerts: Follow-up Forms Filled out survey forms. |
undated |
| II.B.487 | CATconcerts: Reference Material Includes a spiral-bound copy of Arts Midwest Performing Arts Program 1988. |
undated |
| II.B.488 | CATconcerts: News Clippings | 1987 |
| II.B.489 | CATconcerts: Timeline | 1987 |
| II.B.490 | CATconcerts: Night Clubs | undated |
| II.B.491 | CATconcerts: Outside Space Research | 1982 |
| II.B.492 | CAT Submission: Elizabeth Strebb (Choreographer) | 1984-1985 |
| II.B.493 | Village Voice Media Kit | 1987 |
| II.B.494 | JAM Lab Program, Gary Falk Includes an invoice and a production allowance voucher. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985-1986 |
| II.B.495 | IRV Development—Correspondence | 1984-1986 |
| II.B.496 | IRV Financial Proposal 2/1986 | 1986-1988 |
| II.B.497 | IRV Proposal Copies 2/86 | 1986 |
| II.B.498 | IRV Financial Schedules February 1986 | 1986 |
| II.B.499 | IRV Support Material (News Articles) | 1986 |
| II.B.500 | IRV Description | 1986 |
| II.B.501 | IRV Non Profits Needing Space | 1986 |
| II.B.502 | IRV Raw Notes Handwritten notes on definition, function, goals, and objectives. |
1986 |
| II.B.503 | IRV Development #1 Project Handwritten notes and a conceptual outline. |
1986 |
| II.B.504 | IRV Real Estate Property File | 1986 |
| II.B.505 | Café Dada: Planning | 1982 |
| II.B.506 | Café Dada: City Maps | undated |
| II.B.507 | Café Dada: Food Service Research Research for a JAM café, including menu planning. |
1981-1982 |
| II.B.508 | Café Dada: Business Research Scans from a book on new businesses. |
undated |
| II.B.509 | Café Dada: Restaurant Realty Quote | undated |
| II.B.510 | Café Dada: Finances | 1982-1983 |
| II.B.511 | Café Dada: Restaurant Associates | 1982 |
| II.B.512 | Café Dada: Hunt/Wesson Corporation | 1978 |
| II.B.513 | Café Dada: National Restaurant Association | 1981-1982 |
| II.B.514 | Café Dada: Miscellaneous Research and notes. |
undated |
| II.B.515 | Café Dada: Culinary Institute of America | 1982 |
| II.B.516 | Café Dada: Raw Notes—Data Gathering | 1981-1982 |
| II.B.517 | Café Dada: Architecture Drawings for Restaurant Drawings for restaurant layout. |
undated |
| II.B.518 | Café Dada: Restaurant Literature and Other Resources | 1982 |
| II.B.519 | Café Dada: Other Restaurants Research | undated |
Subseries II.C: Magazine and Publication Files |
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Subseries II.C comprises JAM's publication records documenting the creation, publication, and distribution of JAM exhibition catalogues and the magazines Black Currant and B Culture. Records in this series include submissions, subscription orders, essay drafts, copies of issues, mechanicals and dummy issues, sales, and advertising records. |
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| Folder | Title | Date |
| II.C.1 | Dialogues Catalogue (Folder 1 of 2) Contains negatives, photographs, drafts of essays, and other publication materials. This exhibition catalogue was never fully realized. |
1980 |
| II.C.2 | Dialogues Catalogue (Folder 2 of 2) Contains a price list, news clippings, contact sheets and photographs of an Edgar Heap of Birds performance, and other publication materials. This exhibition catalogue was never fully realized. |
1980 |
| II.C.3 | What I Do For Art Exhibition Catalogue JAM exhibition, June 5–July 3, 1982. Exhibition catalogue photographs can be found in II.A.132. |
1982 |
| II.C.4 | What I Do For Art Exhibition Catalogue | 1982 |
| II.C.5 | Publications: Hope Reports Brochures for publication market trends. |
1985-1986 |
| II.C.6 | Publications: Means | 1987 |
| II.C.7 | Publications: The Brush Report Advertisement for a report on video communications. |
1987 |
| II.C.8 | Contextures Exhibition Catalogue Contains a single water-damaged copy. Patrons should consult the copy of the catalogue held by the MoMA Library. |
1978 |
| II.C.9 | Contextures Orders Also includes a photograph of a Kit-Yin Snyder installation. |
1979-1982 |
| II.C.10 | Contextures Order Forms Blank forms and correspondence announcing the book's availability. |
1981 |
| II.C.11 | Contextures Catalogue Sales | 1983-1984 |
| II.C.12 | Contextures Orders | 1985 |
| II.C.13 | Black Currant Copies of all four issues. |
1982-1983 |
| II.C.14 | Black Currant Subscriptions | 1982-1983 |
| II.C.15 | Black Currant Distribution Contains single receipt. |
1982 |
| II.C.16 | Black Currant Subscription Information | 1982 |
| II.C.17 | Black Currant 1 no. 1 Includes copies of Black Currant 1 no. 2 (June 1982), editing materials, and artist resumes. |
1982 |
| II.C.18 | Black Currant 2 no. 1 Includes writings, order forms, resumes, correspondence, and press and ephemera for Edgar Heap of Birds. Contains a small mock up of issue. |
1982 |
| II.C.19 | Black Currant 2 no. 2 Includes images and a production draft. |
undated |
| II.C.20 | Black Currant 2 no. 2 | 1982 |
| II.C.21 | Black Currant Includes correspondence, flyers, and issues 1 no. 1 and 2 no. 1. Also includes press release for JAM exhibition A Love Story, June 9–July 2, 1983. |
1989 |
| II.C.22 | Black Currant Portraits Includes catalogue for Sculpture on Shoreline Sites, Ward's Island, June 1983–April 1984. Includes notes and drafts for future issues. |
1983 |
| II.C.23 | Black Currant Submission: C. Daniel Dawson | undated |
| II.C.24* | Black Currant Submission: Russel Redmond | undated |
| II.C.25* | Black Currant Submission: Rick Schwab | undated |
| II.C.26 | Black Currant Submission: Alison Saar | undated |
| II.C.27 | Black Currant Submission: Dawoud Bey Includes two photographs of Howardena Pindell and one of Bob Blackburn. |
undated |
| II.C.28* | Black Currant Submission: R.J. Powell | undated |
| II.C.29 | Black Currant Submission: Walter Jackson | 1983 |
| II.C.30 | Black Currant Submission: Kapo Contains a photograph of a painting for reproduction in an issue. |
undated |
| II.C.31* | Black Currant Submission: Artist Unknown | undated |
| II.C.32* | Black Currant Submission: Helen Oji | undated |
| II.C.33* | Black Currant Submission: Cynthia (?) | undated |
| II.C.34 | Black Currant: 4 no. 1: "Bend, Fold and Mutilate" Contains plans, layouts, and correspondence. Issue never published. |
1983 |
| II.C.35 | Publication Program: Jobber Info 1982–1983 Contains March 1983 issue of Galleries: A Guide to Washington Art Galleries. |
1983 |
| II.C.36 | Publication Program: Distribution Info | 1983 |
| II.C.37 | JAMin' the Holidays Invitations Event held to celebrate the publication of the first issue of B Culture. |
1985 |
| II.C.38* | B Culture Contains two copies of all issues. One copy of vol.1 no.1 was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1986-1987 |
| II.C.39 | B Culture Contains subscription mailers for B Culture. |
1986 |
| II.C.40 | B Culture: Designers Includes a mockup design for the B Culture logo. |
undated |
| II.C.41 | B Culture: Unused Texts | 1981-1983 |
| II.C.42 | B Culture: Preliminary Notes | 1984-1986 |
| II.C.43 | B Culture: 1 No.1 Production | 1986 |
| II.C.44 | B Culture: 1 No.1 Distribution | 1986 |
| II.C.45 | B Culture: 1 No.1 Expenses | 1986 |
| II.C.46 | B Culture: 1 No.1 Order Form | 1986 |
| II.C.47 | B Culture: 1 No.1 Photocopy | 1986 |
| II.C.48 | B Culture: 1 No.1 Filled Mail Orders | 1988 |
| II.C.49 | B Culture: Marketing Meeting with Linda | undated |
| II.C.50 | B Culture: Notes, Plans, Memos | 1984 |
| II.C.51 | B Culture: Design Materials Includes a mock-up of an issue. |
undated |
| II.C.52 | B Culture: Visuals Includes drafts of the essay Capital and Art by Kenneth Friedman. Includes images of artworks by Doug Ashford, Brad Melamed, Calvin Reid, Barbara Kruger, Chester Pannell, and Thomas Lawson. |
1984 |
| II.C.53* | B Culture: Visuals Photograph. |
undated |
| II.C.54 | B Culture: "Miss Thang for President" Handwritten list of "potential artists" presumably for a potential future issue. |
undated |
| II.C.55 | B Culture Pamphlet Small pamphlet advertising the first issue of B Culture and Business of Being an Artist video series. The front page contains a quote from Robert Longo, "Why do artists have to be the dirtbags on the world?" |
1986 |
| II.C.56 | B Culture: Distribution Free Copies/Manager Package | 1988 |
| II.C.57 | B Culture: Mechanicals | 1988 |
| II.C.58 | B Culture: Proposals Includes financial budgets. |
1990 |
| II.C.59 | B Culture: Staff Memos Contains a single sheet of handwritten notes. |
1988 |
| II.C.60 | B Culture: Memo to File Contains single memo. |
1988 |
| II.C.61 | B Culture: Pert Charts | 1988 |
| II.C.62 | B Culture: 2 No.1 Reader Response | 1988 |
| II.C.63 | B Culture: 2 No.1 Sales | 1988 |
| II.C.64 | B Culture: 2 No.1 Proofed Copy | 1988 |
| II.C.65 | B Culture: 2 No.1 Proofed Galleys | 1988 |
| II.C.66* | B Culture: 2 No.1 Dummy | 1988 |
| II.C.67 | B Culture: 2 No.1–2 Acknowledgement Letter to Contributors | 1987 |
| II.C.68 | B Culture: 2 No.1–2 Expenses Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1986-1987 |
| II.C.69 | B Culture: 2 No.1–2 Projected Expenses: Marketing | 1987 |
| II.C.70 | B Culture: 2 No.2 Dummy | 1987 |
| II.C.71 | B Culture: 2 No.2 Proofed Copy | 1987 |
| II.C.72 | B Culture: 2 No.2 Proofed Galleys | 1987 |
| II.C.73 | B Culture: Additional Art Work Editing and design works for vol.2 no.1. |
1988 |
| II.C.74 | B Culture: Writers: Michael Gonzales | 1987-1988 |
| II.C.75 | B Culture: Uniworld Group | 1988 |
| II.C.76 | B Culture: Editorial Policy | 1984-1988 |
| II.C.77 | B Culture: National Advertiser Prospects | 1988 |
| II.C.78 | B Culture: NYC Distribution Points | 1987-1988 |
| II.C.79 | B Culture: Ubiquity Joe Massey | 1986-1988 |
| II.C.80 | B Culture: Format Page Forms | undated |
| II.C.81 | B Culture: Production Procedure | 1987-1988 |
| II.C.82 | B Culture: Subscription Ideas | undated |
| II.C.83 | B Culture: Sales Ideas | 1987 |
| II.C.84 | B Culture: Local Prospects Geographically | undated |
| II.C.85 | B Culture: Local Prospects | 1987-1988 |
| II.C.86 | B Culture: Receipt Forms Blank forms. |
undated |
| II.C.87 | B Culture: Distribution Strategy | 1988 |
| II.C.88 | B Culture: National Distribution | 1987 |
| II.C.89 | B Culture: NYC Distributors | 1987 |
| II.C.90 | B Culture: Media Kit Master | 1988 |
| II.C.91 | B Culture: Local Prospects Card Files Includes two clothing catalogues for flight jackets and swimwear. |
1988 |
| II.C.92 | B Culture: Soho Generation | 1988 |
| II.C.93 | B Culture: Soho Mills | 1988 |
| II.C.94 | B Culture: M. Schacht | 1988 |
| II.C.95 | B Culture: Meeting with Flip Barnes (Consultant) Handwritten notes on marketing strategies. |
1985 |
| II.C.96 | B Culture: Rejections/Approach at a Later Date | undated |
| II.C.97 | B Culture: Correspondence Also includes correspondence concerning the 1988 Critic's Choice exhibition. |
1987-1988 |
| II.C.98 | B Culture: 3 No. 1 Editorial Content | 1988 |
| II.C.99 | B Culture: Photos-Festival Issue Contains three polaroid photographs of Chris Rock. |
undated |
| II.C.100 | B Culture: Solo-David Hammons This file consists solely of manila folders. An outer one with "Dummy of Solo Issue by David Hammons" handwritten in ballpoint ink. And two interior ones, taped together to form an accordion fold. |
undated |
| II.C.101 | B Culture: Flyers | 1988 |
| II.C.102 | B Culture: Promotional Ideas Contains a single invitation from Metro promoting the first six issues of their publication, Metro Magazine. |
1987 |
| II.C.103 | B Culture: Sales/Accounts Receivable | 1986 |
| II.C.104 | B Culture: Sales/Payments Received | 1986-1988 |
| II.C.105 | B Culture: Subscriptions | 1986 |
| II.C.106 | B Culture: Reciprocal Agreements with Other Publications | 1987 |
| II.C.107 | B Culture: Related Publication LA Weekly | undated |
| II.C.108 | B Culture: Related Publication The Underground Forest Contains copy of The Underground Forest IV no. 2 (Spring 1987). |
1987 |
| II.C.109 | B Culture: NYS Arts Organizations List | 1986 |
| II.C.110 | B Culture: Mailing List Codes | undated |
| II.C.111 | B Culture: Mailing List Additions | 1988 |
| II.C.112 | B Culture: References Press clippings. |
1987 |
| II.C.113 | B Culture: Printing Contains a single piece of correspondence confirming the printing of B Culture. |
1987 |
| II.C.114 | B Culture: Advertising Letter | 1988 |
| II.C.115 | B Culture: Advertising Survey of Competitors Includes notes and figures for vol.3 no.1, and a copy of Black Currant 1 no.1 (May 1982). |
1988 |
| II.C.116 | B Culture: Advertising Strategy Contains a handwritten list of individuals and businesses in the New York City area. |
undated |
| II.C.117 | B Culture: Advertising Main List | undated |
| II.C.118 | B Culture: Advertising Tracking Sheets Blank forms. |
undated |
| II.C.119 | B Culture: Sales Letters | 1988 |
| II.C.120 | B Culture: Advertiser/"The Futon Shop" | 1988 |
| II.C.121 | B Culture: Advertiser/Lewis and Clark | 1988 |
| II.C.122 | B Culture: Advertiser/Canal Jeans | 1988 |
| II.C.123 | B Culture: Advertiser/Café Della Pace | 1988 |
| II.C.124 | B Culture: Advertiser/Amsterdam's | 1988 |
| II.C.125 | B Culture: National Advertisers/Mingo Group, Miller Beer | 1988 |
| II.C.126 | B Culture: National Advertisers/Jordache Jeans | 1988 |
| II.C.127 | B Culture: National Advertisers/BBDO PepsiCo | 1988 |
| II.C.128 | B Culture: National Advertisers/N.W. Ayer Dom Ruinart | 1988 |
| II.C.129 | B Culture: National Advertisers/TBWA Carillon | 1988 |
| II.C.130 | B Culture: National Advertisers/M&M Bacardi | 1988 |
| II.C.131 | B Culture: National Advertisers/Geer Dubois Amaretto Disarrono | 1988 |
| II.C.132 | B Culture: National Advertisers/Anheuser-Busch | 1988 |
| II.C.133 | B Culture: Competitor Comparison Rate Chart | undated |
| II.C.134 | B Culture: Competitor—EAR Magazine Includes vol.12 no.5 (July/August, 1987) issue. |
1987 |
| II.C.135 | B Culture: Competitor—New Common Ground Contains August 1987 issue. |
1987 |
| II.C.136 | B Culture: Competitor—New York Magazine Contains March 28, 1988 issue and media kit. |
1988 |
| II.C.137 | B Culture: Competitor—New Yorker Contains media kit and informational brochures. |
1987 |
| II.C.138 | B Culture: Competitor—Black American Contains vol.27 no.32 (August 6–12, 1987) issue. |
1987 |
| II.C.139 | B Culture: Competitor—Ebony Contains media kit and October 1987 issue. |
1987 |
| II.C.140 | B Culture: Competitor—West Side Spirit Contains media kit and vol.2 no.91 (November 16, 1987) and vol.2 no.92 (November 23, 1987) issues. |
1987-1988 |
| II.C.141 | B Culture: Competitor—Essence Contains media kit and October 1987 issue. |
1987 |
| II.C.142 | B Culture: Competitor—Interview Contains media kit. |
1988 |
| II.C.143 | B Culture: Competitor—Black NY Contains issue no. 2. |
undated |
| II.C.144 | B Culture: Competitor—Chocolate Singles Contains media kit and August 1987 issue. |
1987 |
| II.C.145 | B Culture: Competitor—Amsterdam News Contains media kit and August 22, 1987 issue. |
1987-1988 |
| II.C.146 | B Culture: Competitor—New York Press Contains vol.1 no.1 (April 13, 1988) and vol.1 no.2 (April 20, 1988) issue. |
1988 |
| II.C.147 | B Culture: Competitor—Cover Contains January 1988 issue. |
1988 |
| II.C.148 | B Culture: Competitor—The City Sun Contains media kit and September 2–8, 1987 and October 7–13, 1987 issues. |
1987 |
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Series III: Administrative Records |
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Due to the various moves of the collection, files in this series were received in several numbered boxes but without clear relationship to each other and the original order was no longer discernible. The boxes were kept in enumerated order and files processed in order as found. Minor adjustments were made to clarify topical groupings of materials such as personnel and resume files, calendars, receipts, bills, and similar items were grouped at the start of the series. |
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Subseries III.A: Correspondence and General Administrative Files |
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Subseries III.A contains general correspondence, operational, and administrative documents. Records have been sorted into groups, such as resumes sent into JAM, personnel files, and the calendars and appointment books belonging to Goode Bryant and other JAM employees. Also included in this series are four rolodexes, three for personal contact information and one for businesses, used frequently by JAM staff. Other administrative documents include job applications and job descriptions, mailing lists, brochures and pamphlets distributed by JAM, general correspondence, and research records. Records have been organized with calendar notebooks and personnel files at the beginning. |
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| Folder | Title | Date |
| III.A.1 | 1975 Calendar | 1975 |
| III.A.2 | 1976 Calendar | 1976 |
| III.A.3 | 1978 Calendar | 1978 |
| III.A.4 | 1983 Calendar | 1983 |
| III.A.5 | 1983–1984 Calendar | 1983-1984 |
| III.A.6 | 1984–1985 Calendar | 1984-1985 |
| III.A.7 | 1985–1986 Calendar | 1985-1986 |
| III.A.8 | 1986 Calendar | 1986 |
| III.A.9 | 1986–1987 Calendar | 1986-1987 |
| III.A.10 | 1987–1988 Calendar | 1987-1988 |
| III.A.11 | 1989 Calendar | 1989 |
| III.A.12 | 1974 Appointment Calendar | 1974 |
| III.A.13 | 1979 Appointment Book | 1979 |
| III.A.14 | 1980 Appointment Book | 1980 |
| III.A.15 | 1981 Appointment Book | 1981 |
| III.A.16 | 1983 Appointment Book | 1983 |
| III.A.17 | 1994 Day Calendar | 1994 |
| III.A.18 | 1995 Day Calendar | 1995 |
| III.A.19 | 1996 Day Calendar | 1996 |
| III.A.20 | 1997 Day Calendar | 1997 |
| III.A.21 | 1998 Day Calendar | 1998 |
| III.A.22 | 1999 Day Calendar | 1999 |
| III.A.23 | 2000 Day Calendar | 2000 |
| III.A.24 | Telephone Message Book, January 31, 1986–February 14, 1986 | 1986 |
| III.A.25 | Telephone Message Book, February 14, 1986–March 11, 1986 | 1986 |
| III.A.26 | Telephone Message Book, June 22, 1987–June 22, 1988 | 1987-1988 |
| III.A.27 | Linda Goode Bryant Notebook July 1980 | 1980 |
| III.A.28 | Alice Norris Notebook October 1985 | 1985 |
| III.A.29 | Linda Goode Bryant Notebook July 1986 | 1986 |
| III.A.30 | Vandalear (Van) Walker CAT Notebook November 1986 | 1986 |
| III.A.31 | Linda Goode Bryant Notebook July 1987 | 1987-1988 |
| III.A.32 | Kevin Harris Notebook July 1987 | 1987 |
| III.A.33 | Vandalear (Van) Walker CAT Notebook September 1987 | 1987 |
| III.A.34 | Notebook, Unknown Year | undated |
| III.A.35 | Rolodex—Personal | undated |
| III.A.36 | Rolodex—Personal | undated |
| III.A.37 | Rolodex—Personal | undated |
| III.A.38 | Rolodex—Business | undated |
| III.A.39 | JAM Corporate Seal | 1976 |
| III.A.40 | CAT Corporate Seal | 1985 |
| III.A.41 | JAM Certificate of Incorporation | 1976 |
| III.A.42 | CAT Certificate of Incorporation | 1985 |
| III.A.43 | Artists Resumes Viewed 1980 | 1976-1980 |
| III.A.44 | Artists Resumes Viewed 1981 | 1981 |
| III.A.45 | Artists Resumes Viewed 1982–1983 (Folder 1 of 2) Includes a copy of exhibition catalogue for Watercolor U.S.A. 1981, Springfield Art Museum, May 17–June 29, 1981. |
1982-1983 |
| III.A.46 | Artists Resumes Viewed 1982–1983 (Folder 2 of 2) | 1982-1983 |
| III.A.47 | Artists Resumes Viewed 1983– | 1982-1983 |
| III.A.48 | Mail From Artists | 1981-1982 |
| III.A.49 | Artists Resumes A–C | 1978-1981 |
| III.A.50 | Artists Resumes D–F | 1981 |
| III.A.51* | Artists Resumes D–F | 1977 |
| III.A.52 | Artists Resumes G–I (Folder 1 of 2) | 1978-1981 |
| III.A.53 | Artists Resumes G–I (Folder 2 of 2) | 1978-1981 |
| III.A.54 | Artists Resumes P-R | 1978-1981 |
| III.A.55 | Artists Resumes S-U (Folder 1 of 2) | 1978-1981 |
| III.A.56 | Artists Resumes S-U (Folder 2 of 2) Includes a copy of Market Research (1978) by Karen Shaw. |
1978-1981 |
| III.A.57 | Artists Resumes V-Z | 1978-1981 |
| III.A.58 | Artist Resumes | undated |
| III.A.59 | Artist Resumes | undated |
| III.A.60 | Artist Resumes | undated |
| III.A.61 | Artist Resumes | undated |
| III.A.62 | Personnel Manual | undated |
| III.A.63 | Personnel—Unemployment Insurance | 1983 |
| III.A.64 | Personnel—Employee Benefits, Insurance | undated |
| III.A.65 | Personnel—Benefits Info | undated |
| III.A.66 | Personnel—Intern/Blanco, Jodee | 1984-1985 |
| III.A.67 | Personnel—Intern/Bragg, Susan | undated |
| III.A.68 | Personnel—Intern/Fiedorek, Sandra Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.69 | Personnel—Intern/Greiner, John Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.70 | Personnel—Intern/Hardwick, Jill Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.71 | Personnel—Intern/Harney, John Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.72 | Personnel—Intern/Hedren, Greg Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.73 | Personnel—Intern/Hedren, Robert Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.74 | Personnel—Intern/Horansky, Bob Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.75 | Personnel—Intern/Miller, Wade Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.76 | Personnel—Intern/Post, Kenneth | 1984-1985 |
| III.A.77 | Personnel—Intern/Reece, Frank Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.78 | Personnel—Intern/Robbenhaar, Eveline Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.79 | Personnel—Intern/Salvayon, John Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.80 | Personnel—Intern/Schicchi Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.81 | Personnel—Intern/Schwartz, Steven Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.82 | Personnel—Intern/Serasta, Gregg Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.83 | Personnel—Intern/Smith, Micheal Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.84 | Personnel—Intern/Temporary Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1981-1984 |
| III.A.85 | Personnel—Intern/Williams, John K. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.A.86 | Personnel—Intern Correspondence, Bennington College | 1981-1982 |
| III.A.87 | Personnel—Intern Correspondence, Pratt | 1981-1983 |
| III.A.88 | Personnel—Intern Correspondence, Pace | 1981-1983 |
| III.A.89 | Personnel—Intern Correspondence, NYU | 1982 |
| III.A.90 | Personnel—Intern Correspondence, LaSalle | undated |
| III.A.91 | Personnel—Intern Correspondence, DCA Department of Cultural Affairs. |
1984-1985 |
| III.A.92 | Personnel—Intern Correspondence, Connecticut College | 1983 |
| III.A.93 | Personnel—Intern Correspondence, Columbia | 1985 |
| III.A.94 | Personnel—Intern Correspondence, College of New Rochelle | 1977 |
| III.A.95 | Personnel—Intern Correspondence, Urban Corps | 1984 |
| III.A.96 | Personnel—Intern Correspondence, SVA | 1981-1984 |
| III.A.97 | Personnel—Intern Correspondence, Williams College | 1983 |
| III.A.98 | Personnel—Intern Correspondence, Wesleyan | 1984 |
| III.A.99 | Personnel—Intern Sources, National Arts Jobbank | 1983 |
| III.A.100 | Personnel—Intern Sources, Mid Atlantic States Arts Consortium | undated |
| III.A.101 | Personnel—Intern Sources, GLCA Great Lakes College Association. |
1981 |
| III.A.102 | Personnel—Intern Sources, Cooper Union | 1985 |
| III.A.103 | Personnel—Intern Sources, Connecticut College | 1983 |
| III.A.104 | Personnel—Intern Sources, California Institute of Art | undated |
| III.A.105 | Personnel—Intern Sources, Bennington | 1981-1985 |
| III.A.106 | Personnel—Intern Sources, Baruch | 1981 |
| III.A.107 | Personnel—Intern Sources, Urban Core | 1985 |
| III.A.108 | Personnel—Intern Sources, Barnard | 1982 |
| III.A.109 | Personnel—Intern Job Description | undated |
| III.A.110 | Personnel—Intern Correspondence | 1983 |
| III.A.111 | NYSCA Special Art Services Panel Contains correspondence, receipts, payment information, contracts, applications, and forms related to the Special Arts Services where Linda Goode Bryant served as a panelist. |
1977-1978 |
| III.A.112 | Reverend Howard Finster, Phyllis Kind Gallery | undated |
| III.A.113 | Informational Material About JAM Includes press clippings, a letter from the IRS confirming non–profit status, a list of the board of directors for 1982–1983, and promotional material for Afro–Pop. |
1976-1983 |
| III.A.114 | Personnel Includes intern information, program descriptions and budget, and staff memos. |
1982-1984 |
| III.A.115 | Correspondence 1983 | 1983 |
| III.A.116 | General Correspondence | 1984 |
| III.A.117 | Computer Information and Instructions | undated |
| III.A.118 | Current Correspondence | 1984 |
| III.A.119 | Logo/Stationery | undated |
| III.A.120 | The New York Fine Artist's Source Book, Department of Cultural Affairs Letter confirming JAM's inclusion in the book. |
1983 |
| III.A.121 | Marketing Strategy for JAM, October 1976 Spiral bound report done by Robert W. Jones and Associates, Inc. |
1976 |
| III.A.122 | Mailing List—Draft | undated |
| III.A.123 | Mailing List—NYC | undated |
| III.A.124 | Mailing List—Organized by Zip Code | undated |
| III.A.125 | Resume—Linda Goode Bryant | undated |
| III.A.126 | Black and Hispanic Creative Artists Public Service Program | 1981 |
| III.A.127 | Press—Linda Goode Bryant Includes a flyer for a printmaking demonstration from David Hammons and lecture from Linda Goode Bryant at The Tanner Art Gallery at the University of Maryland on May 5, 1977. |
1977-1983 |
| III.A.128 | Press—General Exhibitions 1976–1983 (Folder 1 of 2) | 1976-1983 |
| III.A.129 | Press—General Exhibitions 1976–1983 (Folder 2 of 2) | 1976-1983 |
| III.A.130 | Artist Resumes and Press Packets | 1980-1981 |
| III.A.131 | The Goode Art Fund Contains an edited proposal. |
undated |
| III.A.132 | H.C. Gallery of Art Correspondence concerning an unrealized "women's exhibition" organized by Linda Goode Bryant at H.C. Taylor Gallery of Art, North Carolina Agricultural and Technical State University, February 15–March 19, 1978. |
1977-1978 |
| III.A.133 | Black Artists in America: Three Historical Episodes An invitation to Linda Goode Bryant to co-curate an exhibition at the Bronx Museum of the Arts, January 15–February 29, 1980. |
1979-1980 |
| III.A.134* | Afro-American Art Exhibition Poster Afro-American Art at the Jamaica Arts Center, January 15–March 8, 1980, and at the Bronx Museum of the Arts, March 19–May 30, 1980. |
1980 |
| III.A.135 | Budget Freeze Questionnaire | undated |
| III.A.136 | Emily Lowe Gallery | 1979-1981 |
| III.A.137 | Downtown/Uptown Exhibition also notated as Uptown/Downtown. |
1981 |
| III.A.138* | Downtown/Uptown Poster Poster for Downtown/Uptown, City Gallery, 2 Columbus Circle, October 9–November 6, 1981. Exhibition also notated as Uptown/Downtown. |
1981 |
| III.A.139 | Job Descriptions JAM job descriptions. |
1984-1985 |
| III.A.140 | Resumes Resumes for JAM job openings. |
undated |
| III.A.141 | JAM Organizational Structure Meeting February 1985 | 1985 |
| III.A.142 | NYC Executive Order 50 Printed sheet of the city of New York's Executive Order No. 50 which details the promotion of equal employment opportunity in contracts awarded by the city of New York on April 25, 1980. |
1980 |
| III.A.143 | Letters from NYC Politicians Contains a letter of congratulations for the reception of a National Endowment for the Arts grant from U.S. senator Aolfonse D'Amato, and a letter of congratulations for the reception of funding from the city of New York from comptroller Harrison Goldin. |
1985 |
| III.A.144 | Internship Forms Correspondence and forms from academic institutions inquiring about internships. |
1985 |
| III.A.145 | Board of Directors Finance Committee | 1982 |
| III.A.146 | Board of Directors Finance Committee: Past Financial Reports | 1974-1980 |
| III.A.147 | Blank Project Proposal Forms | undated |
| III.A.148 | Artist Services Includes rental schedules. |
1984-1985 |
| III.A.149 | Periodicals and Newspapers Hispanic Arts n. 19 (April/May/June 1980), In The Arts 1 no. 1 (Fall 1982), Art and Artists 12 no. 4 (March 1983), Craft International (Summer 1982), Art and Artists 12 no. 5 (April 1983), The Artists and Critics Forum 1 no. 2 , Beyond the Pamphlet: Printed Matter's Books by Artists, Downtown 5 no. 4 (April 1982), Franklin Furnace 2 no. 2 (Spring 1982), Franklin Furnace 2 no. 1, The Official Map and Guide for Greenwich Village, Soho, East Village, and Little Italy 3 no. 1 (Spring 1982), ¡AHA! Hispanic Art News no. 35 (November 1983). |
1980-1983 |
| III.A.150 | Dance Critics | undated |
| III.A.151 | Audio Recording Equipment Quote | 1984 |
| III.A.152 | Dealers: Video Systems and Equipment | 1984 |
| III.A.153 | JAM Press Clippings | March–April 1981 |
| III.A.154 | Job Applicants | 1983 |
| III.A.155 | Forms Blank honorarium and payment forms. |
undated |
| III.A.156 | Howardena Pindell Correspondence concerning The Law and Order Show held at Paula Cooper Gallery on September 19th, 1986. |
1986 |
| III.A.157 | Palmer C. Hayden Estate Documents concerning the preliminary disposition of the estate of the painter noted for his Harlem Renaissance work. |
1981-1983 |
| III.A.158 | Palmer and Miriam Hayden Foundation Forms for tax exemption. |
1982 |
| III.A.159 | General Artist Correspondence Correspondence involves Afro-Pop. |
1981-1982 |
| III.A.160 | Blondell Cummings | 1980-1982 |
| III.A.161 | Musician Resumes | undated |
| III.A.162 | Traditional Conflict: Images of a Turbulent Decade Exhibition Invitations Exhibition held at Studio Museum in Harlem, January 27–June 30, 1985. |
1985 |
| III.A.163 | Maren Hassinger Correspondence | 1981 |
| III.A.164 | Gregory Tate Correspondence | 1982 |
| III.A.165 | Media Works Budget breakdowns. |
1982 |
| III.A.166 | Press Clippings | 1980-1982 |
| III.A.167 | Afro-American Abstraction Press Packet Includes a statement from curator April Kingsley, checklist and work samples, and press clippings for the P.S.1 exhibition held February 17–April 6, 1980. Also includes a loan agreement from the Everson Art Museum. |
undated |
| III.A.168 | The Consortium of New York Centers for Contemporary Arts Brochure Brochure advertising a consortium of alternative art spaces, including Artists Space, Creative Time, Franklin Furnace, The Institute for Art and Urban Resources, JAM, and The Kitchen, sponsored by the New York Department of Cultural Affairs and Henry Geldzahler. |
undated |
| III.A.169 | JAM Bio Profile Includes administrative information about JAM, writing samples, financial summaries, and press. |
1985 |
| III.A.170 | Non-JAM Exhibition News Clippings | 1981-1983 |
| III.A.171 | 20th Century Black Artists Pamphlet 1976 Contains exhibition catalogues for 20th Century Black Artists, San Jose Museum of Art, September 3–October 8, 1976, and Festival in Black, Otis Art Institute of Los Angeles County Gallery, August 2–August 28, 1977. |
1976-1977 |
| III.A.172 | Film Program Press | 1981 |
| III.A.173 | Newspaper Ads | 1981-1983 |
| III.A.174 | Francesc Torres: Paths of Glory Contains invitations and contracts for the exhibition at SUNY Stony Brook University Art Gallery, March 12-April 19, 1985. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985 |
| III.A.175* | Videogenics Blueprints Blueprints for a video project in JAM's space at 503 Broadway. |
1985 |
| III.A.176 | Mid-Atlantic States Arts Consortium Application for potential presenters. |
undated |
| III.A.177 | Jim Turell/Dan Reitz Single sheet of notes. |
undated |
| III.A.178 | Studio Museum of Harlem Newspaper clippings, notepad, and notes on the museum's education department. |
1975 |
| III.A.179 | Random Notes/Telephone Numbers | 1984 |
| III.A.180 | "Originals (Unimportant)" Newspaper and magazine clippings. |
1977-1981 |
| III.A.181 | Ball (Benefit) Old Menus/Correspondence Old menus and correspondence concerning a benefit ball for Afro-American Popular Culture. |
1982 |
| III.A.182 | Hotels—Afro-Pop Ball Includes issue of First What's Up in New York (December 1983), and Where (December 10–16, 1983). |
1983 |
| III.A.183 | Issues for Five-year Plan | undated |
| III.A.184 | Aissatou Mijiza Resume | undated |
| III.A.185 | Correspondence 1983–1984 | 1983-1984 |
| III.A.186 | Notes for Linda Four pages of handwritten administrative notes. |
undated |
| III.A.187 | Personal Correspondence with Dolores Aitenfisu Aitenfisu was CEO of event planning company D. Scott Events. |
1983 |
| III.A.188 | Letters of Interest March–July 1983 Contains a request for information on grant writing from a program coordinator at the Art and Humanities Council of Tulsa, Oklahoma, and Linda's edits on an article originally written for the Village Voice titled "A Love Story" by Edward Rubin. |
1983 |
| III.A.189 | Old Material/Miscellaneous Interview questions research, newspaper clippings, notes and memos on potential programs, fundraising tracking sheets, and correspondence from artist Valerie Maynard. |
1980-1983 |
| III.A.190 | Membership Information | undated |
| III.A.191 | JAM January–June 1984 Budget and financial calculations, conceptual notes, BBA correspondence, and Afro-Pop memos. |
1983-1984 |
| III.A.192 | Correspondence Membership requests, recommendation letters, and funding requests. |
1981-1984 |
| III.A.193 | Request for Space, Federal Archives Building | 1982 |
| III.A.194 | Colleges with Black Studies Notes. |
undated |
| III.A.195 | BBA/NEA-Media Arts Screening | 1983 |
| III.A.196 | Miscellaneous Notes, personnel records, and fundraising. |
1980-1983 |
| III.A.197 | Spiral-bound Notebook Notes on other museums' programming and exhibition programs. |
undated |
| III.A.198 | Atlanta Arts Festival Includes programs for the Atlanta Arts Festival in 1983 and 1984. |
1983-1984 |
| III.A.199 | Panel Participation Contains records related to panels Linda Goode Bryant has served on, as well as panels and workshops hosted by Linda at JAM. |
1980-1982 |
| III.A.200 | Letter to Linda Goode Bryant Correspondence from an otherwise unknown "Miriam." |
1983 |
| III.A.201 | NEA-International Exhibition Research and correspondence related to the NEA's international efforts related to the visual arts. |
1983 |
| III.A.202 | Linda Goode Bryant Advisory Board—Public Art Fund | 1983-1984 |
| III.A.203 | Linda Goode Bryant Program Participation | 1981-1982 |
| III.A.204 | Memos, Notes, Etc. (Current) Includes memos about CAT and B Culture. |
1984 |
| III.A.205 | High Performance Flyers for High Performance 20 (Winter 1982). |
1982 |
| III.A.206 | Performance Signs Operational signs used in performance spaces. Also includes notes and newspaper clippings. |
1982 |
| III.A.207 | Honorarium Forms Blank forms. |
undated |
| III.A.208 | Artist Correspondence, Dance Companies | 1984 |
| III.A.209 | List of Artists in Art Biz | undated |
| III.A.210 | PEN American Center Informational package. Includes Grants and Awards to American Writers Twelfth Edition (1982/1983). |
undated |
| III.A.211 | Production Allowance Forms Blank forms. |
undated |
| III.A.212 | 501(c)(3) Letter | 1976 |
| III.A.213 | Young Filmmakers Renovation Proposal Includes blueprints. |
undated |
| III.A.214 | Outside Space Rental | undated |
| III.A.215 | Alex Roschuk—185 Nassau Street Corporation | 1983 |
| III.A.216 | Alive: The New Performance Magazine Advertisements Drafts of an advertisement placed in an issue of the magazine. |
1982-1983 |
| III.A.217 | Theater Development Fund | 1983 |
| III.A.218 | One Percent for Art | 1984 |
| III.A.219 | General Correspondence 1983 Contains two pieces of correspondence with Basement Workshop, Inc., and The Maryland Institute, College of Art. |
1983 |
| III.A.220 | JAM Artists List | undated |
| III.A.221 | JAM/CAT Mailing List | 1982-1984 |
| III.A.222 | JAM/CAT Mailing List Additions | undated |
| III.A.223 | Floyd and Josephine Goode Art Fund | undated |
| III.A.224 | Drafts of Essay The Alternatives and Beyond by David Jackson | 1980 |
| III.A.225 | JAM General Exhibition Reviews 1981 | 1981 |
| III.A.226 | Performance Reviews 1981 | 1981 |
| III.A.227 | General Info—Commissioned Essayist | 1983 |
| III.A.228 | JAM—Encounter Culture Essay by Linda Goode Bryant. |
1975 |
| III.A.229 | Mailing Lists Additions | 1982 |
| III.A.230 | "We've Moved" Mailing List Returns (Folder 1 of 2) | undated |
| III.A.231 | "We've Moved" Mailing List Returns (Folder 2 of 2) | undated |
| III.A.232 | Mailing List Information, Copies, and Labels | 1977-1982 |
| III.A.233 | Annotated Copy of Black Insights: Significant Literature by Black Americans–1760 to the Present by Nick Aaron Ford (1971) | 1971 |
| III.A.234 | Publications Includes exhibition invitations for Remains—The Artist in Environment, Emily Lowe Gallery, Hofstra University, November 14–December 21, 1979; and exhibition catalogues for Raymond Saunders: Recent Work, University Art Museum at Berkeley, January 6–February 22, 1976; Sam Gilliam Paintings and Works on Paper, J.B. Speed Art Museum, January 12–February 8, 1976; Alma W. Thomas Recent Paintings, Howard University Gallery of Art, October 22–November 14, 1975; Andrew Lyght 3-D Paintings, Nassau County Museum of Fine Art, August 12–October 7, 1984; and Re-View Artists on Art (1) no.1 (1977). |
1975-1984 |
| III.A.235 | Richard Oosterom, Employee | 1978-1980 |
| III.A.236 | Afro-Pop Single letter of correspondence to Fred Holland. |
1983 |
| III.A.237 | Artists Slides Returned | 1981 |
| III.A.238 | Curatorial Info (Personal) | 1983-1984 |
| III.A.239 | Narratives: A Dramatic Event Flyers. |
1983 |
| III.A.240 | Alternative Art Spaces Research. |
1978-1983 |
| III.A.241 | Artists and Writers (Folder 1 of 2) Includes artist ephemera, Black Currant issues v.1 n.1, v. 1 n.2, and v.2 n.1, and vol.2 n.2 , and checklists, press releases, and invitations for Janet Henry: Retroactive. Vol.2 no.2 was shown at the exhibition Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 18, 2018–February 3, 2019. |
1978-1982 |
| III.A.242 | Artists and Writers (Folder 2 of 2) Includes press clippings, artwork photographs, and artist ephemera. |
1978-1982 |
| III.A.243 | Music Critics Names and mailing addresses. |
undated |
| III.A.244 | Collaboration—December 27–30, 1984 Gala/Benefit | 1984 |
| III.A.245 | Bob Hedden/ Bob Hransky | 1985 |
| III.A.246 | Tony Whitfield Slides. |
undated |
| III.A.247 | Diane Neumaier Submission | 1989 |
| III.A.248 | David Roussève Submission Press packet. |
undated |
| III.A.249 | New York Community Trust Discussion Group Participants | 1989 |
| III.A.250 | Admin: Butch Morris | 1989 |
| III.A.251* | Admin: Butch Morris Exhibition poster for Lawrence "Butch" Morris: Artist in Residence, Whitney Museum, November 11–16, 1989. |
1989 |
| III.A.252 | Admin: NYSCA General Information | 1988 |
| III.A.253 | Gil Dominguez Submission | undated |
| III.A.254 | Slides on File | 1984 |
| III.A.255 | "OVA" Artist Career Planning Includes a contact sheet. |
1982 |
| III.A.256 | Individual Artist Projects 1982 Includes slides. |
1982 |
| III.A.257 | Handwritten Notes | undated |
| III.A.258 | Jennifer McGregor Slides | undated |
| III.A.259 | Sydney Blum Single sheet of notes. |
undated |
| III.A.260 | Pyramid Films Catalog 1977–1978 | 1977-1978 |
| III.A.261 | Zip Code Information for Bulk Mailing | 1978 |
| III.A.262 | Bulk Mail Forms and Mail Bag Labels | undated |
| III.A.263 | List of Black Artists in JAM Exhibitions | undated |
| III.A.264 | Dance Press release for Solo for Small Spaces performances by Nancy Topf and Adrienne Robbins on March 4, 1983, and John Way and Kathy Duncan on March 5, 1983 at JAM. |
1983 |
| III.A.265 | Jones/Jones/Hammons Collaboration Naming Things: A Collaboration by David Hammons, Bill T. Jones, and Philip Mallory Jones, September 29–October 1, 1983. |
1983 |
| III.A.266 | Otari Corporation Promotional packet for audiovisual equipment manufacturer. |
1983 |
| III.A.267 | Performer Lists Research for performance artists in the New York City area. Includes flyers, exhibition invitations, and press releases from performance spaces. |
1983-1984 |
| III.A.268 | Marvin Brown Exhibition catalogue for Marvin Brown, The Victorian College of the Arts, August 11–September 2, 1977. |
1977 |
| III.A.269 | Randolph Williams Photographs Includes contact sheets, negatives, and prints of artworks. |
undated |
| III.A.270 | Craft International April/May/June 1984 issue. |
1984 |
| III.A.271 | Just Above Midtown Ten Year History Includes receipts of works and loan agreements for various shows. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1974-1984 |
| III.A.272 | The Bessie Panel 84–85 Related to Dance Theater Workshop's New York Dance and Performance Awards. |
1984-1985 |
| III.A.273 | Stephen Glassman Two sheets of notes. |
undated |
| III.A.274 | Nanette Bearden Contemporary Dance Theater | undated |
| III.A.275 | Cel Electrics Informational papers. |
undated |
| III.A.276 | Chroma Digital Systems Informational papers. |
1984 |
| III.A.277 | Huntington Block Insurance | 1981-1985 |
| III.A.278 | 6 Month Plan, January–June 1984 | 1984 |
| III.A.279 | Office Procedures | 1984 |
| III.A.280 | Warranties | 1985 |
| III.A.281 | Insurance | 1984-1985 |
| III.A.282 | Super Calc Disc Directories | undated |
| III.A.283 | Job Descriptions—Skills and Responsibilities | undated |
| III.A.284 | General Operating—Thank You's | 1981-1983 |
| III.A.285 | General—Selected Publicity | undated |
| III.A.286 | LiveLineIV Informational packet on a color graphics software. |
undated |
| III.A.287 | COMAD Informational packet on communications equipment. |
undated |
| III.A.288 | Comprehensive Informational packet on video supplies. |
undated |
| III.A.289 | Computer Equipment | undated |
| III.A.290 | Correspondence: Already Responded To | 1985 |
| III.A.291 | General Correspondence | 1985 |
| III.A.292 | Resumes | 1984-1985 |
| III.A.293 | Security/Alarm Systems | undated |
| III.A.294 | Lab Projects: Waterworks Gallery | 1986 |
| III.A.295 | Copies Log December 1984–May 1986. |
1985-1986 |
| III.A.296 | Organization—Past Program and Board Structures | undated |
| III.A.297 | Organization—Board Structure | undated |
| III.A.298 | Intern, Blank Forms | undated |
| III.A.299 | Long Distance Phone Sheets Blank forms. |
undated |
| III.A.300 | Operations | undated |
| III.A.301 | Personnel Manual | undated |
| III.A.302 | Organizational Chart | undated |
| III.A.303 | Staff Schedule of Hours | 1985 |
| III.A.304 | Strop-Reception Contract | 1984-1985 |
| III.A.305 | Skylights | 1985 |
| III.A.306 | LGB Project: Awards for the Visual Artists | 1986-1987 |
| III.A.307 | LGB Project: African Art Lecture | undated |
| III.A.308 | Organization Plans Plans by JAM's board of directors for growth, development, income, and organization. |
1981-1982 |
| III.A.309 | Organization Plans Plans by JAM's board of directors for growth, development, income, and organization. |
1982-1983 |
| III.A.310 | Organization: General Fact Sheets | undated |
| III.A.311 | Art Departments Mailing List | undated |
| III.A.312 | Mailing List Changes | undated |
| III.A.313 | Mailing List | undated |
| III.A.314 | Mailing List Database | undated |
| III.A.315 | Memos | 1984-1985 |
| III.A.316 | CAT Mailing List Requests | 1984 |
| III.A.317 | Lab Guidelines, JAM Update | 1984 |
| III.A.318 | Art Commission Information Packet | 1984 |
| III.A.319 | Artist's Call Against U.S. Intervention in Central America | 1983 |
| III.A.320 | NEH Informational Booklet | undated |
| III.A.321 | JAM Employee Resumes Contains resume for Walter L. Maroney. |
undated |
| III.A.322 | Audio Contains audio equipment promotional packets. |
undated |
| III.A.323 | Tony Whitfield Personal Correspondence | 1983-1984 |
| III.A.324 | American Dreams Contracts | 1983 |
| III.A.325 | Tony Whitfield Personal Miscellany | 1983-1984 |
| III.A.326 | Jorge Rodriguez Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1983-1984 |
| III.A.327 | Lesbian and Gay Organizing Committee (LGOC) | 1984 |
| III.A.328 | Sarah Lawrence College | 1983 |
| III.A.329 | Dance Chronology | undated |
| III.A.330 | April–May 1983 Interview Drafts | 1983 |
| III.A.331 | Conference Work on Performance Art | 1983 |
| III.A.332 | Guest Curators Proposals | 1984 |
| III.A.333 | Fact Sheet Info | undated |
| III.A.334 | High Performance Magazine, Astro Artz | 1983 |
| III.A.335 | Performance on Film and Video Informational flyer for Amy Greenfield Dance Film Video, a performance and film screening as a part of the Cineprobe series at The Museum of Modern Art on March 21, 1983. |
1983 |
| III.A.336 | Computer Information Filing Information Single sheet of handwritten notes. |
1984 |
| III.A.337 | Information for Artists Flyers and memos for membership offers for art spaces. |
1983-1984 |
| III.A.338 | Playboy Foundation Guidelines for submissions. |
undated |
| III.A.339 | Smithsonian Correspondence with Linda Goode Bryant Letter addresses Palmer C. Hayden's work. |
1984 |
| III.A.340 | Publications Includes The New Museum of Contemporary Art's newsletter (Fall 1983/Winter 1984), exhibition catalogue for Contemporary Black Art: A Selected Sampling, Florida International University North Miami campus, September 23–October 2, 1977, and Tamiami campus, October 4–22, 1977; exhibition catalogue for In a Stream of Ink, Center for Art and Culture of Bedford–Stuyvesant, January 8–21, 1984; and JAM exhibition catalogues for The Many Facets of Palmer Hayden, February 15–March 5, 1977; and Remains, Hofstra University, November 11–December 21, 1979. |
1977-1984 |
| III.A.341 | 1984–1985 Planner July 1984–August 1985. |
1984-1985 |
| III.A.342 | JAM Strategy March '85 | 1985 |
| III.A.343 | JAM Promo Package Undated promo packet with press clippings and brief history. |
undated |
| III.A.344 | JAM Administrative, Schedules, Policy | 1984-1985 |
| III.A.345 | JAM Work Study, Interns | undated |
| III.A.346 | JAM Board of Directors | undated |
| III.A.347 | JAM History, Transition, CAT | 1984 |
| III.A.348 | Wade Miller Resume | undated |
| III.A.349 | Mailing List | undated |
| III.A.350 | Citizens Cultural Advisory Committee | 1984-1986 |
| III.A.351 | Inner City Broadcasting | undated |
| III.A.352 | Staff Time Sheets | 1985 |
| III.A.353 | JAM Reopening | 1984 |
| III.A.354 | Linda Goode Bryant Press Writings Includes drafts of an article, notes, correspondence, and a press clipping. |
1981 |
| III.A.355 | Boilerplate Blocks | undated |
| III.A.356 | FEAF—Party Budget | 1984 |
| III.A.357 | Office Schedules | 1984 |
| III.A.358 | Collaboration: General Contains an agreement with David Aitenfisu. |
1984 |
| III.A.359 | Licensing Agreements | 1985-1986 |
| III.A.360* | Licensing Agreements, Performance Poster Poster for a series of performances by Holly Fairbanks and Bill Bissell, January 24–26, 1986. |
1986 |
| III.A.361 | The Black Rock Coalition Includes a licensing agreement and posters for Drop the Bomb Benefit Bash on December 7, 1985. |
1985 |
| III.A.362 | Bill Smith Correspondence | 1984 |
| III.A.363 | Cat Adoption Papers Cat adoption papers for Lithgow Osborne. |
1984 |
| III.A.364 | JAM Public Image for the Weeksending Press release and advertisement for JAM performance Wind Shear. |
November 22, 1985 |
| III.A.365 | JAM Public Image for the Weeksending Pamphlet announcing the premiere issue of B Culture. |
December 6, 1986 |
| III.A.366 | JAM Public Image Up Until 12/20 Expect the Unexpected pamphlet. |
1985 |
| III.A.367 | Laboratory/Advertisements Press Releases | 1985 |
| III.A.368 | Laboratory Comparable Programs | 1986 |
| III.A.369 | Production: JAM Monthly Flyer Concept Single sheet of handwritten notes. |
undated |
| III.A.370 | Production: Promo Flyers, December | 1985 |
| III.A.371 | Memos Received Single memo. |
1985 |
| III.A.372 | Memos Sent Single memo. |
1985 |
| III.A.373 | Mechanicals for 11/84 | 1984 |
| III.A.374 | Project File/Original Artwork for Xmas Flyer | 1985 |
| III.A.375 | Project File/Mechanicals for Xmas Flyer | 1985 |
| III.A.376 | Project File/Christmas Flyer | 1985 |
| III.A.377 | Project File/January Flyer | 1986 |
| III.A.378 | Project File/February Flyer Text Research | 1986 |
| III.A.379 | Project File/February Flyer Mechanicals | 1986 |
| III.A.380 | Admirable Promo Pieces | 1985-1986 |
| III.A.381 | "Untitled FF" Includes correspondence and notes with the National Endowment for the Arts, mailing lists, and a press release for JAM performance series Talk Shows. |
1984-1985 |
| III.A.382 | Marketing/Sales/Promotion: R. Hedden's Job Description | 1984 |
| III.A.383 | Brainstorms Hailing JAM Four pages of handwritten notes. |
undated |
| III.A.384 | Marketing/Promo: Linda to Bob Hedden | 1985 |
| III.A.385 | Marcus Garvey Manor Nursing Home | 1977 |
| III.A.386 | Palmer and Miriam Hayden Foundation By-Laws | undated |
| III.A.387 | Projects: Non Current, Active Barbara Chase-Riboud | 1976-1978 |
| III.A.388 | Income Government Grants by Program FY 1985 | 1984-1985 |
| III.A.389 | Exit Art NEA A single piece of correspondence from Exit Art executive director Jeanette Ingberman. |
1984 |
| III.A.390 | NEA/JAM Inter-Arts Program | 1984-1985 |
| III.A.391 | David Dinkins Memos: Fiscal Policy Task Force | 1984-1989 |
| III.A.392 | As We Look to the Future: Fiscal Policy for New York City Report of the Manhattan Borough President's Task Force on Fiscal Policy, December 29, 1989. |
1989 |
| III.A.393 | As We Look to the Future: Fiscal Policy for New York City Report of the Manhattan Borough President's Task Force on Fiscal Policy, January 1990. |
1990 |
| III.A.394 | David Dinkins Invoices | 1989 |
| III.A.395 | David Dinkins Contract | 1989 |
| III.A.396 | Executive Summary for Fiscal Policy Task Force First draft by Linda Goode Bryant. |
1989 |
| III.A.397 | International Conference on African-American Males NYC Department of Mental Health. |
1991 |
| III.A.398 | Extending the Reach: A Report on Employment and Business Trends in the Borough of Manhattan | 1990 |
| III.A.399 | Collaboration Publicity and Promotion Includes W NYC Guide 9 no. 10 (October 1984). |
1984 |
| III.A.400 | Miscellany Documents Contains memos, program schedules, CAT lab materials, a quarterly report for July 1–September 30, 1984, B Culture memos, marketing plan and strategy for CAT, blank lease agreement, and handwritten notes. |
1985-1986 |
| III.A.401 | Sponsored Projects Includes press packet for Mel Wong Dance Company. |
1984 |
| III.A.402 | Memos Internal correspondence. |
1984-1986 |
| III.A.403 | Meeting Notes February 27, 1987 meeting with "Frank, Linda, Anthony, and Nelson." |
1987 |
| III.A.404 | Health Club: Eagle Fitness Systems Promotional packet. |
undated |
| III.A.405 | Health Club: Tesco Products Corp. Promotional materials and correspondence. |
1988 |
| III.A.406 | Health Club: Life Fitness Promotional materials. |
undated |
| III.A.407 | Recording Industry Facts and Figures | 1985 |
| III.A.408 | Television Bureau of Advertising Facts and Figures | 1987 |
| III.A.409 | Newspaper Advertising Bureau, Inc. Facts and Figures | 1984 |
| III.A.410 | Advertising Community of Greater Boston Facts and Figures | 1985 |
| III.A.411 | Legal Correspondence | 1982-1985 |
| III.A.412 | Outside Projects (Panels, Committees) | 1986-1987 |
| III.A.413 | Memos to File | 1987 |
| III.A.414 | Village Voice Advertisement Order for advertisement in June 3, 1987 issue. |
1987 |
| III.A.415 | Correspondence 1987 | 1987-1988 |
| III.A.416 | Knitting Factory | 1987 |
| III.A.417 | Press Clippings Voice Literary Supplement, March 1987. |
1987 |
| III.A.418 | Mailing List Additions | undated |
| III.A.419 | Theater Development Fund | undated |
| III.A.420 | Knit 1, Risk All Press | undated |
| III.A.421 | Certified Public Accountants Report of Financial Statements, June 30, 1985 | 1985 |
| III.A.422 | JAM Brochures Brochures for Business of Being an Artist and American Dreams. |
undated |
| III.A.423 | IRS Correspondence and Notes | 1985-1986 |
| III.A.424 | Fred Holland NEA Fellowship application. |
1988 |
| III.A.425 | JAM Keys | undated |
| III.A.426 | "Book May 14, 1993" Underbellies (formerly Pickaninnies) January, 1991. Contents of folder were printed from files contained on 3" floppy discs. |
1993 |
| III.A.427 | "Film, LGB 1991" Drafts and notes for various film projects by Linda Goode Bryant. Contents of folder were printed from files contained on 3" floppy discs. |
1991 |
| III.A.428 | "Appropriation Thoughts, May 20, 1993" Drafts and notes on a documentary titled Inappropriate Use. Contents of folder were printed from files contained on 3" floppy discs. |
1993 |
| III.A.429 | "MOM" Notes and drafts of a film project titled In The Minds of Men by Linda Goode Bryant. Contents of folder were printed from files contained on 3" floppy discs. |
1996 |
| III.A.430 | "Film" Contents of folder were printed from files contained on 3" floppy discs. |
1992-1996 |
| III.A.431 | Photographs of Linda Goode Bryant by Dwight Carter Contains seven contact sheets. |
undated |
| III.A.432 | Administrative Notes Notes for gallery policies and press releases. |
undated |
| III.A.433* | Howard McCalebb Exhibition Poster Exhibition poster for Howard McCalebb: an Exhibition of Large Scale Sculpture, 26 Federal Plaza, NY, NY 10007, February 1–28, 1983. |
1983 |
| III.A.434 | Linda Bryant and Kit-Yin Snyder v. Project for Public Spaces, Inc. | 1998 |
| III.A.435 | The Drawing Center Correspondence concerning the Drawing Center exhibition Cultural Economies: Histories from the Alternative Art Movement in New York City, February 24–April 6, 1996. |
1995-1996 |
| III.A.436 | David Hammons Image Request Image request for book Masks and Mirrors: African American Art 1970-Present by Dr. Leslie King Hammond. |
1997 |
| III.A.437 | Hatch-Billops Collection Interview Invitations to an interview with Linda Goode Bryant by Tony Whitfield on May 15, 1994. |
1994 |
| III.A.438 | Brian Eno: Music for Films III Collection of press for Brian Eno. |
1988 |
| III.A.439* | June Night Moon Light and You Poster A block party on June 11 sponsored by JAM. |
c. 1980 |
| III.A.440 | Mona Ackerman Correspondence | 1988 |
| III.A.441 | Dance and Music Sections from Village Voice | 1985-1986 |
| III.A.442 | Exit Art Correspondence A letter from Linda Goode Bryant, on behalf of CAT and JAM, to the executive director of Exit Art pertaining to a grant from the National Endowment for the Arts for the exhibition Performances Not To Be Seen. |
1984 |
Subseries III.B: Financial Files |
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|
Subseries III.B contains JAM's financial and legal records. Financial documents primarily include bills, invoices, receipts, ledgers, budgets, tax records, artist payments, sales, and checks. Financial and legal records concern both JAM and their programs BBA and CAT. Receipts are organized chronologically and can be found at the beginning of the series. The legal documents include correspondence with lawyers and official court documents. Documents containing sensitive personal information have been redacted. |
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| Folder | Title | Date |
| III.B.1 | Money Receipts | 1974-1976 |
| III.B.2 | Miscellaneous Receipts | 1974-1978 |
| III.B.3 | Budget and Expense Record Includes an envelope of 1978 petty cash receipts. |
1975-1978 |
| III.B.4 | Financial Statements An incomplete list of print sales in the years 1975 and 1977. |
1975-1977 |
| III.B.5 | Financials 1974 Contains the financial statements, August 1974–February 1976. |
1974-1976 |
| III.B.6 | Receipts to be Properly Recorded | 1975-1982 |
| III.B.7 | Receipts 9/1974–12/1974 | 1974 |
| III.B.8 | Receipts/Expenses 1/1975–6/1975 | 1975 |
| III.B.9 | Receipts/Expenses 7/1975–12/1975 | 1975 |
| III.B.10 | Deposits 1975 | 1975 |
| III.B.11 | Receipts 1976 | 1976 |
| III.B.12 | Receipts 1977–1979 | 1977-1979 |
| III.B.13 | Receipts 1980–1981 | 1980-1981 |
| III.B.14 | Petty Cash Receipts 1982 | 1982 |
| III.B.15 | Petty Cash Receipts 1/1983–2/1983 | 1983 |
| III.B.16 | Petty Cash Receipts 3/1983–6/1983 | 1983 |
| III.B.17 | Petty Cash Receipts 7/1983–8/1983 | 1983 |
| III.B.18 | Petty Cash Receipts 9/1983–11/1983 | 1983 |
| III.B.19 | Receipts 1/1984–3/1984 | 1984 |
| III.B.20 | Receipts 4/1984–6/1984 | 1984 |
| III.B.21 | Receipts 7/1984–12/1984 | 1984 |
| III.B.22 | Petty Cash Receipts 1/1985–7/1985 | 1985 |
| III.B.23 | Petty Cash Receipts 7/1985–9/1985 | 1985 |
| III.B.24 | Petty Cash Receipts 9/1985–11/1985 | 1985 |
| III.B.25 | Petty Cash Receipts 11/1985–12/1985 | 1985 |
| III.B.26 | Petty Cash Receipts 1/1986–2/1986 | 1986 |
| III.B.27 | Petty Cash Receipts 3/1986–5/1986 | 1986 |
| III.B.28 | Petty Cash Receipts 5/1986–7/1986 | 1986 |
| III.B.29 | Petty Cash Receipts 7/1986–10/1986 | 1986 |
| III.B.30 | Petty Cash Receipts 1987 | 1987 |
| III.B.31 | Petty Cash Receipts, Unknown Year | undated |
| III.B.32 | Deposit Slips and Check Stubs | 1974-1985 |
| III.B.33 | Checks 1980–1982 | 1980-1982 |
| III.B.34 | Checks 1983–1986 | 1983-1986 |
| III.B.35 | Checks 1986–1987, Check Stubs | 1986-1987 |
| III.B.36 | Deferred Grants: Performances Not to be Seen (NEA Museum) and Exit Art Also includes documents about the Harlem Art Collection Panel. |
1976-1979 |
| III.B.37 | Bank Statements 1975–1976 | 1975-1976 |
| III.B.38 | Bank Statements 1976–1977 (Folder 1 of 2) | 1976-1977 |
| III.B.39 | Bank Statements 1976–1977 (Folder 2 of 2) | 1976-1977 |
| III.B.40 | Bank Statements 1977–1978 | 1977-1978 |
| III.B.41 | Bills: September 1977 (Folder 1 of 2) | 1977-1978 |
| III.B.42 | Bills: September 1977 (Folder 2 of 2) | 1977-1978 |
| III.B.43 | Bank Statements 1978–1979 | 1978-1979 |
| III.B.44 | Bills: July 1978 (Folder 1 of 2) | 1977-1979 |
| III.B.45 | Bills: July 1978 (Folder 2 of 2) | 1977-1979 |
| III.B.46 | Bank Statements, Citibank 1979–1980 | 1979-1980 |
| III.B.47 | Bills: December 1979 | 1978-1980 |
| III.B.48 | Bills: July 1980 (Folder 1 of 2) | 1980-1981 |
| III.B.49 | Bills: July 1980 (Folder 2 of 2) | 1980-1981 |
| III.B.50 | Bank Statements 1981–1982 (Folder 1 of 2) | 1981-1982 |
| III.B.51 | Bank Statements 1981–1982 (Folder 2 of 2) | 1981-1982 |
| III.B.52 | Bills: January 1982 (Folder 1 of 2) | 1981-1982 |
| III.B.53 | Bills: January 1982 (Folder 2 of 2) | 1981-1982 |
| III.B.54 | Cash Flow Analysis 1979–1980 | 1979-1980 |
| III.B.55 | Cash Receipts July 1979–June 1980 | 1979-1980 |
| III.B.56 | Cash Disbursements July 1979–June 1980 | 1979-1980 |
| III.B.57 | Cash Receipts/Disbursements 1978–1979 | 1978-1980 |
| III.B.58 | Petty Cash Records 1979–1980 | 1978-1980 |
| III.B.59 | Budget 1979–1980 | 1979-1980 |
| III.B.60 | Contributions: Letter of Acknowledgement | 1981-1982 |
| III.B.61 | Thematic Exhibitions (Folder 1 of 2) Budgets and finances for 1981–1982 exhibitions and funding requests. |
1981-1982 |
| III.B.62 | Thematic Exhibitions (Folder 2 of 2) Budgets and finances for 1981–1982 exhibitions and funding requests. |
1981-1982 |
| III.B.63 | Receipts | 1977-1991 |
| III.B.64 | FY 1980/1981 (Folder 1 of 2) | 1980-1981 |
| III.B.65 | FY 1980/1981 (Folder 2 of 2) | 1980-1981 |
| III.B.66 | Budget 1980/1981 | 1980-1981 |
| III.B.67 | Savings Deposit | 1981-1982 |
| III.B.68 | Budgets/Cash Flow FY 1983 | 1983 |
| III.B.69 | Miscellaneous Receipts | 1987 |
| III.B.70 | Bank Receipts 1982–1983 | 1982-1983 |
| III.B.71 | Financial Includes expenses for projects, intern organization notes, and bills. |
1976-1983 |
| III.B.72 | Bank Statements 8/1980–7/1981 | 1980-1981 |
| III.B.73 | Copies of Checks 11/1980–10/1981 | 1980-1981 |
| III.B.74 | Copies of Checks 10/1981–10/1982 | 1981-1982 |
| III.B.75 | 1983 Ledger | 1983 |
| III.B.76 | 1984 Ledger | 1984 |
| III.B.77 | 1985 Ledger | 1985 |
| III.B.78 | Contextures Financial (Folder 1 of 2) | 1978-1982 |
| III.B.79 | Contextures Financial (Folder 2 of 2) | 1978-1982 |
| III.B.80 | Contextures Outstanding Bills (Folder 1 of 2) | 1976-1982 |
| III.B.81 | Contextures Outstanding Bills (Folder 2 of 2) | 1976-1982 |
| III.B.82 | Contextures Canceled Orders | 1978-1980 |
| III.B.83 | Miscellaneous Requests for Publications | 1978-1981 |
| III.B.84 | 1988 Citibank | 1988 |
| III.B.85 | 1988 Deposited Check Copies Citibank | 1988 |
| III.B.86 | 1988 Journals: Receipt, Disburse | 1988 |
| III.B.87 | 1988 Receipts: Bills Paid, Petty Cash (Folder 1 of 2) | 1988 |
| III.B.88 | 1988 Receipts: Bills Paid, Petty Cash (Folder 2 of 2) | 1987-1988 |
| III.B.89 | 1988 Invoices Vandalear Walker | 1988 |
| III.B.90 | 1988 Pert Charts | 1988 |
| III.B.91 | Financial Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984 |
| III.B.92 | Financial Contracts for Artist Performance Production Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982-1983 |
| III.B.93 | Financial Contracts for Artist Exhibition Production Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982-1983 |
| III.B.94 | Financial Contracts for General Operating Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982-1983 |
| III.B.95 | Financial Contracts for Individual Projects Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982-1983 |
| III.B.96 | Financial Contracts for Artists Honoraria Exhibition Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982-1983 |
| III.B.97 | Honoraria Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1983 |
| III.B.98 | Financials Includes invoices from The Village Voice and an invoice for CAT. |
1982-1984 |
| III.B.99 | Interest Rate 14% Financial calculation sheets. |
undated |
| III.B.100 | Quarterly Federal Tax Return Contains two invoices and handwritten calculations. |
1985-1986 |
| III.B.101 | H.A.N.D. Fundraising Budgets and proposals from JAM's consultant work for Harlem Agencies for Neighborhood Development. |
1988 |
| III.B.102 | JAM Potential Speakers | undated |
| III.B.103 | Financial Statements and Notes as of June 30, 1984 | 1984 |
| III.B.104 | Fund for the City of New York Loan Also includes correspondence from New York Foundation for the Arts. |
1978-1984 |
| III.B.105 | Individual Loans | 1984 |
| III.B.106 | 990 Forms | 1983 |
| III.B.107 | Department of State Taxes Includes forms and correspondence. |
1984-1986 |
| III.B.108 | JAM W-2's Also includes a 1099 form from 1978. |
1980-1984 |
| III.B.109 | Accounts Payable Also includes tax documentation. |
1978-1986 |
| III.B.110 | FY 1987 Accounts Payable—Paid in Full | 1986-1987 |
| III.B.111 | Citibank Loan: Loan Agreement/Papers | 1985 |
| III.B.112 | Citibank Loan: NYCT Guarantee | 1985-1987 |
| III.B.113 | Citibank Loan: After Court, Deferred Payment Agreements | 1986-1987 |
| III.B.114 | Accounts Receivable: 90 Days and Over | 1977 |
| III.B.115 | Financial Assumptions and Statistics | 1985-1986 |
| III.B.116 | BOD Executive Committee Description | 1983 |
| III.B.117 | New York Times Overdue Bill | 1985 |
| III.B.118 | Rob Lamb (Accountant), Rough Calculations | 1981-1982 |
| III.B.119 | Loans | 1981-1982 |
| III.B.120 | Payroll | 1981 |
| III.B.121 | Public Art Fund, Lease | 1984-1985 |
| III.B.122 | Checks—BBA | 1982-1983 |
| III.B.123 | Checks—Book Orders | 1982 |
| III.B.124 | Collectors: Valuation of Art, Robert Carter Financial statement. |
undated |
| III.B.125 | Collectors: Valuation of Artworks, D. Aitenfisu | 1981 |
| III.B.126 | Financial Account, Accountant's Report Contains a bound accountant's report on financial statements. |
1984 |
| III.B.127 | Financial Account, Accountant's Report | 1985 |
| III.B.128 | Artists Completed Service Contracts | 1980-1982 |
| III.B.129 | Finance, Federal Charities Registration | 1976-1979 |
| III.B.130 | Finance, Federal Charities Registration | 1980 |
| III.B.131 | Finance, Federal Charities Registration | 1981 |
| III.B.132 | Finance, Federal Charities Registration | 1983 |
| III.B.133 | Financial Accounting—Chris Yeboa, JAM Auditor | 1982 |
| III.B.134 | Legal, Past Lawsuits for Unpaid Bills | 1981 |
| III.B.135 | Legal, Current Lawsuits Contains two documents concerning a discontinued lawsuit from The Village Voice. |
1983 |
| III.B.136 | Staff Meetings | 1984-1985 |
| III.B.137 | Legal, IRS Recognition of Exempt Renewal | 1980 |
| III.B.138 | Legal, General Correspondence | 1975-1977 |
| III.B.139 | Legal, Howard and Covington Law Firm | 1974-1975 |
| III.B.140 | Legal, CAT and IRV | 1986 |
| III.B.141 | Legal, Leonard Easter Limited Partnership | 1984 |
| III.B.142 | Financial Statements | 1981-1982 |
| III.B.143 | Financial, Things for Accountant Review | undated |
| III.B.144 | Rob Lamb, Notes for Journalizing, Accounts, and Procedures Handwritten notes. |
undated |
| III.B.145 | Afro-Pop Budgets | c.1981 |
| III.B.146 | Bills 1982–1983 (Folder 1 of 2) Bills and receipts from printers, advertisements, phone bills, and shipping documents. |
1982-1983 |
| III.B.147 | Bills 1982–1983 (Folder 2 of 2) Bills and receipts from printers, advertisements, phone bills, and shipping documents. |
1982-1983 |
| III.B.148 | Financial Statements 1974–1975 | 1974-1975 |
| III.B.149 | Financial Statements FY 1976 JAM balance sheet, June 30, 1976. |
1976 |
| III.B.150 | August 1975 | 1975-1976 |
| III.B.151 | Financial Statements FY 1977 JAM balance sheet, June 30, 1977. |
1976-1977 |
| III.B.152 | Financial Statements FY 1978 JAM balance sheet, June 30, 1978. |
1977-1978 |
| III.B.153 | Financial Statements FY 1979 JAM balance sheet, June 30, 1979. |
1978-1979 |
| III.B.154 | Financial 1980–1985 | 1980-1985 |
| III.B.155 | Financial Statements FY 1980 JAM balance sheet, June 30, 1980. |
1979-1980 |
| III.B.156 | Financial Statements FY 1981 JAM balance sheet, June 30, 1981. |
1980-1981 |
| III.B.157 | Financial Statements FY 1982 JAM balance sheet, June 30, 1982. |
1981-1982 |
| III.B.158 | Financial Statements FY 1983 JAM balance sheet, June 30, 1983. |
1982-1983 |
| III.B.159 | JAM Administrative FY 1983 College work study and intern records. Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1982-1983 |
| III.B.160 | Paid Receipts FY 1983 (Folder 1 of 2) | 1981-1983 |
| III.B.161 | Paid Receipts FY 1983 (Folder 2 of 2) | 1981-1983 |
| III.B.162 | Financial Journals FY 1983 | 1982-1983 |
| III.B.163 | Check Carbons | 1982-1983 |
| III.B.164 | Bank Statements FY 1983 | 1982-1983 |
| III.B.165 | Financial Statements FY 1983 | 1982-1983 |
| III.B.166 | Financial Journals FY 1983 | 1982-1983 |
| III.B.167 | Financial Journals FY 1984 | 1983-1984 |
| III.B.168 | Financial Statements FY 1985 | 1984-1985 |
| III.B.169 | Cash Flow January–June 1984 | 1984 |
| III.B.170 | Checks—Work Study | 1982-1984 |
| III.B.171 | Completed JAM Artist Honorarium Vouchers Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985 |
| III.B.172 | Check Copies, FY 1985 | 1984-1985 |
| III.B.173 | Rough Draft Statements Cash Flow | 1984-1985 |
| III.B.174 | Bank Statements FY 1985 | 1984-1985 |
| III.B.175 | Petty Cash | 1984-1985 |
| III.B.176 | Deposit and Withdrawal Slips Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1984-1985 |
| III.B.177 | Debit and Credit Advises FY 1985 | 1984-1985 |
| III.B.178 | Blank Deposit Slips | undated |
| III.B.179 | Cancelled Checks FY 1985 | 1984-1985 |
| III.B.180 | FY 1985 Ledger | 1984-1985 |
| III.B.181 | Receipts for Goods and Services (Not Bills) FY 1985 | 1984-1985 |
| III.B.182 | CAT Notes and Finances | 1983-1985 |
| III.B.183 | NY Telephone | 1984 |
| III.B.184 | NEA Guidelines | 1984-1985 |
| III.B.185 | Voided Checks FY 1985 | 1984-1985 |
| III.B.186 | Bills Paid: Alliance Contains a single installation completion sheet. |
1984 |
| III.B.187 | Bills Paid: Con Ed | 1984-1985 |
| III.B.188 | Bills Paid: BAF Printing | 1983-1984 |
| III.B.189 | Bills Paid: Miscellaneous Consultants | 1984-1985 |
| III.B.190 | Bills Paid: Holland Stationers | 1984-1985 |
| III.B.191 | Bills Paid: Huntington Block Contains a single invoice. |
1984 |
| III.B.192 | Ledger One bound ledger. |
1974-1976 |
| III.B.193 | Accounts Journal One bound journal. |
1974-1975 |
| III.B.194 | Accounts Journal One bound journal. |
1977-1978 |
| III.B.195 | Accounts Journal One bound journal. |
1979-1980 |
| III.B.196 | Accounts Journal One bound journal. |
1980-1981 |
| III.B.197 | Income and Expenses | 1980 |
| III.B.198 | Cash Flow Projections | 1980-1981 |
| III.B.199 | Financial Statements | 1984 |
| III.B.200 | Financial Statements June 1986–November 1986. |
1986 |
| III.B.201 | Financial Statements | 1987 |
| III.B.202 | Chase Bank | 1987 |
| III.B.203 | Accounts Payable | 1986-1987 |
| III.B.204 | Accounting: Bills Paid | 1984-1985 |
| III.B.205 | Bills | 1980-1983 |
| III.B.206 | Invoices September 1985–June 1986. |
1985-1986 |
| III.B.207 | Petty Cash and Receipts July 1979–December 1979. |
1979 |
| III.B.208 | Petty Cash and Receipts January 1980–April 1980. |
1980 |
| III.B.209 | Petty Cash and Receipts May 1980–July 1980. |
1980 |
| III.B.210 | Petty Cash and Receipts August 1980–September 1980. |
1980 |
| III.B.211 | Petty Cash and Receipts October 2, 1980–October 29, 1980. |
1980 |
| III.B.212 | Petty Cash and Receipts November 1980–December 1980. |
1980 |
| III.B.213 | Petty Cash and Receipts January 1981–February 2, 1981. |
1981 |
| III.B.214 | Petty Cash and Receipts February 14, 1981–March 1981. |
1981 |
| III.B.215 | Petty Cash and Receipts April 1981–July 1981. |
1981 |
| III.B.216 | Petty Cash and Receipts August 1981–September 1981. |
1981 |
| III.B.217 | Petty Cash and Receipts November 1981–December 1981. |
1981 |
| III.B.218 | Petty Cash and Receipts January 1982–March 1982. |
1982 |
| III.B.219 | Petty Cash and Receipts April 1982–July 1982. |
1982 |
| III.B.220 | Petty Cash and Receipts August 1982–November 1982. |
1982 |
| III.B.221 | Renovation Budget Documents estimating the potential cost of a renovation of Dance Space II and a music rehearsal space. |
1986 |
| III.B.222 | Accounts Receivable | 1986 |
| III.B.223 | Citibank: Cash Flow Project 1987 | 1987 |
| III.B.224 | NYFA Loan | 1988 |
| III.B.225 | State Charities Filing Info | 1984-1987 |
| III.B.226 | Materials of the Arts, Piano | 1986-1987 |
| III.B.227 | Accounts Payable/Receivable, Cash Receipts/Disbursed | 1986-1987 |
| III.B.228 | Postage Receipts | 1988 |
| III.B.229 | Manuals and Warranties | undated |
| III.B.230 | Artists Honoraria and Production FY 1986 Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1985-1986 |
| III.B.231 | Account: Postage and Postal Service | 1987 |
| III.B.232 | Employer Identification Number | 1985 |
| III.B.233 | Resale Certificates Blank forms. |
undated |
| III.B.234 | IRS Recognition of Exemption Ruling | 1976 |
| III.B.235 | Artist Voucher Blank forms. |
undated |
| III.B.236 | Payroll Forms Blank forms. |
undated |
| III.B.237 | Tax Exempt Forms Blank forms. |
undated |
| III.B.238 | 501(C)(3) Statement | 1981 |
| III.B.239 | FY 1986 Short Term Loans | 1985-1986 |
| III.B.240 | Department of Cultural Affairs Notification/Grant Letter Includes Arts Exposure 86: Guidelines and Registration and the Department of Cultural Affairs 1983/1984 Annual Report. |
1985 |
| III.B.241 | Department of Cultural Affairs Application Request and Response | 1986-1987 |
| III.B.242 | FY 86 Accounting (Folder 1 of 2) | 1985-1986 |
| III.B.243 | FY 86 Accounting (Folder 2 of 2) | 1985-1986 |
| III.B.244 | Artists Paid during FY 1985 | 1984-1985 |
| III.B.245 | Short Term Rental Contract Drafts | undated |
| III.B.246 | Tax Information Also includes correspondence from lawyers regarding other legal matters. |
1984-1987 |
| III.B.247 | Donated Equipment and Materials Includes a charitable contributions tax form. |
1986 |
| III.B.248 | Letter to IRS from Linda Goode Bryant | 1985 |
| III.B.249 | Space Rental: Rehearsal and Performance Space Research. |
undated |
| III.B.250 | Mailing List Computer Codes | undated |
| III.B.251 | Deposit Slips | 1985-1986 |
| III.B.252 | Bank Notices | 1986-1988 |
Subseries III.C: Development and Fundraising Files |
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Subseries III.C comprises JAM's development and fundraising records such as grant applications and government funding research. The most common funding sources are the National Endowment for the Arts (NEA) and the New York State Council for the Arts (NYSCA). |
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| Folder | Title | Date |
| III.C.1 | NEA Museums Application Request and Support Material | 1980-1981 |
| III.C.2 | NEA Visual Arts Program Grant Letter, Contract, and Cash Requests | 1980-1981 |
| III.C.3 | NEA Visual Arts Program Application Request and Support Material | 1980-1981 |
| III.C.4 | NEA Visual Arts Program Application Request and Support Material | 1981-1982 |
| III.C.5 | NEA Museums Application Request and Support Material | 1981-1982 |
| III.C.6 | NEA Visual Arts Program Application Request and Support Material | 1982-1983 |
| III.C.7 | NEA Museum Performances Not To Be Seen | 1982-1983 |
| III.C.8 | NEA Interdisciplinary Support Material | 1983 |
| III.C.9 | NEA Presenting Organizations Grant Notification | 1983 |
| III.C.10 | NEA Presenting Organizations Final Report | 1983 |
| III.C.11 | NEA Presenting Organizations Support Material | 1983 |
| III.C.12 | NEA Presenting Organizations Request and Budget | 1985 |
| III.C.13 | NEA Grant Materials Includes financial projections, programming, and photocopies of press articles. |
1984-1986 |
| III.C.14 | NEA Application Guidelines | 1984 |
| III.C.15 | NEA Grants to Dance Performers: Request and Budget | 1984-1987 |
| III.C.16 | NEA Interdisciplinary Notification and Cash Request | 1984-1985 |
| III.C.17 | NEA Interdisciplinary Request and Budget | 1984-1985 |
| III.C.18 | NEA Interdisciplinary Final Report | 1984-1985 |
| III.C.19 | NEA Interdisciplinary Interim Report | 1984-1985 |
| III.C.20 | NEA Expansion Arts Collaboration Notification and Cash Request | 1984-1985 |
| III.C.21 | NEA Expansion Arts NBAF Request and Budget | 1984-1985 |
| III.C.22 | NEA Expansion Arts NBAF Support Material | 1985-1986 |
| III.C.23 | NEA Expansion Arts Final Report | 1984 |
| III.C.24 | NEA Expansion Arts Grant Terms and Instructions | 1984-1985 |
| III.C.25 | NEA Expansion Arts Interdisciplinary Arts Requests and Budget, Final Report | 1986 |
| III.C.26 | NEA Visual Arts Organizations Request and Budget | 1984-1985 |
| III.C.27 | NEA Visual Arts Organizations Grant Terms and Instructions | 1984-1985 |
| III.C.28 | NEA Visual Arts Organizations Grant Support Material | 1984-1985 |
| III.C.29 | NEA Visual Arts Organizations Final Report | 1984-1985 |
| III.C.30 | NEA Inter-Arts Grant Notification | 1981-1983 |
| III.C.31 | NEA Inter-Arts Presenting Organizations Grant Terms and Instructions | 1983-1985 |
| III.C.32 | NEA Inter-Arts Presenting Organizations Audience Development | 1984-1985 |
| III.C.33 | NEA Inter-Arts Presenting Organizations Request and Budget | 1986 |
| III.C.34 | NEA Inter-Arts Appeal | 1984-1985 |
| III.C.35 | NEA Inter-Arts Appeal | 1985-1986 |
| III.C.36 | NEA 1985 | 1985-1986 |
| III.C.37 | NEA Final Reports to be Filed | 1985 |
| III.C.38 | NEA Services to the Field: Request and Budget | 1986 |
| III.C.39 | JAM Payments Includes shipping documents, receipts for B Culture, rent payments, and NEA grants. |
1986 |
| III.C.40 | NYSCA Correspondence | 1976-1979 |
| III.C.41 | NYSCA Request Includes budget materials. |
1982-1983 |
| III.C.42 | NYSCA Contract | 1982-1983 |
| III.C.43 | NYSCA Grant Update Report The Manhattan Project by Gilda Pervin is a grant-funded project sponsored by JAM. |
1982-1983 |
| III.C.44 | NYSCA Final Report | 1982-1983 |
| III.C.45 | NYSCA Extension Also includes correspondence from Toni Smith and Dancers. |
1984 |
| III.C.46 | NYSCA Brian Eno Installation Application Includes Kit-Yin Snyder slides. |
1989 |
| III.C.47 | NYSCA Architecture | 1984 |
| III.C.48 | NYSCA Pre-Application Correspondence | 1984 |
| III.C.49 | NYSCA Guideline Booklets | 1984-1985 |
| III.C.50 | NYSCA General Correspondence | 1984-1985 |
| III.C.51 | NYSCA Contracts | 1984-1985 |
| III.C.52 | NYSCA Presenting Organizations | 1984-1985 |
| III.C.53 | NYSCA Music | 1984-1985 |
| III.C.54 | NYSCA Art Service Organizations | 1984-1985 |
| III.C.55 | NYSCA Dance | 1984-1985 |
| III.C.56 | NYSCA Visual Artist Program | 1984-1985 |
| III.C.57 | NYSCA Panel List | 1984-1985 |
| III.C.58 | NYSCA Dance Program: Revised Project Description | 1984-1985 |
| III.C.59 | NYSCA Media | 1985 |
| III.C.60 | NYSCA Requests and Budget Forms Includes correspondence with David Hammons. |
1985 |
| III.C.61 | NYSCA General Operating: Original Request Revisions | 1985 |
| III.C.62 | NYSCA Application Materials | 1985-1987 |
| III.C.63 | NYSCA Original Application Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1986 |
| III.C.64 | NYSCA General Information | 1986-1987 |
| III.C.65 | No Fund Requests NYSCA | 1987 |
| III.C.66 | NYSCA Application | 1987 |
| III.C.67 | NYSCA Copy of Application | 1988 |
| III.C.68 | NYSCA Copy of Application | 1989 |
| III.C.69 | Lambda Legal Defense | 1984 |
| III.C.70 | Fundraising: Models and/or Copies of Proposals Through June 1982 | 1979-1982 |
| III.C.71 | Fundraising: Individual Membership (Current) Contains a photocopy of a check from Marist College. |
1983 |
| III.C.72 | Fundraising: Individual Membership (Non-Current) | 1980 |
| III.C.73 | Fundraising: Meet the Composer January–June 1989 Personal information redacted. Restricted material removed: Original unredacted document(s) containing PII. |
1989-1990 |
| III.C.74 | Fundraising: Press | 1983 |
| III.C.75 | Fundraising: Linda Goode Bryant Contains copies of news articles. |
1981 |
| III.C.76 | Fundraising: Guides/Listings Contains a photocopy of New York Art Guide (1982). |
1982 |
| III.C.77 | Fundraising: Department of Cultural Affairs FY 1990 | 1989-1990 |
| III.C.78 | Fundraising: Cultural Council Foundation, Decentralization Proposal | 1989 |
| III.C.79 | Fundraising: Press Clippings | 1974 |
| III.C.80 | Fundraising: Press Clippings | 1975 |
| III.C.81 | Fundraising: Press Clippings | 1977 |
| III.C.82 | Fundraising: Press Clippings | 1978 |
| III.C.83 | Fundraising: Press Clippings | 1979 |
| III.C.84 | Fundraising: Press Clippings | 1980 |
| III.C.85 | Fundraising: Selected Press Clippings | 1981-1984 |
| III.C.86 | Fundraising: DCA FY 1989 | 1988-1989 |
| III.C.87 | Fundraising: Mary Flagler Cary, Eno Project | 1988-1989 |
| III.C.88 | Fundraising Notebook | 1985 |
| III.C.89 | Chase Bank Neighborhood Grant Application | 1989 |
| III.C.90 | The Artists' Place An Expansion and Stabilization Guide Program for Just Above Midtown Extensive breakdown of JAM's business standing in 1982 and a proposed program for growth. |
1982-1983 |
| III.C.91 | Con Edison Request for funding. |
1982 |
| III.C.92 | Corporate Fundraising: CBS | 1976 |
| III.C.93 | Corporate Fundraising: Celanese | 1980 |
| III.C.94 | Corporate Fundraising: Exxon | 1977 |
| III.C.95 | Mobil Oil Corporation Correspondence. |
1976-1980 |
| III.C.96 | Fundraising Foundation: Beards Fund | 1981-1982 |
| III.C.97 | Fundraising Foundation: John A. Heartford Foundation | 1981-1982 |
| III.C.98 | Jerome Foundation Includes a grant agreement. |
1980-1981 |
| III.C.99 | Jerome Foundation | 1981-1983 |
| III.C.100 | The Ford Foundation | 1976-1982 |
| III.C.101 | Department of Cultural Affairs | 1977-1980 |
| III.C.102 | New York Council for the Humanities Afro-Pop Request, Contract, Etc. | 1981-1982 |
| III.C.103 | Government Fundraising IMS | 1982 |
| III.C.104 | Artist Projects Includes two copies of Budd Hopkins' Sacred Spaces: the Book of Temples, the Book of Guardians, the Book of Altars (1983), published with the support of a NYSCA grant. |
1982-1984 |
| III.C.105 | New York Community Trust Grant Proposal | 1976 |
| III.C.106 | Rockefeller Foundation | 1975-1982 |
| III.C.107 | Rockefeller Brothers Fund | 1982 |
| III.C.108 | NY Foundation: Loan Request, Contract, etc. | 1980-1981 |
| III.C.109 | Individual Contributions Correspondence and photocopies of donation checks. |
1980-1982 |
| III.C.110 | Thank You Letters Contains a single piece of correspondence thanking an individual for their donation. |
1984-1985 |
| III.C.111 | Thank You's | 1981-1982 |
| III.C.112 | Politicians Letter of Support | 1978-1983 |
| III.C.113 | Equitable Life Insurance Informational folder and handwritten notes. |
1976 |
| III.C.114 | Budget Projections Includes BBA and CAT. |
1982-1984 |
| III.C.115 | Market Research/Feasibility Study | 1982 |
| III.C.116 | Venture Capital Directory Photocopy of an article titled The Venture Capital Process from Venture Capital Directory (December 1983). |
1983 |
|
Correspondence with the public relations firm, M.S. Blackistone and Associates, Inc. |
||
| III.C.117 | Blackistone Fundraising | 1980 |
| III.C.118 | Fundraising | 1983 |
| III.C.119 | FY 1984 Performance, Hammons Receipts, Supplementary Material | 1983 |
| III.C.120 | Black Artists on Art Volume II Contains a copy of book Black Artists on Art Volume II (1971) by Samella S. Lewis and Ruth G. Waddy. |
1971 |
| III.C.121 | Request for Financial Aid | 1984 |
| III.C.122 | Department of Commerce Grant Application | 1985 |
| III.C.123 | Drafts of Letters | 1985 |
| III.C.124 | Financial Services Corporation: Application | 1984-1985 |
| III.C.125 | Manhattan Community Arts Fund: Regrant Application Program | 1985 |
| III.C.126 | Department of Cultural Affairs: Program Contract Final Report | 1985 |
| III.C.127 | Department of Cultural Affairs Includes the 1983/1984 annual report. |
1984-1985 |
| III.C.128 | Consultant Fee Vouchers Contains a single blank voucher. |
undated |
| III.C.129 | Legal: Schulte Roth and Zabel Law Firm | 1989 |
| III.C.130 | Ad Agencies Activity January-February 1988 Newspaper clippings. |
1988 |
| III.C.131 | Advertisement Library: Saatchi and Saatchi Newspaper clipping. |
1987 |
| III.C.132 | Adrian Piper Correspondence, receipts, and slides. Entire folder restricted until 2050. |
1984 |
| III.C.133 | Industry Data Salary Survey | 1984-1988 |
| III.C.134 | Programs Deferred: Blondell Cummings (Folder 1 of 2) | 1984-1988 |
| III.C.135 | Programs Deferred: Blondell Cummings (Folder 2 of 2) | 1984-1988 |
| III.C.136 | Public/State Programs Promotional packet. |
undated |
| III.C.137 | Public/State Legislators | 1987 |
| III.C.138 | Public/State Correspondence | 1985-1986 |
| III.C.139 | Public/State SONYMA Mortgage Insurance | undated |
| III.C.140 | Public/State UDC Loan Application | undated |
| III.C.141 | Public/State Minority Loan Fund Application | undated |
| III.C.142 | Narrative Submitted to Bank of New York | 1988 |
| III.C.143 | Reference 1988: African American Visual Artists Contains copy of Afro-American Art History Newsletter No.2 (Fall 1987). |
1988 |
| III.C.144 | Professional Organizations: National Association Black Owned Broadcast | 1987 |
| III.C.145 | Pre-Sale Memo to File RE: NBC | 1987 |
| III.C.146 | Pre-Sale Letters of Intent Non-Current | 1984-1985 |
| III.C.147 | Pre-Sale Concept | 1987 |
| III.C.148 | Pre-Sale Letter Drafts | 1987 |
| III.C.149 | Private Sector/Corporations and Foundations: Equitable Life | 1986 |
| III.C.150 | Private Sector/Corporations and Foundations: New York Community Trust | 1984-1985 |
| III.C.151 | Private Sector/Corporations and Foundations: Robinson Foundation | 1987 |
| III.C.152 | Private Sector/Corporations and Foundations: NYNEX | 1987 |
| III.C.153 | Private Sector: MESBICS EQUICCO | 1985 |
| III.C.154 | Private Sector: MESBICS MECCO | 1986 |
| III.C.155 | Private Sector: MESBICS CVC Capital | 1985 |
| III.C.156 | Public/City: Public Development Corporation | 1988 |
| III.C.157 | Public/City: Correspondence | 1985 |
| III.C.158 | Public/City: Projects Financed by FSC | 1986 |
| III.C.159 | Public/City: RE: Industrial Development Bonds | 1986 |
| III.C.160 | Public/City: Correspondence with Wayne Curtis | 1984-1988 |
| III.C.161 | Public/City: Economic Development Agencies | 1985 |
| III.C.162 | Public/City: Programs | 1985 |
| III.C.163 | Public/City: New York Magic Energy program brochures and informational government booklets. |
undated |
| III.C.164 | Moody's Manual Corporate Statistics Scans of book pages. |
undated |
| III.C.165 | Mayor's Office of Film and Television Statistics and memos. |
1987 |
| III.C.166 | Client Financial Ledger | 1986 |
Subseries III.D: Real Estate and Property Management Records |
||
|
JAM's real estate related records can be found in Subseries III.D. The records are organized chronologically and by related addresses. The bulk of the records include leases, contracts, correspondence, invoices, building operation records, and research on real estate opportunities. Some sub categories include correspondence and dealings with sub tenants at their 503 Broadway address. It also contains records related to CAT's search for studio space, which briefly considered the building which would have housed Edward R. Broida's art museum. |
||
| Folder | Title | Date |
| III.D.1 | 178 Franklin St Building Supplies | 1980 |
| III.D.2 | 178 Franklin St Lighting Includes blueprints. |
1980 |
| III.D.3 | 178 Franklin Insurance | 1982-1984 |
| III.D.4 | 178 Franklin: Facade Photos Contains half of a contact sheet and a strip of negatives of the facade of 178 Franklin Street. |
undated |
| III.D.5 | Leases and Contracts, Space Rental Includes photos from a renovation of 178 Franklin Street. |
1982-1984 |
| III.D.6 | Move Announcement Temporary move to 225 Lafayette St. |
1984 |
| III.D.7 | 225 Lafayette Lease | 1984 |
| III.D.8 | Real Estate: Van Dam Street Presentation and budget calculations. |
1984 |
| III.D.9 | Heng Sang Realty Litigation | 1984 |
| III.D.10 | Services/Advertisements, Press Releases | 1984 |
| III.D.11 | Services/Rehearsal Space Market Research | 1984 |
| III.D.12 | Services/Party Space Market Research Two sheets of handwritten notes. |
1984 |
| III.D.13 | Services/Tenant Contract Examples | 1985 |
| III.D.14 | Services/Tenant Contract Notes 503 Broadway. |
1985 |
| III.D.15 | Services/Space Recommendations 11/85 Handwritten notes. |
1985 |
| III.D.16 | Services/Mechanicals | undated |
| III.D.17 | 503 Broadway Correspondence and Complaints | 1984 |
| III.D.18 | 503 Broadway August Incursion Records of potential tenants and inspections of studio spaces. |
1984 |
| III.D.19 | 503 Broadway Lease Negotiation, Presentation to Owners | 1984 |
| III.D.20 | 503 Broadway Building Operations and Renovations Includes tenant invoices and correspondence, blueprints, and correspondence concerning CAT. |
1984-1986 |
| III.D.21 | 503 Broadway Lease | 1984 |
| III.D.22 | 503 Broadway Subtenants Contains a single piece of correspondence to the Princely Pants Company. |
1984 |
| III.D.23 | 503 Broadway Potential Tenants | 1984 |
| III.D.24 | 503 Broadway Insurance | 1984 |
| III.D.25 | 503 Broadway Move/Transition | 1986 |
| III.D.26 | 503 Broadway Keys Chart of key numbers and holders. |
1986 |
| III.D.27 | 503 Broadway Slides/Photos | undated |
| III.D.28 | 503 Broadway Blueprints Contains a blueprint of the gallery, and images of the building. |
undated |
| III.D.29 | 503 Broadway Blueprints | undated |
| III.D.30 | 503 Broadway Certificate of Occupancy | 1984-1985 |
| III.D.31 | 503 Broadway Purchase/Development | 1985 |
| III.D.32 | 503 Broadway Public Relations | 1985 |
| III.D.33 | 503 Broadway Litigation—Eviction Proceedings | 1986 |
| III.D.34 | 503 Broadway Lease Infringements, EPA Notice | 1986 |
| III.D.35 | Yoshiko Chuma and the School of Hard Knocks Studio rental documents. |
1985-1986 |
| III.D.36 | 10/85–7/86 Space Rentals | 1985-1986 |
| III.D.37 | Client Services Special Events Newspaper clipping. |
1986 |
| III.D.38 | Trump Television City Newspaper clippings. |
1986-1988 |
| III.D.39 | Real Estate: 555 Broadway Business Plan | 1986 |
| III.D.40 | Real Estate: 555 Broadway | 1986 |
| III.D.41 | Security Deposit Tenants | 1986-1987 |
| III.D.42 | CAT Broida Building Lease, Budget | 1986 |
| III.D.43 | CAT Broida Building, Facilities Includes polaroids of building facade. |
1986 |
| III.D.44 | CAT Broida Building Preliminary Offer Documents regarding possible usage of the SoHo building formerly housing the never-opened Broida Museum for Contemporary Art. |
1986 |
| III.D.45 | CAT Broida Building Feasibility Includes blueprints. |
1985-1986 |
| III.D.46 | Real Estate: 68-72 N. Moore St | 1987 |
| III.D.47 | J.C. Penny Move Newspaper clippings. |
1987 |
| III.D.48 | Industry Trends Newspaper clippings. |
1987 |
| III.D.49 | Kaufman Astoria | 1988 |
| III.D.50 | Movers | undated |
| III.D.51 | Leasing Service Corporation v. Just Above Midtown | 1987 |
| III.D.52 | Invoices Paid: Coogan/Pletcher II | 1985 |
| III.D.53 | Invoices Paid: Easter, Leonard | 1985-1986 |
| III.D.54 | Invoices Paid: Hide and Sleek | 1985-1986 |
| III.D.55 | Invoices Paid: Kakizaki, Onley and Kohen | 1985-1986 |
| III.D.56 | Invoices Paid: Livingston, Don | 1985 |
| III.D.57 | Invoices Paid: Loew, Anthony | 1986 |
| III.D.58 | Invoices Paid: Spretnjak, Steve | 1985-1986 |
| III.D.59 | Invoices Paid: Taradash, Maryl | 1985-1986 |
| III.D.60 | Invoices Paid: J.M. Timken | 1985-1986 |
| III.D.61 | Invoices Paid: Videogenix of New York | 1985-1986 |
| III.D.62 | Invoices Paid: Wolff, Brian | 1985-1986 |
| III.D.63 | 503 Broadway Sub-Tenants: Letters of Interest | undated |
| III.D.64 | Sub-Tenant: Tenant Handbook | 1984-1986 |
| III.D.65 | Sub-Tenant: Chiani, Carol | 1984-1986 |
| III.D.66 | Sub-Tenant: Coogan/Pletcher/Ragabash (1) | 1984-1985 |
| III.D.67 | Sub-Tenant: Coogan/Pletcher/Ragabash (2) | 1984-1986 |
| III.D.68 | Sub-Tenant: Computer Design Consultants, Inc. | 1984-1986 |
| III.D.69 | Sub-Tenant: Easter, Leonard | 1984-1986 |
| III.D.70 | Sub-Tenant: Kakizaki, Onley and Kohen | 1984-1986 |
| III.D.71 | Sub-Tenant: Loew, Anthony | 1984-1985 |
| III.D.72 | Sub-Tenant: Spretnjak, Steve | 1984-1986 |
| III.D.73 | Sub-Tenant: Taradash, Meryl | 1984-1986 |
| III.D.74 | Sub-Tenant: J.M. Timkin | 1984-1986 |
| III.D.75 | Sub-Tenant: Wolff, Brian R. | 1984-1986 |
|
|
||
Series IV: Media |
||
Subseries IV.A: Slides |
||
|
Subseries IV.A is a substantial collection of slides depicting artworks, installations, events, and spaces. Within this series are artwork submissions by artists, documentation of specific artworks by JAM artists, installation and performances at JAM (and at other venues such as The Knitting Factory), documentation of JAM spaces, and events like exhibition openings, meetings, and lab workshops. Many slides were not identified beyond an artist's last name. Submission folders are organized by artists' last name. |
||
| Folder | Title | Date |
| IV.A.1 | Arlene Absatz | |
| IV.A.2 | C.M. Allen | |
| IV.A.3 | R. R. Armijo | |
| IV.A.4 | Dianne Arndt Installation photographs. |
|
| IV.A.5 | D. Axelrod Installation photographs. |
|
| IV.A.6 | Banerjee | |
| IV.A.7 | Jill Baroff | |
| IV.A.8 | George Bennet | |
| IV.A.9 | Michael Berkowitz | |
| IV.A.10 | Lorna Bieber | |
| IV.A.11 | Cathey Billian | |
| IV.A.12 | Camille Billops | |
| IV.A.13 | Mareen Blewitt | |
| IV.A.14 | Helen Block | |
| IV.A.15 | Sydney Blum | |
| IV.A.16 | H.J. Bott | |
| IV.A.17 | Coral Bourgeois | |
| IV.A.18 | Helene Brandt | |
| IV.A.19 | Marc Bransz | |
| IV.A.20 | Rolando Briseño | |
| IV.A.21 | Cyrilla Brooks | |
| IV.A.22 | James A. Brown | |
| IV.A.23 | Vivian Browne | |
| IV.A.24 | Miriam Brumer | |
| IV.A.25 | Byans | |
| IV.A.26 | Dean Cady | |
| IV.A.27 | M. Cappelletto | |
| IV.A.28 | Chirchirillo | |
| IV.A.29 | Albert Chong | |
| IV.A.30 | Yoshiko Chuma | |
| IV.A.31 | Ed Clark | |
| IV.A.32 | Paul Collins | |
| IV.A.33 | Joan Colman | |
| IV.A.34 | Papo Colo | |
| IV.A.35 | Jane Comfort, T.V. Love A single sheet of slides depicting the 1985 dance piece at JAM. |
|
| IV.A.36 | Dan Concholar | |
| IV.A.37 | Houston Conwill | |
| IV.A.38 | S. Copley | |
| IV.A.39 | Alonzo Davis | |
| IV.A.40 | Leila Daw | |
| IV.A.41 | Rod De Jong | |
| IV.A.42 | Michael Desiano Installation photographs. |
|
| IV.A.43 | Naomi Dickerson | |
| IV.A.44 | Anne Dushanko Dobek | |
| IV.A.45 | Dolberg | |
| IV.A.46 | John Dowell | |
| IV.A.47 | L. Dyyon Frazier | |
| IV.A.48 | Joyce Eakins | |
| IV.A.49 | Marcy Edelstein | |
| IV.A.50 | Marianne Edwards | |
| IV.A.51 | Wendy Ehlers | |
| IV.A.52 | Ehry | |
| IV.A.53 | Eve Eisenstadt | |
| IV.A.54 | Ed Epping Installation photographs. |
|
| IV.A.55 | Eugenio Espinosa | |
| IV.A.56 | Gary Falk | |
| IV.A.57 | Peter Feldstein | |
| IV.A.58 | Claire Ferguson Performance photographs. |
|
| IV.A.59 | Ellen Fisher | |
| IV.A.60 | Astrid Fitzgerald | |
| IV.A.61 | Susan Fitzsimmons | |
| IV.A.62 | David Garland | |
| IV.A.63 | D. Anna Garwood | |
| IV.A.64 | D. Geltner | |
| IV.A.65 | John Germain | |
| IV.A.66 | Jane E. Gilmor Performance photographs. |
|
| IV.A.67 | Allen Girdle | |
| IV.A.68 | Jo Going | |
| IV.A.69 | Carl Goldhagen | |
| IV.A.70 | H. Goldstein | |
| IV.A.71 | Dane R. Goodman | |
| IV.A.72 | E. Grajaies | |
| IV.A.73 | Mel Green | |
| IV.A.74 | Renee Green | |
| IV.A.75 | Kathleen Grove | |
| IV.A.76 | Jessica Hagedorn | |
| IV.A.77 | Douglas Kent Hall | |
| IV.A.78 | Gini Hamilton | |
| IV.A.79 | David Hammons See also IV.A.129. |
|
| IV.A.80 | Carol Hamoy | |
| IV.A.81 | Lauren Hancher | |
| IV.A.82 | Bill Harris | |
| IV.A.83 | Maren Hassinger | |
| IV.A.84 | Cynthia Hawkins | |
| IV.A.85 | Lamberto Hechanova Jr. | |
| IV.A.86 | Laurel Hecht | |
| IV.A.87 | William Hellerman | |
| IV.A.88 | Anne Helmann | |
| IV.A.89 | Mike Henderson | |
| IV.A.90 | Janet Olivia Henry | |
| IV.A.91 | Cheryl Heyman | |
| IV.A.92 | Adrienne W. Hoard | |
| IV.A.93 | Roni Hoffman | |
| IV.A.94 | Wopo Holup | |
| IV.A.95 | Michael Hoskins | |
| IV.A.96 | Earnestine Huff | |
| IV.A.97 | James Huff | |
| IV.A.98 | Catti James | |
| IV.A.99 | Noah Jemison | |
| IV.A.100 | MLJ Johnson | |
| IV.A.101 | Jerilyn Jurinek | |
| IV.A.102 | Bob Kane | |
| IV.A.103 | Kapo | |
| IV.A.104 | Mollyne Karnofsky Installation photographs. |
|
| IV.A.105 | Kazuko | |
| IV.A.106 | T. Kellner | |
| IV.A.107 | M. Kendall | |
| IV.A.108 | W. Kravitz Installation photographs. |
|
| IV.A.109 | G.R. Levin | |
| IV.A.110 | Candy Lewis | |
| IV.A.111 | Jackie Lipton | |
| IV.A.112 | Bert Long | |
| IV.A.113 | Susan Loonsk | |
| IV.A.114 | Leonard Mainor Installation photographs. |
|
| IV.A.115 | Denise Marika | |
| IV.A.116 | Tom Maroni | |
| IV.A.117 | J. Mateo | |
| IV.A.118 | Valerie Maynard | |
| IV.A.119 | Lucia McBee | |
| IV.A.120 | Gail McCarthy | |
| IV.A.121 | Kathleen McCarthy | |
| IV.A.122 | Brad Melamed | |
| IV.A.123 | Margaret Miller | |
| IV.A.124 | Louis E. Mims | |
| IV.A.125 | George Mingo | |
| IV.A.126 | Susan Mogul | |
| IV.A.127 | Mooney | |
| IV.A.128 | Milton Moss | |
| IV.A.129 | Senga Nengudi and David Hammons Images of various artworks, installations, and performances. |
|
| IV.A.130 | Senga Nengudi Includes installation and performance images of R.S.V.P. (1977), Vestige (1981), and Air Propo, a collaborative performance with Senga Nengudi, Butch Morris, and Cheryl Banks (1981). |
|
| IV.A.131 | Linda Nishio | |
| IV.A.132 | Kevin Noble | |
| IV.A.133 | Hope Oilleman | |
| IV.A.134 | Sandra Payne | |
| IV.A.135 | Pezzano and Co. | |
| IV.A.136 | Howardena Pindell | |
| IV.A.137 | Adrian Piper Slides from an unknown JAM installation. |
|
| IV.A.138 | Czashka Ross | |
| IV.A.139 | Susan Ruth Cohen Installation photographs. |
|
| IV.A.140 | Kevin B. Sampson | |
| IV.A.141 | Lei Sanna Doo | |
| IV.A.142 | Sarah Schneiderman | |
| IV.A.143 | Lorna Simpson | |
| IV.A.144 | Kit-Yin Snyder | |
| IV.A.145 | Lori Solondz | |
| IV.A.146 | Keith Sonnier | |
| IV.A.147 | Spider Woman Theater | |
| IV.A.148 | J. Stiles | |
| IV.A.149 | Kaylynn Sullivan | |
| IV.A.150 | Susan Dallas-Swann | |
| IV.A.151 | Al Taylor | |
| IV.A.152 | John Van Alstine | |
| IV.A.153 | A. Williams | |
| IV.A.154 | Randy Williams | |
| IV.A.155 | Gilberto Wilson | |
| IV.A.156 | Brian R. Wolff | |
| IV.A.157 | Artists Unknown Includes artworks, performance, and installation photographs. |
|
| IV.A.158 | Single Slides Single images of works by Jennifer Q. Smith, Louise Kramer, Dowell, Howardena Pindell, Rosemary Mayer, John Otterbridge, Edward Lieber, Teppy Steward, Herman Futrell, Susan Fitzsimmons, Louise Lopes Jr., Gary Goldberg, Clark Goroshko, Ruth Kahn, Lynne Augeri, Brian Spaeth, Rhonda Tymeson, S. Pollock, Joe Harris, Reginald Gammon, Herb Henry, Aaron Norman, Carol O'Hara, L.F. Lopes Jr., Joanne Freeman, and an installation photograph for What I Do for Art. |
|
| IV.A.159 | Slide List | |
| IV.A.160 | Various Artists Slides of works by Sydney Blum, Lona Foote, Suzanne Jackson, Linda Nishio, John Perry III, Kit-Yin Snyder, S.E. Sutton, Henry O'Tanner, Orsolya Drozdik, and Peter Jemison. |
|
| IV.A.161 | Submissions: A | |
| IV.A.162 | Submissions: B | |
| IV.A.163 | Submissions: C | |
| IV.A.164 | Submissions: D | |
| IV.A.165 | Submissions: E | |
| IV.A.166 | Submissions: F | |
| IV.A.167 | Submissions: G | |
| IV.A.168 | Submissions: H | |
| IV.A.169 | Submissions: J | |
| IV.A.170 | Submissions: K | |
| IV.A.171 | Submissions: L | |
| IV.A.172 | Submissions: M, N | |
| IV.A.173 | Submissions: O | |
| IV.A.174 | Submissions: P | |
| IV.A.175 | Submissions: R | |
| IV.A.176 | Submissions: S | |
| IV.A.177 | Submissions: T | |
| IV.A.178 | Submissions: V | |
| IV.A.179 | Submissions: W | |
| IV.A.180 | Submissions: Y | |
| IV.A.181 | Submissions: Z | |
| IV.A.182 | Submissions: Miscellaneous JAM installation photos, and photographs of artworks by unidentified artists. |
|
| IV.A.183 | Assorted Slides Slides of works by Janet Henry, Roni Hoffman, Randy Williams, Susan Fitzsimmons, Wendy Ehlers, Ming Smith, Maren Hassinger, Cynthia Hawkins, David Hammons, and Houstin Conwill. |
|
| IV.A.184 | Miscellaneous Works | |
| IV.A.185 | JAM Artists: 1970's Works | |
| IV.A.186 | JAM Artists: 1973–1978 Works | |
| IV.A.187 | JAM Artists: 1979–1982 Works | |
| IV.A.188 | JAM Artists: 1980s Works | |
| IV.A.189 | Artists Work Samples Slides of works by Banerjee, Palmer C. Hayden, Susan Fitzsimmons, Wendy Ehlers, Lona Foote, Randy Williams, Sandra Payne, Kapo, Peter Feldstein, Houstin Conwill, Maren Hassinger, Shelley Farkas, Ed Epping, and David Lampston. |
|
| IV.A.190 | Artists Work Samples Artists unknown. |
|
| IV.A.191 | Artists Work Samples Artists unknown. |
|
| IV.A.192 | Photocopies of Slides | |
| IV.A.193 | JAM Performance | 1982-1984 |
| IV.A.194 | JAM Lab Artists, Visual Arts | |
| IV.A.195 | JAM Lab Artists, Performance Arts | |
| IV.A.196 | JAM Visual Arts Program | 1983-1984 |
| IV.A.197 | JAM Visual Arts Exhibitions | |
| IV.A.198 | JAM Dance Performance Wind Shear, Meg Eginton Slides of JAM performance Wind Shear, November 21–23, 1985. Other artists involved include Pat Irwin, Al Taylor, Patricia Chen, Hilary Harper, and Denise Mostacci. |
1985 |
| IV.A.199 | JAM Project Intersection | 1986-1987 |
| IV.A.200 | JAM Exhibition Program 1983–1984 | 1983-1984 |
| IV.A.201 | Music Performance | |
| IV.A.202 | Installation Shots Images of the exhibition Spector Woman and interior shots of 365 Greenwich Street. |
|
| IV.A.203 | Openings and Installations Include images of works by Houston Conwill, Maren Hassinger, and Margaret Miller; installation and performance images of Naming Things: A Collaboration by David Hammons, Bill T. Jones, and Philip Mallory Jones (1983), Dialogues (1980), Outlaw Aesthetics (1980), Air Propo by Senga Nengudi, Butch Morris, and Cheryl Banks (1981), About TV (1983), Wind Shear (1985), and A Love Story (1985); exhibition opening images from 178 Franklin Street; and interior images of 50 West 57th Street and 503 Broadway. |
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| IV.A.204 | 57th Street Installation Photos | 1974-1979 |
| IV.A.205 | 178 Franklin Opening Photos | 1980-1984 |
| IV.A.206 | Installation Shots, 178 Franklin St Labeled artists include Roni Hoffman and Kit-Yin Snyder. |
1980-1984 |
| IV.A.207 | Installation Shots, 178 Franklin St Images of the exhibitions Love Story, Albert Chong, Outlaw Aesthetics, Kit-Yin Snyder, George Mingo, and What I Do for Art. |
1980-1984 |
| IV.A.208 | Outlaw Aesthetics 1980 | 1980 |
| IV.A.209 | Dialogues 1980 | 1980 |
| IV.A.210 | Crossovers Opening Photographs by Shelley Farkas. |
1981 |
| IV.A.211 | What I Do for Art 1982 | 1982 |
| IV.A.212 | Love Story 1983 Installation photographs. |
1983 |
| IV.A.213 | About TV 1983 | 1983 |
| IV.A.214 | Naming Things: A Collaboration by David Hammons, Bill T. Jones, and Philip Mallory Jones Includes contact sheets, photographs, and slides. Performance took place September 29–October 1, 1983 as a part of American Dreams. |
1983 |
| IV.A.215 | New Approaches to Photography Installation Photographs | 1983 |
| IV.A.216 | Knitting Factory Performance | 1988 |
| IV.A.217 | Installation Shots, Unknown | 1980-1984 |
| IV.A.218 | 503 Broadway Two slides of the facade and interior of 503 Broadway. |
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| IV.A.219 | Offices Interior photographs of 503 Broadway and 225 Lafayette Street. Includes three slides from the opening exhibition at 503 Broadway. |
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Subseries IV.B: Audio and Moving Image Recordings 1970s–1980s |
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This series comprises audio and video recordings produced, collected, and preserved by Just Above Midtown and includes all the recordings received as part of The Just Above Midtown Archives. Original recording formats include open reel sound recordings and audio tape cassettes; and U-Matic, U-Matic S, Betamax, and VHS video cassettes. In advance of the 2022 MoMA exhibition Just Above Midtown: Changing Spaces, a selection of these recordings was digitized for research and possible inclusion in the exhibition. The remainder of the recordings was digitized in 2024 and the full collection arranged, described, and opened to research in 2025. All information from labels on the recordings and their cases has been transcribed as accurately as possible while condensing duplicate information, expanding names, and correcting spelling where feasible. |
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The recordings are divided into three subseries. Subseries IV.B.i contains all extant recordings produced for the Business of Being an Artist (BBA) video project which sought to recapitulate and capitalize on the ongoing program of lectures and seminars held at the gallery. Subseries IV.B.ii is a group of audio cassettes that record original, in-person Business of Being and Artist lectures and workshops held at JAM. Finally, Subseries IV.B.iii is composed of all other sound and video recordings received as part of the JAM Archives including recordings of works performed at JAM, other works by JAM-associated artists, artist submissions, commercially published recordings, and other items. |
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Subseries IV.B.i: Business of Being an Artist (BBA) Video Project Recordings 1980s |
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This subseries contains all extant recordings produced for the Business of Being an Artist (BBA) video project. The project sought to recapitulate and capitalize on the ongoing program of lectures and seminars held at the gallery. Videos include interviews with numerous gallerists, artists, and collectors; tapes concerning auction houses and non-profit exhibition spaces; and tapes of b-roll, draft and final edits, and other building blocks of the final product. The series contains both a run of clearly-numbered recordings and a run of unnumbered recordings, though the relationship between the two sets of tapes is unclear. Some recordings, particularly those of the final or master version, may be exact or partial duplicates. Labels on these recordings could be incomplete, repetitious, or illegible, and some marks such as the frequent fractional enumerations (e.g. "14/9" or "16/1") seem almost incidental and may or may not be significant. |
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| Item | Title | |
| IV.B.i.1 | "BBA 1. John Wessel 2. NEA Grants" U-matic S videocassette. Cassette also labeled "John Wessel edited intro". |
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| IV.B.i.2 | "BBA 1 Artists' Space Stairway / Paul Hunter's Boxes - In to Out" U-matic S videocassette. |
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| IV.B.i.3 | "BBA 2 Linda Shearer and more P. Hunter Boxes and K. LaBadie" U-matic S videocassette. |
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| IV.B.i.4 | "BBA 3 O.K. Harris, Holly Solomon" U-matic S videocassette. |
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| IV.B.i.5 | "BBA 4 Holly Solomon (Upstairs) / W.C. Brown and American Indian Community House" U-matic S videocassette. |
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| IV.B.i.6 | "BBA 5 American Indian Interview Peter Jemison" U-matic S videocassette. |
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| IV.B.i.7 | "BBA 6 American Indian Peter Jemison / C.U.'s Work" U-matic S videocassette. Case also labeled "Interview Peter Jemison American Indian Community House Gallery". |
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| IV.B.i.8 | "BBA "West Broadway, O.K. Harris, Outside-Car Ride" U-matic S videocassette. |
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| IV.B.i.9 | "BBA 8 SoHo Exteriors, Canal Flea Market" U-matic S videocassette. |
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| IV.B.i.10 | "BBA 9 Canal Street Flea Market" U-matic S videocassette. |
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| IV.B.i.11 | "BBA 10 David Hammons I Interview on Sofa" U-matic S videocassette. Case also labeled "Gag interview 17/5". |
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| IV.B.i.12 | "BBA 11 David Hammons II Interview" U-matic S videocassette. Case also labeled "David Hammons Studio 20/3". |
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| IV.B.i.13 | "BBA 12 David Hammons III Cut Aways + Upper Floor of Studio (Interference) U-matic S videocassette. |
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| IV.B.i.14 | "BBA 13 David Hammons Interview IV" U-matic S videocassette. Case also labeled "David Hammon's Ext / Higher Goals - '20rillos' 89th St. Environment" |
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| IV.B.i.15 | "BBA 14 Opening - Dyansen Gallery, Ballerinas" U-matic S videocassette. |
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| IV.B.i.16 | "BBA 15 Betty Parsons- Marcia Grosstein and Riduan Tomkins" U-matic S videocassette. Also labeled "14/4" and "audio only--Riduan Tomkins". |
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| IV.B.i.17 | "BBA 16 Betty Parsons, Jack Tilton, and Oliver Steinheimer U-matic S videocassette. |
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| IV.B.i.18 | "BBA 17 Marlboro Gallery + Betty Parsons Cutaways" U-matic S videocassette. Case also labeled "Marlboro Gallery-interior 4/21". |
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| IV.B.i.19 | "BBA 18 Video Metro Pictures - Hallway / Interview Janelle Reiring 4/22" U-matic S videocassette. |
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| IV.B.i.20 | "BBA 19 Janelle Reering, Helen Wiener, Exterior - Metro Pictures" U-matic S videocassette. Also labeled "14/3" and "Metro Pix II and Cutaway". |
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| IV.B.i.21 | "BBA 20 Nosei Gallery - Interview Anina Nosei" U-matic S videocassette. |
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| IV.B.i.22 | "BBA 21 Chicago Books Window, Franklin Furnace and Kay Nofovola" U-matic S videocassette. Cassette also labeled "Franklin Furnace - Façade/Notorola/Kay can't take good". |
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| IV.B.i.23 | "BBA 22 Chase Manhattan Bank - M.Goode + J. Boulton Interview" U-matic S videocassette. |
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| IV.B.i.24 | "BBA 23" U-matic S videocassette. |
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| IV.B.i.25 | "BBA 24" U-matic S videocassette. "Cut-Away of Greg Hannon Paintings, WPA / Big Al (Intevriew), Greg Harmon Paintings / NEA Skylight + Interior". |
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| IV.B.i.26 | "BBA 25 NEA Interview - Hugh Southern" U-matic S videocassette. |
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| IV.B.i.27 | "BBA 26 Hirschhorn etc. / D.C. Cutaway" U-matic S videocassette. |
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| IV.B.i.28 | "BBA 27 NEA, Renee Levine" U-matic S videocassette. |
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| IV.B.i.29 | "BBA 28 NEA/Renee Levine/Benny Andrews" U-matic S videocassette. |
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| IV.B.i.30 | "BBA 29 NEA/Benny Andrews" U-matic S videocassette. Also labeled "16/8". |
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| IV.B.i.31 | "BBA 30 NEA/Benny Andrews" U-matic S videocassette. Also labeled "2/15". |
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| IV.B.i.32 | "BBA 31 NEA Benny Andrews, Andrew Oliver" U-matic S videocassette. |
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| IV.B.i.33 | "BBA 32 NEA, Andrew Oliver" U-matic S videocassette. |
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| IV.B.i.34 | "BBA 33 Chris Middendorf / Middendorf Lane Gallery" U-matic S videocassette. |
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| IV.B.i.35 | "BBA 34 Chris Middendorf" U-matic S videocassette. |
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| IV.B.i.36 | "BBA 35 Chris Middendorf / Billy Copley Installing Work" U-matic S videocassette. |
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| IV.B.i.37 | "BBA 36 Billy Copley at Middendorf [Gallery]" U-matic S videocassette. |
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| IV.B.i.38 | "BBA 37 Janet Kardon, ICA Philadelphia" U-matic S videocassette. Case also labeled "17/13". Cassette labeled "ICA-Hoose Phila May". |
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| IV.B.i.39 | "BBA 38 Marian Locks Gallery Philadelphia" U-matic S videocassette. |
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| IV.B.i.40 | "BBA 39 Marian Locks Gallery" U-matic S videocassette. |
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| IV.B.i.41 | "BBA 40 Marian Locks" U-matic S videocassette. |
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| IV.B.i.42 | "BBA 41 Marian Locks Gallery" U-matic S videocassette. |
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| IV.B.i.43 | "BBA 42 Marian Locks Opening, Interview" U-matic S videocassette. |
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| IV.B.i.44 | "BBA 42A Marian Locks Gallery Opening Students" U-matic S videocassette. |
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| IV.B.i.45 | "BBA 43 Marcia Tucker and John Wessel May 24" U-matic S videocassette. Also labeled "17/12". |
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| IV.B.i.46 | "BBA 44 Marcia Tucker and John Wessel" U-matic S videocassette. Also labeled "18/2". |
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| IV.B.i.47 | "BBA 45 Marcia Tucker and John Wessel" U-matic S videocassette. Also labeled "18/5" and "cutaways". |
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| IV.B.i.48 | "BBA 46 Eric Fischl" U-matic S videocassette. Also labeled "18/12". |
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| IV.B.i.49 | "BBA 47 Eric Fischl" U-matic S videocassette. Also labeled "11/10". |
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| IV.B.i.50 | "BBA 48 Eric Fischl" U-matic S videocassette. Also labeled "11/9". |
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| IV.B.i.51 | "BBA 49 Howardena Pindell" U-matic S videocassette. Case also labeled "18/10". |
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| IV.B.i.52 | "BBA 50 Howardena Pindell 2" U-matic S videocassette. Case also labeled "2/14". |
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| IV.B.i.53 | "BBA 51 Howardena Pindell" U-matic S videocassette. Case also labeled "11/5". |
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| IV.B.i.54 | "BBA 51A Eric Fischl, Cutaways, Howardena Pindell" U-matic S videocassette. |
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| IV.B.i.55 | "BBA 52 Leon Golub and Nancy Spero" U-matic S videocassette. Also labeled "17/7". |
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| IV.B.i.56 | "BBA 53 Golub/Spiro" U-matic S videocassette. Also labeled "11/2". |
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| IV.B.i.57 | "BBA 54 Golub/Spiro" U-matic S videocassette. Case also marked "16/3". |
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| IV.B.i.58 | "BBA 55 Leon Golub and Nancy Spero" U-matic S videocassette. Case also marked "17/8". |
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| IV.B.i.59 | "BBA 56 Leon Golub and Nancy Spero" U-matic S videocassette. Case also marked "17/4". |
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| IV.B.i.60 | "BBA 57 Cutaways Spero" U-matic S videocassette. |
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| IV.B.i.61 | "BBA 58 Andre Emmerich" U-matic S videocassette. Case also marked "17/2". |
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| IV.B.i.62 | "BBA 59 Andre Emmerich" U-matic S videocassette. Case also marked "17/3". |
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| IV.B.i.63 | "BBA 60 Andre Emmerich" U-matic S videocassette. Also labeled 14/11". |
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| IV.B.i.64 | "BBA 61 A. Emmerich Gallery Cutaways Hockney" U-matic S videocassette. |
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| IV.B.i.65 | "BBA 62 Mary Boone" U-matic S videocassette. Case also labeled "Mary Boone, Dahn, Dokoupil" and "14/2". |
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| IV.B.i.66 | "BBA 63 Mary Boone OAHN/Dokoupil U-matic S videocassette. Cassette also labeled "M. Boone Interview + Cutaway George". "Dokoupil" is the artist Jiří Georg Dokoupil who showed at the Mary Boone Gallery in 1983. |
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| IV.B.i.67 | "BBA 64 Walter Mary Boone / Cutaways /Paul Mantz" U-matic S videocassette. Case also labeled "Work of Walter [illegible] / Interview Paul Metz". |
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| IV.B.i.68 | "BBA 65 John Giorno" U-matic S videocassette. |
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| IV.B.i.69 | "BBA 66 Judy Rifka" U-matic S videocassette. Also labeled "16/11". |
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| IV.B.i.70 | "BBA 67 Judy Rifka" U-matic S videocassette. Also labeled "14/10". |
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| IV.B.i.71 | "BBA 68 Judy Rifka" U-matic S videocassette. |
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| IV.B.i.72 | "BBA 69 Sotheby's 1 Interview Only" U-matic S videocassette. |
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| IV.B.i.73 | "BBA 70 Sotheby's 2 Indoor Storage" U-matic S videocassette. |
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| IV.B.i.74 | "BBA 71 Cutawawy Sotheby's Outside" U-matic S videocassette. |
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| IV.B.i.75 | "BBA 72 Richard Brown Baker Collector" U-matic S videocassette. |
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| IV.B.i.76 | "BBA 73 Richard Brown Baker Collector" U-matic S videocassette. |
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| IV.B.i.77 | "BBA 74 Richard Brown Baker Collector" U-matic S videocassette. Case also labeled "16/2". |
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| IV.B.i.78 | "BBA 75 Richard Brown Baker" U-matic S videocassette. Also labeled "18/1". |
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| IV.B.i.79 | "BBA 76 6/15 Michael Smith [Coffee]" U-matic S videocassette. Also labeled "18/7". |
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| IV.B.i.80 | "BBA 77 Beth Lapides" U-matic S videocassette. |
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| IV.B.i.81 | "BBA 78 John Neff" U-matic S videocassette. Also labeled "4/4". |
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| IV.B.i.82 | "BBA John Neff" U-matic S videocassette. Also labeled "#9?". |
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| IV.B.i.83 | "BBA 79 Robert Longo #1" U-matic S videocassette. |
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| IV.B.i.84 | "BBA 80 Robert Longo (2)" U-matic S videocassette. Case also marked "16/1". |
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| IV.B.i.85 | "BBA 81 Lower Manhattan / Brooklyn Bridge / Public Sculpture" U-matic S videocassette. |
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| IV.B.i.86 | "BBA 82 Donna Dennis" U-matic S videocassette. |
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| IV.B.i.87 | "BBA 83 Donna Dennis" U-matic S videocassette. |
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| IV.B.i.88 | "BBA 84 D. Dennis Cut-Aways" U-matic S videocassette. |
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| IV.B.i.89 | "BBA 85 Keith Haring" U-matic S videocassette. Case also numbered "14/9". |
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| IV.B.i.90 | "BBA 86" U-matic S videocassette. Label includes illegible writing "Bev Kourtz House"? |
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| IV.B.i.91 | "BBA 86 Keith Harris" U-matic S videocassette. Name might possibly be "Heunig". |
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| IV.B.i.92 | "BBA 87" U-matic S videocassette. |
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| IV.B.i.93 | "BBA 88" U-matic S videocassette. |
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| IV.B.i.94 | "BBA 89 John Hanhardt NYC 1" U-matic S videocassette. |
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| IV.B.i.95 | "BBA 90 John Hanhardt, Roof #2" U-matic S videocassette. |
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| IV.B.i.96 | "BBA John Hanhardt 3" U-matic S videocassette. |
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| IV.B.i.97 | "BBS 91 Ilona Granet" U-matic S videocassette. |
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| IV.B.i.98 | "BBA 92 Ilona Granet" U-matic S videocassette. |
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| IV.B.i.99 | "BBA 93 Art on the Beach + Interview Audra" U-matic S videocassette. |
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| IV.B.i.100 | "BBA 94 Marilyn Zeitlin Interview 1/3" U-matic S videocassette. |
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| IV.B.i.101 | "BBA 94B Marilyn Zeitlin Interview 2, 7/23" U-matic S videocassette. |
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| IV.B.i.102 | "BBA 95 Ingrid Sischy" U-matic S videocassette. Case also labeled "16/15". |
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| IV.B.i.103 | "BBA Ingrid Sischy Interview II, 8/26" U-matic S videocassette. |
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| IV.B.i.104 | "BBA 96 Marilyn Zeitlin Interview 3" U-matic S videocassette. |
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| IV.B.i.105 | "Bill T. Jones BBA" U-matic S videocassette. Cassette labeled: "This tape is divided into three sections. 1)Blauvelt Mountain - duet with Arnie Zane - This particular section is Act II and is entitled, 'An Interview" # approx. 000 2) Progresso - solo - premiered at the Kitchen 'o79 approx. 500 3)Floating the Tongue - solo - premiered at the Kitchen '79 # 700". Also labeled "15/13". |
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| IV.B.i.106 | "BBA Bruce Yonemoto" U-matic S videocassette. |
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| IV.B.i.107 | "BBA Cathy Huffman" U-matic S videocassette. |
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| IV.B.i.108 | "BBA Interview Jurgen Partenheimer" U-matic S videocassette. |
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| IV.B.i.109 | "BBA Jürgen Partenheimer Condensed" U-matic S videocassette. |
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| IV.B.i.110 | "BBA Martha Wilson at JAM May 13" U-matic S videocassette. Also labeled "15/5". |
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| IV.B.i.111 | "BBA Tom Lawson-Artist/Critic Interview (1)" U-matic S videocassette. Also labeled "13/9". |
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| IV.B.i.112 | "BBA Tom Lawson (2)" U-matic S videocassette. Also labeled "15/6". |
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| IV.B.i.113 | "BBA A Patterson Sims Interviewed by John Wessel" U-matic S videocassette. Also labeled "15/12". |
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| IV.B.i.114 | "B BBA Pat[terson] Sims, John Wessel" U-matic S videocassette. |
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| IV.B.i.115 | "BBA Multiples / Signing Prints" U-matic S videocassette. |
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| IV.B.i.116 | "BBA Commercial Galleries / Auctions" U-matic S videocassette. |
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| IV.B.i.117 | "Test BBA Logo" U-matic S videocassette. |
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| IV.B.i.118 | "New Auction / New Music / Test BBA" U-matic S videocassette. "Test of New Auction New Music". |
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| IV.B.i.119 | "BBA 1. Museum Test Edit 11/11" U-matic S videocassette. |
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| IV.B.i.120 | "BBA 1 Lowery Sims Test" U-matic S videocassette. |
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| IV.B.i.121 | "BBA Lowery Sims" U-matic S videocassette. Case also labeled "Replacement B2; lead in to Museum Galleries Collection". Cassette labeled "Lowery Sims 3; (1) Cut in B2 (2) Mus. (3) Gal (4) History". |
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| IV.B.i.122 | "BBA Lowery Sims 2 Intro Voice" U-matic S videocassette. Cassette labeled "narration (8/18)". |
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| IV.B.i.123 | "BBA Cutaway Crayon / Close Up Paintbrush" U-matic S videocassette. |
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| IV.B.i.124 | "BBA Cutaways: Duveen, Stein, Parsons" U-matic S videocassette. |
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| IV.B.i.125 | "BBA Diss. Efx / Dissolve Paint" U-matic S videocassette. |
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| IV.B.i.126 | "BBA Fast Faces, Curators, Gal." U-matic S videocassette. |
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| IV.B.i.127 | "BBA Selected Segments Talking Heads / 1.BBA, 2. Gal., 3. Art Space" U-matic S videocassette. |
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| IV.B.i.128 | "BBA Test Edit Gal. Kay/Wade Selling Art" U-matic S videocassette. |
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| IV.B.i.129 | "BBA Tests" U-matic S videocassette. |
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| IV.B.i.130 | "BBA Original for Dissolve / Stage 1" U-matic S videocassette. Case also labeled "Cutaways Stage 1 Originals; Slides of Magazine Ads, Reviews, Articles". |
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| IV.B.i.131 | "BBA Paint - Drawing - Stonestone" U-matic S videocassette. |
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| IV.B.i.132 | "BBA Zoom Out" U-matic S videocassette. Also labeled "Hunter Box Zoom. )+voice David ) / Lucie Havlode + art ediv." |
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| IV.B.i.133 | "BBA Criticism Composite" U-matic S videocassette. Also labeled "BBA Criticism. Collectors / BBA Intro Hunter Art Activities". |
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| IV.B.i.134 | "Scott Miller / Suddenly I Can't Control" U-matic S videocassette. Cassette also labeled "Dean 10 min. / Music -BBA Test 1". |
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| IV.B.i.135 | "Final Narration John Wessel IV Met, 1=2, Metro Pix, Castelli/Wessel IV and Metro Pictures" U-matic S videocassette. Cassette also labeled "Track 4". |
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| IV.B.i.136 | "BBA Rough Selections Demo" U-matic S videocassette. |
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| IV.B.i.137 | "BBA Master Rough" U-matic S videocassette. |
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| IV.B.i.138 | "BBA Short New Rough Master #2" U-matic S videocassette. |
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| IV.B.i.139 | "BBA Final Shortened #5 " U-matic S videocassette. Cassette label: "Guide Master Rough #5". |
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| IV.B.i.140 | "BBA Master, Business of Being an Artist: An Overview" U-matic S videocassette. Also labeled "edited master" and "runtime-59:52". |
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| IV.B.i.141 | "The Business of Being an Artist - An Overview " U-matic S videocassette. "Wessel copy". |
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| IV.B.i.142 | "The Business of Being an Artist Copy Incomplete II" U-matic S videocassette. |
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| IV.B.i.143 | "The Business of Being an Artist: An Overview" U-matic S videocassette. Case also labeled "Preview Copy - Complete…58 min." and "Copy 2". |
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| IV.B.i.144 | "The Business of Being an Artist: An Overview" U-matic S videocassette. 52 min. c. 1983. Case has attached memo indicating tape was returned. |
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| IV.B.i.145 | "Business of Being an Artist Copy of New Master" U-matic S videocassette. Also labeled "'The Business of Being an Artist: An Overview' Suggested Highlights for NEA/Media Arts Screening: 430-515 - This section includes 'knee-play' about installation art, narrator John Wessel's introduction of non-profit spaces, interviews, with non-profit space directors, and the performance art 'knee-play'." |
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| IV.B.i.146 | "Business of Being an Artist: An Overview" U-matic S videocassette. Also labeled "58 min. dub" and "12/2". |
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| IV.B.i.147 | "Business of Being an Artist: An Overview, Abbreviated Preview Version" U-matic S videocassette. Also labeled "12/9". |
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| IV.B.i.148 | "Business of Being an Artist: An Overview…Final, Complete 58 Minutes" U-matic S videocassette. Also labeled "16/18". |
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| IV.B.i.149 | "Just Above Midtown, Inc. The Business of Being an Artist" U-matic S videocassette. |
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Subseries IV.B.ii: Business of Being an Artist (BBA) Seminar and Lecture Series Recordings 1980-1983 |
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Subseries IV.B.ii is a group of audio cassettes that record original, in-person Business of Being an Artist lectures and workshops held at the Tribeca gallery space. Sessions in the BBA series were grouped into several categories such as "funding", "practicalities", and the art market, and the series repeated seasonally several times from 1980 through 1982. Recording dates are not always present and the set likely omits many sessions. |
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| Item | Title | Date |
| IV.B.ii.1 | "BBA Art Market November 11, 1980 Patronage and Collecting, Judd Ebersmen, H & L Schom / A.C. Hudgins" Audio cassette. |
November 11, 1980 |
| IV.B.ii.2 | "BBA Art Market Part I, October 21, 1980, Linda Shearer, John Weber, April Kingsley" Audio cassette. |
October 21, 1980 |
| IV.B.ii.3 | "BBA The Art Market: Collection & patronage, Jack truman, Laura Skuler, Joyce Schwartz, April 21, 1982" Audio cassette. |
April 21, 1982 |
| IV.B.ii.4 | "BBA The Art Market: Galleries, Holly Solomon, Max Hutchinson, April 7, 1982" Audio cassette. |
April 7, 1982 |
| IV.B.ii.5 | "The Art Market: Overview" - March 31 '82 Hal Bromm, Susan Lubosky, Anita Contini, Aprill Kingsley, Stefan Eins Audio cassette. "Previous inventory said "two cassettes present" only one found. |
March 31, 1982 |
| IV.B.ii.6 | "BBA February 24, 1981 Shelley Grossberg, 'Proposal Writing Critique' Funding Resources for Artists" Audio cassette. |
February 24, 1981 |
| IV.B.ii.7 | "BBA Funding for Artists, Proposal Writing Part II, Shelly Grossberg" Audio cassette. |
February 24, 1981 |
| IV.B.ii.8 | "BBA 'Funding resources for Artists', February 3, 1981, Janet Henry, Ken Sofer" Audio cassette. |
February 3, 1981 |
| IV.B.ii.9 | "BBA Funding Sources for Artists, Governement Support - John Wessel NEA, Mary Foster CAPS" Audio cassette. |
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| IV.B.ii.10 | "Funding Sources for Artists / Fundraising in the Private Sector / Shelly Grossberg" Audio cassette. |
|
| IV.B.ii.11 | "BBA Jean Ransick, Jenny Dixion, Funding Resources/Artists Foundation Grants, February 17, 1981" Audio cassette. |
February 17, 1981 |
| IV.B.ii.12 | "BBA John Wessel NEA, Lou Draper CAPS, Funding Sources, May 19, 1982" Audio cassette. |
May 19, 1982 |
| IV.B.ii.13 | "BBA John Wessel, NEA July 28, 1980" Audio cassette. |
July 28, 1980 |
| IV.B.ii.14 | "BBA Funding Resources Part IV/Art Market #1" Audio cassette. |
|
| IV.B.ii.15 | "BBA Jessica Cuisick Proposal Writing" Audio cassette. |
|
| IV.B.ii.16 | "BBA Shelly Grossberg - Proposed Writing April 6, 1983" Audio cassette. |
April 6, 1983 |
| IV.B.ii.17 | "BBA Shelly Grossberg, April 20, 1983, Proposal Critique" Audio cassette. |
April 20, 1983 |
| IV.B.ii.18 | "Ginnie Gardner 7/21/80 Employment Oppor." Audio cassette. |
July 21, 1980 |
| IV.B.ii.19 | "BBA Rochelle Bass/Ginnie Gardner 'Employment Opportunities' 3/24/1981" Audio cassette. |
March 24, 1981 |
| IV.B.ii.20 | "Sharon Gold/Jackie Freedman 3/217/81 Artists Residencies" Audio cassette. |
March 17, 1981 |
| IV.B.ii.21 | "BBA Kim Do, James Andrew Brown, Tom Weaver, Graduate Schools" Audio cassette. |
|
| IV.B.ii.22 | "Money Management, Ruben Gorewitz 1/27/1981" Audio cassette. Also labeled "#1, 7/17". Originally found grouped with recordings IV.B.iii.7 and IV.B.iii.167. |
January 27, 1981 |
| IV.B.ii.23 | "BBA Rubin Gorewitz and Debbie Goldstein 10/7/80" Audio cassette. |
October 7, 1980 |
| IV.B.ii.24 | "BBA Rubin Gorewitz on Money Management, Dec. 1, 1982" Audio cassette. |
December 1, 1982 |
| IV.B.ii.25 | "BBA Jim DeSpirito, Housing and Workspace, July 21, 1980" Audio cassette. |
July 21, 1980 |
| IV.B.ii.26 | "BBA Ted Harris/Tim Smith Housing and Workspace" Audio cassette. |
|
| IV.B.ii.27 | "BBA New Ways of Finding Space, LMCC Panel, March 3, 1982" Audio cassette. |
March 3, 1982 |
| IV.B.ii.28 | "BBA Jerry Ordover Artists Rights 1/26/1983" Audio cassette. |
January 26, 1983 |
| IV.B.ii.29 | "BBA Gordon H. Marsh, January 20, 1981, 'Artist Rights'" Audio cassette. |
January 20, 1981 |
| IV.B.ii.30 | "BBA Gerald Ordover, Esquire, June 30, 1980" Audio cassette. |
June 30, 1980 |
| IV.B.ii.31 | "BBA Artists Rights, Tim Jensen, March 25" Audio cassette. |
|
| IV.B.ii.32 | "BBA John Dowell on 'Self Preservation'" Audio cassette. |
|
| IV.B.ii.33 | "BBA John Dowell, Self Promotion, January 6, 1982" Audio cassette. |
January 6, 1982 |
| IV.B.ii.34 | "BBA Myles Aronowitz, Marion Kahan 1/13/82 Photos. Registering" Audio cassette. |
January 13, 1982 |
| IV.B.ii.35 | "BBA Photographing Your Work, Myles Aronawitz" Audio cassette. |
|
| IV.B.ii.36 | "BBA Photographer" Audio cassette. |
|
| IV.B.ii.37 | "BBA December 12, 1980, Portfolio Prep, Photographing Artwork with Ed Sheen" Audio cassette. |
December 12, 1980 |
| IV.B.ii.38 | "BBA November 11, 1980, John Dowell, Portfolio Prep" Audio cassette. |
November 11, 1980 |
| IV.B.ii.39 | "BBA Preparation and Presentation of Portfolios Cathey Billian, Alice Phillips" Audio cassette. |
|
| IV.B.ii.40 | "BBA December 9, 1980, Portfolio Prep, Richard Diligerto, Slides - Critiques" Audio cassette. |
December 9, 1980 |
| IV.B.ii.41 | "BBA Cathey Billian and Alice Phillips, Preparation and Presentation of Portfolios Part 2 January 27, 1982" Audio cassette. |
January 27, 1982 |
| IV.B.ii.42 | "BBA Viewing Procedures - Valerie Smith/Artists Space, Patterson Sims/Whitney Museum, Geb Addams/Alan Frumkin Gallery, Reines
Hauser/Soho 20 Gallery" Audio cassette. |
|
| IV.B.ii.43 | "BBA Materials for Artists" Audio cassette. |
|
| IV.B.ii.44 | "Marion Kahan Storage, Cataloging, Shipping" Audio cassette. |
|
| IV.B.ii.45 | "BBA Geb Adams Registering & Cataloging 1/13/81; Shelly Grossberg 2/10/81" Audio cassette. |
January 13, 1981 |
| IV.B.ii.46 | "BBA Harvey Tulensky/Helene Orr, Installation March 3, 1982" Audio cassette. |
March 3, 1982 |
| IV.B.ii.47 | "BBA Nat Dean Starting a Business, Ginnie Lloyd Planning a tour in Europe" Audio cassette. |
|
| IV.B.ii.48 | "BBA Peter Berg, Planning an Exhibit Tour of your work in Europe" Audio cassette. |
|
| IV.B.ii.49 | "BBA Ani Gonzales Rivera, Elizabeth Estabrook, Karen Yager, March 10, 1982, Conserving Drawings, Photos, and Other Artwork" Audio cassette. |
March 10, 1982 |
| IV.B.ii.50 | "BBA Sitework I Organization, Jessica Cussick - Public Art Fund, Paul Menschel" Audio cassette. |
|
| IV.B.ii.51 | "BBA Sitework II, Alice Adams, Joyce Kozloff, Mel Parkansky, Lauren Ewing, The Slides" Audio cassette. |
|
| IV.B.ii.52 | "BBA Sitework, April 21, 1983, Andrea Blum, Nancy Princenthal, Jeffrey Brosk, Jody Pinto, Richard Hass" Audio cassette. |
April 21, 1983 |
| IV.B.ii.53 | "BBA 11/25/81" Ernst Aebi/Dan Concholar/Carlos Solanna Audio cassette. Cassette also labeled "BBA first workshop". |
November 25, 1981 |
| IV.B.ii.54 | "BBA Carlos Solanas / Artists Projects" Audio cassette. |
|
| IV.B.ii.55 | "BBA RG w/ Larry Kars, Esq, Carolyn de Lesser" Audio cassette. |
|
| IV.B.ii.56 | "Fred BBA" Audio cassette. |
|
| IV.B.ii.57 | "BBA Aesthetic Goals and Objectives, October 20, 1982" Audio cassette. |
|
Subseries IV.B.iii: Dance, Performance, Music, and Other Artist Recordings Late 1970s-1980s |
||
|
Subseries IV.B.iii includes all other sound and video recordings received as part of the Just Above Midtown Archives. Recordings span a number of rough categories including, firstly, dance, music, or other works performed at JAM. Importantly, whether the tapes capture a performance at JAM is usually not indicated in label information, and the recorded performances may predate or postdate the known performance at JAM or take place at other locations. A second set of recordings in this series feature artists associated with JAM but are work samples or works not necessarily presented at the gallery. And numerous recordings were sent to JAM with artist CVs and new project proposals in application for JAM's laboratory program. A final loose category of material is commercial published recordings and other materials that don't seem to fit the previous types. Among all these recordings, dated materials are uncommon and label information varies greatly in completeness. Due to the uncertain identity of much of the material, this subseries has been arranged alphabetically, by last name of the primary artist listed or otherwise by title. For any recordings that have associated cover letters or other paper materials, those items have been noted when present, separately housed, and are available on request. |
||
| Item | Title | Date |
| IV.B.iii.1 | "2 + 3 Anti-Nuke and Newcleus" VHS videocassette. |
|
| IV.B.iii.2 | 24-7 Spyz: "JAM 24/7 Spyz B Demo" Audio cassette. |
|
| IV.B.iii.3 | "Abel Graphics Demo 7/6" VHS videocassette. |
|
| IV.B.iii.4 | Abramson, Charles: "Charles Abramson, Henry Geldzahler, and Terry Dintenfass" Sony 1/2" Open-Reel 5" reel. Reel labeled "(2) A. Charles Abramson (15 min) / B. Terry Dintenfass (10 min) / C. Henry Geldzahler (10 min)". Case labeled "Henry Geldzahler (Part I) (2) / Terry Dintenfass 6 9/13/77". |
|
| IV.B.iii.5 | Allen, Geri: "Geri Allen Live at Knitting Factory 6/2/87" Audio cassette. Side A: "Set I", side B: "Set II". |
June 2, 1987 |
| IV.B.iii.6 | Allyn, Jerri: "Bill Portrait 'Love Novellas' Jerri Allyn" Audio cassette. Cassette label: Bill Master c. 4/85 "Love Novellas" |
|
| IV.B.iii.7 | Allyn, Jerri: "JAM Jerri Allyn Interarts Program Production" Audio cassette. Case also labeled "Boadacious Buggerrilla, LA, CA; Edward Bereal 'Sound Montage'; completed: 10/83 sample of sound mix; first 4 minutes most representative sample. #2" Originally found grouped with recordings IV.B.ii.22 and IV.B.iii.167. |
1983 |
| IV.B.iii.8 | Allyn, Jerri: "Jerri Allyn/Just Above Midtown" Audio cassette. "Jerri Allyn/Just Above Midtown / Vital Records Pauline Oliveros / "Horse Sings from Cloud & Rattlesnake Mountain" Completed 1982 / Organically Microtonal Musec with Accordion / Play Beg. "Rattlesnake" Tape Set at Spot |
|
| IV.B.iii.9 | Allyn, Jerri: "Just Above Midtown Jerry Allyn #1" Audio cassette. "Just Above Midtown , Inc. / Produced: J. Allyn, Young Film/Vid. Art. NY / Jerri Allyn "Love Novellas" 3/83 / "Bill Portrait" 00-137 / "Jersey Portrait" 138-159 / "Lace & Eddy" 268-377 / First minute of each portrait representative sample of work. Sample "Bill" & "Jersey" / Side 1: "Sister Sketches" 00-129 |
|
| IV.B.iii.10 | Allyn, Jerri: "Just Above Midtown Jerry Allyn #2" Audio cassette. "Just Above Midtown , Inc. / Produced: I. Jackson, WBAI Radio Station, NYC, 7/83 / Isaac Jackson, J. Allyn Project "Mau Mau Man (Dug a Hole in the Ground)" / First 5 mintues are 1 song that is representative of Jackson's work |
|
| IV.B.iii.11 | Allyn, Jerri: "Just Above Midtown, Jerry Allyn #3" Audio cassette. "Just Above Midtown , Inc. / Produced: B. Gordh, Franklin Furnace, NYC 7/83 / Bill Gordh, J. Allyn Project / First 4 mintues include 4 differen sound styles. These 4 segments most represent samples of Gordh's work. |
|
| IV.B.iii.12 | Altschuler, Jane: "Jane Altschuler and Company 'Boomtown'" U-matic S videocassette. |
November 16, 1984 |
| IV.B.iii.13 | "American Indian Dance - Slide Show / Soho Gallery" Sony V-30H 1/2 in. open reel videotape. |
|
| IV.B.iii.14 | Anthony and the Aesthetics: "Anthony and the Aesthetics" Audio cassette. 1. Cross Faults 2. Should I feel Bad About It? 3. Hey Don't You Know When to Pass? 4. Hire Your Education / Paul Zelevansky |
|
| IV.B.iii.15 | Anthony and the Aesthetics: "Just Above Midtown October 10, 1980 / Tape 2 / Anthony and the Aesthetics" Sony V-32 1/2 in. open reel videotape. |
|
| IV.B.iii.16 | "Steven Antonelli " Audio cassette. "Chang in a Void Moon", Limbs Theater NYC, 5 cues from play / "Inroads-Meet the Composer", Recorded Live, two acoustic duets / "Red House", La Mama, 6 cues from play. Includes CV and artist's statement. Paper materials in separate folder. |
|
| IV.B.iii.17 | "Audition Tape " U-matic S videocassette. No name or further information present. |
|
| IV.B.iii.18 | "Ballet" U-matic S videocassette. Case label: "1. Cavalry Stop-Over (ballet) / 2. Sylphide (ballet). Cassette label: "Deck II-BL Tape 01 / Renke-cont. / Interview II - 3 days after Drug. 7-13-77" |
|
| IV.B.iii.19 | "Banerjee" Audio cassette. Also labeled "#1". Originally found grouped with recordings IV.B.iii.234 and IV.B.iii.239. |
|
| IV.B.iii.20 | "Banerjee (20 min) II" 1/2 in. open reel tape. Case also labeled on spine "Randy-[text crossed out]." |
|
| IV.B.iii.21 | Bass, George: "Mothers & Sons" Audio cassette. "Written by Lonnie Carter / Produced & Directed by George Bass / c. 1983 30 min." Includes c.v. for "George Bassarab". Paper materials in separate folder. |
|
| IV.B.iii.22 | "Roberta Baum" Audio cassette. "New Alphabet", "Sunset+Snow" / R. Baum-vocals, Roland JX3P and Drumulator c. 1985. Includes CV and artist's statement. Paper materials in separate folder. |
|
| IV.B.iii.23 | Bernd, John: "Jump/Maniac on Tour" (1983) A Solo by John Bernd U-matic S videocassette. "Sound, music, text, projections, etc. by John Bernd / Sarah Lawrence College Gallery Performance as Identity Series / c. 1984". |
|
| IV.B.iii.24 | Black "Chill out" Audio cassette. no case. Other label text illegible |
|
| IV.B.iii.25 | Blind Date: "2. Blind Date Rehearsal" U-matic S videocassette. Also labeled "11/14". |
|
| IV.B.iii.26 | Blind Date: "BD 3" U-matic S videocassette. U-matic S tape. |
|
| IV.B.iii.27 | Blind Date: "BD 3 11/21 7VC Feedback + Blondell" U-matic S videocassette. Case also labeled "16/10". |
|
| IV.B.iii.28 | Blind Date: "Blind Date Rehearsal" U-matic S videocassette. |
|
| IV.B.iii.29 | Blind Date: "Blind Dates (1) Performance 11/20" U-matic S videocassette. Also labeled "13/3". |
|
| IV.B.iii.30 | Blind Date: "Blind Dates (2) Performance 11/20" U-matic S videocassette. Also labeled "13/2". |
|
| IV.B.iii.31 | Blind Date: "Blind Dates 11/20, Perf. 3, 13/16" U-matic S videocassette. |
|
| IV.B.iii.32 | Blind Date: "Blind Dates Final Version Edited Master" U-matic S videocassette. Also labeled "new master" and "Nov. 24, 1982". |
November 24, 1982 |
| IV.B.iii.33 | Blind Date: "Blind Dates III Tone (Studio) Rehearsal 11/18/82" U-matic S videocassette. |
1982 |
| IV.B.iii.34 | Blind Date: "'Blind Dates' Master I First Version" U-matic S videocassette. Case also labeled "White Dog" and "8/12". |
|
| IV.B.iii.35 | Blind Date: "Polaroid Blind Dates" U-matic S videocassette. Case also labeled "White Dog Polaroid". |
|
| IV.B.iii.36 | Bogart, Ann: "Excerpts from 'History, An American Dream' Composed by Ann Bogart, December 1983" U-matic S videocassette. Also labeled "JAM Video Tape #3" and "11/8". |
1983 |
| IV.B.iii.37 | Boothe, Power: "Entr'Acte Deuxieme, Erik Satie/A. Leroy" Audio cassette. "To Cat Lab Program, For score to video project use side "A", Power Boothe, 49 Crosby St. NYC 10012" |
|
| IV.B.iii.38 | Boothe, Power: "Power Boothe, 'Current Events' and 'Match'" U-matic S videocassette. "'Current Events' filmed and directed by Power Boothe, music by A. Leroy, edited by Richard Levine; 'Match' Power Boothe". Case also labeled "Jam Video #14 8/6". |
|
| IV.B.iii.39 | Borneo Horns: "Borneo Horns DTW Concert Jan. 28&29, 1985" Audio cassette. "Just Above Midtown Proj. A". On tape: "Lenny Pickett" |
|
| IV.B.iii.40 | Bosho: "Bosho, Selections from the Dissier LP 'Chop Socky'" Audio cassette. |
|
| IV.B.iii.41 | "Jean-Paul Bourelly" Audio cassette. Tryin' to Get Over / Diamond Ring / Untitled New Piece / Can't Get Enough / Mother Earth |
|
| IV.B.iii.42 | Bovell, Dennis: "A: Dennis Bovell: Blackboard in Retrospective B: LRS-Reality 104" Audio cassette. |
|
| IV.B.iii.43 | Brokaw, Carol: "I. Carol Brokaw II. John Perreault III. Howardena Pindell" 1/2 in. open reel tape. Reel labeled "(A) Carol Brokaw (B) John Perreault (C) Don Lee (D) Howardena Pindell". Case also labeled "14", "VII", "5/2". |
|
| IV.B.iii.44 | Brown, Bveverly: "Beverly Brown Dance Ensemble Theater for Bodies & Voices" U-matic S videocassette. "I: "Journey" 30 min. 7 women / Text: Barry Holstan Lopez / Music: G. Lindahl / 1983 July-San Francisco CA . / Date 1/20/84." Includes information sheet Beverly Brown and typescript chapter of a graduate thesis by Dierdre Sklar. Paper materials in separate folder. |
|
| IV.B.iii.45 | Brown, Oscar Deric: "Oscar Deric Brown 'Transparent People: Prd"' Audio cassette. Includes CV and project proposal. Paper material in separate folder. |
c. 1985 |
| IV.B.iii.46 | "Jakob Burckhardt" U-matic S videocassette. "The Unforgotten Tomb", "They Lie But They Don't Mean It" Black & White, 20 + 11 min. |
|
| IV.B.iii.47 | Burton, Deena: "Deena Burton Demo Tape 40 min." U-matic S videocassette. Label has extensive descriptions of multiple works. |
|
| IV.B.iii.48 | "Dave Campbell (Guitar)" Audio cassette. Also labeled "#1". Originally found grouped with recordings IV.B.iii.53 and IV.B.iii.283. |
|
| IV.B.iii.49 | Capehart, Mary: "Mary Ann Capeheart 'Nubile Networks'" U-matic S videocassette. "10/17/82 Master Tape #1" |
|
| IV.B.iii.50 | Carter, Lilian: "Lilian Carter, 'White Dog', 'Freeze'" U-matic S videocassette. |
|
| IV.B.iii.51 | Champagne, Lenora: "Lenora Champagne 'Manna' and 'Flying Home'" U-matic S videocassette. Case also labeled: "'Manna' was created for the Heresies Collective "Mothers and Movie Stars" performance evening at the New Museum (June 1983) and was performed again at Franklin Furnace (December 1983). 'Flying Home' was created for Just Above Midtown/Downtown's "American Dreams" series (November 1983) and was performed again at Franklin Furnace (December 1983) and Art Baca's Downtown Cultural Center (January 1984). It is performed with Kevin Duffy." Case also numbered "15/4". |
1984 |
| IV.B.iii.52 | Champagne, Lenora: "Lenora Champagne, Excerpts from 'Manna' (1983) and 'Flying Home' (1983)" U-matic S videocassette. Case also labeled . "3/4" color, 10 minutes" and "JAM Video Tape #11". Cassette label includes note "Please excuse the poor quality of the copy. This was made in response to a last-minute request for a top on Thanksgiving Eve from a copy of a copy of a copy, etc. [" and signed by the artist. |
|
| IV.B.iii.53 | Chuma, Yoshiko: "Yoshiko Chuma 1/23/1985 Several Stories Tall" Audio cassette. Also labeled "#3, 7/20". Originally found grouped with recordings IV.B.iii.48 and IV.B.iii.283. |
January 23, 1985 |
| IV.B.iii.54 | Chuma, Yoshiko: "Yoshiko Chuma, 'Five Car Pile Up'" VHS videocassette. Cassette also labeled "7/17 JAM B; Case labeled "attention-don't worry when the image on monitor get a problem". |
|
| IV.B.iii.55 | Chuma, Yoshiko: "Yoshiko Chuma's Five Car Pile-Up' U-matic S videocassette. U-matic tape. |
|
| IV.B.iii.56 | Coleman, Steve: "Steve Coleman and Five Elements: Sine Die" Audio cassette. Commercial recording "for promotion only", released by Pangaea Records/MCA Records. Recording no. PANC 42150. |
1986 |
| IV.B.iii.57 | "Comp Tape" Audio cassette. |
|
| IV.B.iii.58 | Conrad, Gail: "Gail Conrad Tap Dance Theater" U-matic S videocassette. "1. On Broadway / 2. The Racket (excerpts) / 3. Love Street (excerpts) / 4. Rialto (excerpts)" |
|
| IV.B.iii.59 | Corner, Philip: "7701A Philip Corner, New Wilderness Audipgraphics" Audio cassette. Commercial cassette with printed track listings and credits. |
|
| IV.B.iii.60 | Corporation For Art and Television: "CAT Concerts '89" Audio cassette. Track listing: "Side A: Alva Rogers, Graham Haynes and No Image, Steve Colman and Five Elements; Side B: Jean Paul Bourelly and Blue Wave Bandits, SPYZ, Vernon Reid and Friends". |
1989 |
| IV.B.iii.61 | "Cosmopolitan Quintet" Audio cassette. "Cassette labeled "A: Cosmopolitan Quintet 1. Four 2. Giant Steps [ill.] Jordan; B: Jordan 1. So What 2. The Theme". Cassette labeled with performer list, largely illegible. |
|
| IV.B.iii.62 | Cummings, Blondell: "Blondell Cummings Work Sample" U-matic S videocassette. Case also labeled "Blondell Cummings 'Chicken Soup' 13 min. …Minority Choreographers Work Section, Special Arts Services, New York State Council on the Arts" and "Jam Video #10 8/13". |
|
| IV.B.iii.63 | Cummings, Blondell: "Blondell Cummings, Choreographer and Performer" U-matic S videocassette. "Excerpt 'The Ladies and Me (A Visual Diary)' and 'A Friend II', Scene 1 + 3, music by George Lewis". |
|
| IV.B.iii.64 | Dale, Susan: "Susan Dale: Actress" U-matic S videocassette. Case also labeled "16/15" and with the address and telephone number for Jeff Turtletaub. |
|
| IV.B.iii.65 | "DanceNoise 'Dynasty' Tape" Audio cassette. |
|
| IV.B.iii.66 | "Dancenoise, Anne Lobst + Lucy Sexton" VHS "#1 Dancenoise Greatest Hits / 1. Greatest Hits Vol. 1 (4 min.) / 2. Dancenoise 'Live' at Limbo Lounge (10 min.) / 3. Fighting Mutants starring Anne + Lucy (3 min.)" |
|
| IV.B.iii.67 | "Dancenoise, 'Tango Terror'" VHS video cassette. With Lucy Sexton. |
|
| IV.B.iii.68 | Danspace: "New Energy/New Movement Master Tape #1" U-matic S videocassette. Cassette labeled "New Energy/New Movement. C. Danspace Project, New York, New York 1982 / Sampler. Johanna Boyce, Yoshiko Chuma, Pogh Kay, Wendy Perron." Includes page of handwritten notes and title card or wall label. Paper materials in separate folder. |
1982 |
| IV.B.iii.69 | Davis, Douglas: "Program 3, Reel 2: The Medium Observed / Post Video: Douglas Davis" U-matic S videocassette. |
|
| IV.B.iii.70 | Dennis, Charles: "Faces in the Crowd" by Charles Dennis U-matic S videocassette. "Video by Bruce Tousky / Music by Bob Telson / Film Segments by Alain Le Razer". Includes project proposal, CV, and information sheet on various artists. Paper materials in separate folder. |
|
| IV.B.iii.71 | "Donna's Tune, Heart, What Time?" Audio cassette. |
|
| IV.B.iii.72 | "Dubner Computer Systems CBG-2 Demo 1983 1984-05-15" U-matic S videocassette. Dubner Compuiter Systems was a company that produced computers with specialized software for adding graphics and text to video. |
|
| IV.B.iii.73 | Dunn, Kevin: "'The Judgement of Paris' by Kevin Dunn and the Regiment of Women" Audio cassette. |
|
| IV.B.iii.74 | Eginton, Meg: "Meg Eginton 'Naked Sight' (Cued)" Sony Betamax videocassette. Oringinally in envelop labeled "CAT Laboratory Proposal", with CV and other information. Paper material in separate folder. |
|
| IV.B.iii.75 | Eginton, Meg: "Wind Shear" Video 8 videocassette. Case also labeled "Meg Show". |
November 22, 1985 |
| IV.B.iii.76 | Eginton, Meg: "Wind Shear/Work in Progress" Video 8 videocassette. Credits: "Meg Eginton (choreography); Al Taylor (sets); Pat Irwin (music)". |
|
| IV.B.iii.77 | "Joan Evans" VHS videocassette. "7 1/2 minutes "The Initiate". Includes publicity packet with performance proposal. Paper material in separate folder. |
|
| IV.B.iii.78 | Falk, Gary: "Gary Falk / Spectacolor Computer Animated Lightboard / Times Square / November 1983 / Monitor Copy" U-matic S videocassette. |
|
| IV.B.iii.79 | Fast Forward: "Fast Forward: Solo Steel Drum, Live Out-Takes" Audio cassette. c. p. Pink Noise Records and Tapes 1983 |
|
| IV.B.iii.80 | Femme Future: "Songs from Original Tape of Femme Future, Mixed by Debbie Font" Audio cassette. "Switch Fever /l Sweet Servomechanism / Teen Madness / Travelogue / Finale / Title Spoken." Also with label "Yra Adams" |
|
| IV.B.iii.81 | Fisher, Ellen: "Ellen Fisher - Inter Arts Application" U-matic S videocassette. "Dungeons and Basements" 1984 / Performance Excerpts Using Film & Video / 10 minutes - color" |
|
| IV.B.iii.82 | "Five Elements/Critic's Choice" Audio cassette. |
|
| IV.B.iii.83 | "Flamboyant Ladies Theater Co. 8th Street Cinema International Women's Film Festival" Audio cassette. |
|
| IV.B.iii.84 | "Folk Tales with Men and Oranges" U-matic S videocassette. |
|
| IV.B.iii.85 | "Joshua Fried" Audio cassette. Side A 1. Curtain Call / 2. New Groove / 3. IOR / 4. Jimmy / n5,6. Excerpts from the score of "Camden: An American Musical Tragedy" by Iris Rose and Joshua Fried; music by Fried. C.1985 J. Fried Side B: "Review 1st ten Minutes first". Includes artist CV. Paper material in separate folder. |
|
| IV.B.iii.86 | Frueh, Joanna: "Brumas: A Performance by Joanna Frueh and Tom Kochheiser" Audio cassette. June 12, 1982 Randolph St/ Gallery Chicago, Il 43 min. c. 1982 by Joanna Frueh. Music c. 1982 by Tom Kochheiser |
|
| IV.B.iii.87 | Gamso, Marjorie: "Marjorie Gamso 'A Tale of Two Cities' and Other Dances" U-matic S videocassette. Includes handwritten note from Gamso. Paper material in separate folder. |
|
| IV.B.iii.88 | Gasteazoro, Eva: "Eva Gasteazoro Work Samples" U-matic S videocassette. Case labeled "Eva Gasteazoro; Autorretrato Uno (10 min); As If I Detached from the Day (14 min); Sombras de Agua (Shadow and Water) (29 min)…March 29, 1986; Dance Theater Workshop". |
1986 |
| IV.B.iii.89 | Gaver, Chasen: "Personality Cult" by Chasen Gaver Audio cassette. "Recorded with the 20009's for the Poets Audio Center". Commercial cassette with extensive track listings and credits. |
|
| IV.B.iii.90 | Gilmore, Marque: "Blue Print #2" Audio cassette. |
|
| IV.B.iii.91 | Gilmore Marque: "Marque Gilmore 'Blue Print …a Taste'" Audio cassette. Also labeled "Blue Print / PO Funque Poetry and Funk / Marque Gilmore, Musical Director / Yictove, Poet". |
|
| IV.B.iii.92 | Giorno, John: "John Giorno Copy + Short 13/12" U-matic S videocassette. |
|
| IV.B.iii.93 | "Anita Gonzalez Work Sample" VHS videocassette. With paper note "for Carol Chiang...Love, Linda". Paper material in separate folder. |
|
| IV.B.iii.94 | "Mary Good" VHS videocassette. "Samples of: 1. Solo-"Other Voices" 1983 / 2.Solo-"Emily at 12 13 14" 1984 / 3. Duet-"Off Your Toes" 1985 |
|
| IV.B.iii.95 | Gordon, Peter: "Peter Gordon/Love of Life Orchestra 'Secret Pastures' (Ballet Suite)" Audio cassette. Commercial cassette lacking original case with printed track listing and credits. "c. 1984 Lolo Music BMI C-90". Additional label: "Just Above Midtown Project C1" |
|
| IV.B.iii.96 | "Graham/Steve" Audio cassette. |
|
| IV.B.iii.97 | Guier, Ray: "Ray Guier Dancers for Music" Audio cassette. c. 1985. Originally in envelope with V.B.iii.136, Lydia Johnson VHS cassette. |
|
| IV.B.iii.98 | Haag, Ellen: "Ellen Haag/Spiderwoman Work Sample" Audio cassette. Case also labeled "Ellen Haag Support Material. 1)'Dancing in my Sleep' from 'Floodstage', a film by D. Dawkins 1984 2)'Caldron' from 'Taliesin", a musical by Mettawee Theater Co. 1983". |
1983 |
| IV.B.iii.99 | Hamburger, Ann: "October 31, Soho Gallery, Ann Hamburger" Ampex 194 1/2 open reel videotape. |
|
| IV.B.iii.100 | Harmon, Joan: "Joan Harmon 'Naked Plains' Edited" Sony Betamax videocassette. Includes artist's CV, character descriptions and script for "Naked Plains", with slides of a performance.. Paper and photographic materials in separate folder. |
|
| IV.B.iii.101 | Harris, Craig: "Craig Harris and Tailgater's Tales, 'Blackout in the Square Root of Soul'" Audio cassette. Track list: "1. Blackout in the Square Root of Soul" 2. Generations 3. Free I 4. Love Joy 5. Blues Dues 6. Dingo 7. Awaklening Ancestors. All compositions Craig Harris". |
|
| IV.B.iii.102 | Haynes, Graham: "Graham Haynes at Carmichaels 1982 with Community Jazz Organization Audio cassette. Band members: "Hank Edmonds-piano; Jimmy Buxton-trombone; Ted Jones-bass; Walter Perkins-drum; C.I. Williams-alto; Tony Hinsen-flute, tenor sax; Hawil Wentz-tenor sax; Hassan-tambourine". |
1982 |
| IV.B.iii.103 | Hell, Richard: "Richard Hell / Snury / Talking Heads / The Clash" Audio cassette. Second label illegible. |
|
| IV.B.iii.104 | Hendry, Nona: "Nona Hendry: The Art of Defense" Audio cassette. Commercial tape with track listings and credits, etc. Has additional label: "Just Above Midtown, Inc. Collaboration Request 1984/1985" |
|
| IV.B.iii.105 | Hendry, Nona: "The Project: 'S.S. Tall', Nona H. and Oliver L. (Songs)" Audio cassette. Case also labeled "Modern City-demo". |
|
| IV.B.iii.106 | Heyward, Julia: "Julia Heyward 1. Draggin' the Bottom 2. I just Work Here 3. Intimate Parade" U-matic S videocassette. Note on case: "Please view only 1st two". Notes on cassette: "1. 'Draggin' the Bottom' - Heyward, Irwin, Crhistensen 1983 / 2. 'I just Work Here' - Heyward, Christensen, Irwin 1980 / 3. 'Intimate Parade'; - Jheyward, Christensn, Harris 1978". |
|
| IV.B.iii.107 | Heyward, Julia: "Julia Heyward: T-Venus, Draggin' the Bottom, I Just Work Here" U-matic S videocassette. |
|
| IV.B.iii.108 | Holst, Spencer: "7703A Spencer Holst, New Wilderness Audiographics" Audio cassette. Commercial cassette with printed track listings and credits. |
|
| IV.B.iii.109 | Holst, Spencer: "7703B1 Spencer Holst, New Wilderness Audiographics" Audio cassette. Commercial cassette with printed track listings and credits. |
|
| IV.B.iii.110 | Houston-Jones, Ishmael: "Ishmael Houston-Jones and Fred Holland" U-matic S videocassette. Case labeled "JAM Video Tape #13". Cassette labeled "Cowboys Dreams and Ladders…From Performance at The Kitchen…dubbed 5/84". |
1984 |
| IV.B.iii.111 | "M. Hughes" Audio cassette. Possibly Manuel Hughes. |
|
| IV.B.iii.112 | Hugill, Tannis: "'Hanging Woman' 1984 / 'Flagella' 1984 both Created and Performed by Tannis Hugill" VHS videocassette. Includes project proposal, artist's CV, and performance photograp[hs. Paper material in separate folder. |
|
| IV.B.iii.113 | Hurlin, Dan: "Dan Hurlin Performances December 1983" VHS videocassette. Cassette labeled "'The Second Strange Thing' c. 1983 by Dan Hurlin; 'A Musical Salute to Tourism' c/ 1982 by Dan Hurlin; P.S. 122 Performances December, 1983". |
1983 |
| IV.B.iii.114 | Inside Edited: "Inside Edited John / No Label / 8/15" U-matic S videocassette. |
|
| IV.B.iii.115 | JAM: "JAM Presents 'Children of Oduduwa and Olu Dara'" VHS videocassette. Also labeled "Tape II original". |
June 24, 1989 |
| IV.B.iii.116 | JAM: "JAM Presents 'Spirit Ensemble/No Image'" VHS videocassette. Also labeled "Tape I original". |
June 24, 1989 |
| IV.B.iii.117 | JAM: "Alternative Art Spaces Just Above Midtown-Downtown" VHS videocassette. VHS tape. |
March 22, 1981 |
| IV.B.iii.118 | JAM: "Alternative Art Spaces: Just Above Midtown-Downtown" Sony Betamax videocassette. Cassette also labeled: "2 recordings. First half: no sound, not enough light". Betamax tape. |
March 22, 1981 |
| IV.B.iii.119 | JAM: "Art Meeting 3/21/82" Audio cassette. no case |
March 21, 1982 |
| IV.B.iii.120 | JAM: "Art Meeting 3/21/82" Audio cassette. no case |
March 21, 1982 |
| IV.B.iii.121 | JAM: "Collaboration Meeting 5/9/84: Nona, Oliver, Fred, Yoshiko etc." Audio cassette. |
May 9, 1984 |
| IV.B.iii.122 | JAM: "Collaboration Meeting 6/11/84: Adrienne, Fred, Nona, Oliver, Yoshiko" Audio cassette. Also labeled "side 1" and "side 2". |
June 11, 1984 |
| IV.B.iii.123 | JAM: "Collaboration Meeting 6/11/84: Yoshiko, Adrienne, Oliver, Nona, Fred" Audio cassette. Also labeled "side 3". |
June 11, 1984 |
| IV.B.iii.124 | JAM: "Critic's Choice June 23, 1988" Audio cassette. |
June 23, 1980 |
| IV.B.iii.125 | JAM: "Critic's Choice June 30, 1988" Audio cassette. |
June 30, 1988 |
| IV.B.iii.126 | JAM: "Jam Completed ND1" U-matic S videocassette. Previous inventory included text:"Static. Video material for "Spots": 30 sec videos created by 4 JAM Artists Videos: Kit-Yin Snyder, David Hammons, and others." |
|
| IV.B.iii.127 | JAM: "JAM Video Project Cassette, Intro #1 & 2, Sotheby's Ballad #1" Audio cassette. |
|
| IV.B.iii.128 | JAM: "Just Above Midtown VHS 2 9/3" VHS videocassette. |
|
| IV.B.iii.129 | JAM: "Just Above Midtown Work Samples for Kirshbaum" VHS videocassette. "Running time this tape A: 30". Includes project proposal and information on the artist. Paper materials in separate folder. |
|
| IV.B.iii.130 | JAM: "Static (Video material for 'Spots') 4 JAM Artists" VHS videocassette. Case also labeled "off air recordings". Cassette labeled "Static: Short Videos Made by 4 Jam Artists K-Yin 5. DH.; Soaps/News/Game Show/More News/Commercial". |
|
| IV.B.iii.131 | JAM: "Wade, Tony, Linda, Greg re: Role of Cat TV" Audio cassette. |
April 2, 1984 |
| IV.B.iii.132 | Jemison, Noah: "Noah Jemison 2 9/2/77 / Margarita Pool" 1/2 in. open reel tape. Reel labeled "A) Noah Jemison (15 min) B) Margarita II (12 min)". |
September 2, 1977 |
| IV.B.iii.133 | Jemison, Noah: "Noah, Randy, Robert Suggs, Anchy Tate, Margarita Pool" 1/2 in. open reel tape. Reel labeled "(A) Robert Suggs (5 min) (B) Andy Tate (10 min); start after 5 min; (C) 'Unforced', Randy and Noah (4 min) (D) Margarita Pool (15 min)" and "II". Case also labeled "5/1". |
|
| IV.B.iii.134 | Jenkins, Leroy: "Concerto Jenkins/Foss" Audio cassette. Concerto for Improvised Violin and Chamber Orchestra / Brooklyn Philharmonic Orchestra Lukas Foss, Conductor / Leroy Jenkins, Composer and Soloist |
|
| IV.B.iii.135 | Jenkins, Leroy: "Kronos Quartet - Themes and Improvisations on the Blues 11/22/85, Leroy Jenkins, Composer" Audio cassette. |
|
| IV.B.iii.136 | "Lydia Johnson" VHS videocassette. Includes loose sheet listing individual works, proposal for new works, and biographical notes of Johnson and composer Ray Guier. Originally in envelope with V.B.iii.97, "Ray Guier Music for Dancers". Paper material in separate folder. |
|
| IV.B.iii.137 | Jonas, Joan: "Joan Jonas, 'Double Lunar Dogs' 25:00 Color" U-matic S videocassette. Cassette dated 1/9/85. Case also labeled "not for broadcast, incomplete credits". |
1985 |
| IV.B.iii.138 | Jonas, Joan: "Media Alliance, Joan Jonas, 'Double Lunar Dogs', 9/12/85" U-matic S videocassette. Case also labeled "JAM Project C, #2". |
1985 |
| IV.B.iii.139 | Jones, Bill: "Bill T. Jones, 'Three Dances', MoMing Dance and Arts Center, Chicago" U-matic S videocassette. "May 7, 1983 - MoMing / Camera-Paul Ruddock 13/11". U-matic S tape. |
1983 |
| IV.B.iii.140 | JPL Computer Graphics: "The Mechanical Universe" JPL Computer Graphics Demo 1984 and 1985 U-matic S videocassette. JPL is the NASA Jet Propulsion Laboratory and this reel is likely that shown at SIGGRAPH (a conference of the Special Interest Group on Computer Graphics and Interactive Techniques) in 1985. See https://www.youtube.com/watch?v=suldiYQWSR0 |
|
| IV.B.iii.141 | "Kinematic at Dance Theater Workshop, NYC, June 1983" U-matic S videocassette. Cassette labeled: "Kinematic: Robin Klingensmith, Tamar Kotoske, Maria Lakis, Mary Richter. Names of Dances: 1. 'Home Movies', the company; 2. 'Unilateral Neglect', duet/Richter, Kotoske; 3. 'Clues to the Red Girl', solo/Kotoske; 4. 'Mannequin Snipe', duet/Klinginsmith, Lakis; 5. 'Geneva Stop', solo/Lakis." Case also labeled "JAM Video Tape #16" and "16/17". |
1983 |
| IV.B.iii.142 | "Kinematic Dance Company" U-matic S videocassette. Kinematic Dance Company, Contact: Mary Richter / 6 minute excerpt from evening length work "Powers, Roots & Imaginaries". Premiered at The Kitchen March 1984. Choreographed and performed by Kinematic (Mary Richter, Miria Lakis, Tamar Kotoske and Robin Klingensmith). Music-David Linton. Video-Tom Bowes. Sound-Sidetrack. Costumes=R. Klingensmith. Lighting-Stan Pressner |
|
| IV.B.iii.143 | Klyvert, Nina: "Before Dawn/Choreographer Nina Klyvert Dancer: Patricia Jacobs" VHS VHS tape. |
|
| IV.B.iii.144 | "Chris Kraus Work Samples" U-matic S videocassette. Case also labeled "A. Roughcut excerpts from sections I and II of film-in-progress 'The Age of Reason/The Golden Bowl' (1984); B. Excerpt from finished film, 'In Order to Pass. (1981-2); Actors in section 1 are Bill Raymond, Warren Niesluchowski, Leslie Busa, Beatrice Roth. Camera: Mark Voelpel; XConcept, script, direction: Chris Kraus". |
|
| IV.B.iii.145 | Kraus, Chris: "Hugo Ball Music" Audio cassette. Chris Kraus: Readings from the diaries of Hugo Ball / Score (in-progress) composed and performed by Chris Abajian |
|
| IV.B.iii.146 | Kraus, Lisa: "Excerpts from 'Monkey Meets Yama', Choreography and Video by Lisa Kraus" VHS videocassette. Case includes inserted note from Kraus: "This tape is not of good quality soundwise, but it is the only document of my most recent work. I will be at the American Dance Festivaa until July 13, then back in New York." |
|
| IV.B.iii.147 | Kreutzer, Leah: "'Making Kaspar' Leah Kreutzer" VHS videocassette. "Two scenes from "Making Kaspar". Includes cover letter. Paper material in separate folder. |
|
| IV.B.iii.148 | Kuivila, Ron: "Ron Kuivila Sailing Ship/Flying Machine" U-matic S videocassette. Videotape of "Sailing Ship/Flying Machine", and installation piece. This realization was mounted at Wesleyan University Gallery May 1983." |
|
| IV.B.iii.149 | Kurtz, Sandra: "Down the Staircase and Out of the House: A Choreographic Etude" U-matic S videocassette. "Choreography by Judy Levine / Performed by Sandra Kurtz / Sopund score by Brenda Hutchinson / text from "The Yellow Wallpaper" by Charlotte Perkins Gilman / Premiere: Meany Hall, University of Washington, Seattle, Washington, July 1983 / Length: 13 minutes. |
|
| IV.B.iii.150 | "Skip La Plante" Audio cassette. Glyptodont (1980) Recorded live by Music for Homemade Instruments 5/19/81 / Theme and Variations in 13 Equal (1981) Recorded by MFHI live 6/16/84 |
|
| IV.B.iii.151 | "Oliver Lake Work Sample" Audio cassette. Chromium Dioxide/Audiophile. Commercial tape with track listings and credits, etc. |
|
| IV.B.iii.152 | "Lothar Lambert" Audio cassette. |
|
| IV.B.iii.153 | "Teta Lando" Audio cassette. Track list: "Semba Rythmee, Grand-mere, Luanda, Fille d'Angola, Garota, Kangila, Tata N'Kento, N'Toyo, Eu Vou Voltar, Mufete, Funge de Domingo, Luauano". |
|
| IV.B.iii.154 | "Last Blast WPFW" Audio cassette. |
|
| IV.B.iii.155 | "Stephen Laub Work Sample" U-matic S videocassette. "1. 'White Food' 1981-83, 14 min. / 2. 'Spheres', 1980, 3 min." |
1983 |
| IV.B.iii.156 | "Scott Lehrer Sample Reel" Audio cassette. 1. Serious - October 1981 / 2. Einstein May 1982 / 3. "1984" December 1983 |
|
| IV.B.iii.157 | "Scott Lehrer Sample Reel" Scotch, 1/4 in. open reel tape. "1/ 'Serious' / 2. 'Einstein' / 3. '1984'" with extensive track descriptions on label. Includes new project proposal and other information for the artist, with a copy of the track descriptions from the box label. Paper material in separate folder. |
|
| IV.B.iii.158 | "Let's Groove/Cool/gehtto life/no cand..." Audio cassette. Let's Groove / Cool / Ghetto Life / No [illegible] Your Precious Love / Memories / Stage Fright / Magic Moments / Do You Love Me / This is the Joint |
|
| IV.B.iii.159 | Levaillant: "Denis Levaillant Piano Check-Up / Le Baigneur" Audio cassette. "Piano Check-Up" pur un pianiste et un magicien / "Le Baigneur" opera bouffe |
|
| IV.B.iii.160 | List, Rob: "MLU and At the Falls" U-matic S videocassette. Excerpts from "MLU" (80) / Scen 3 "Falls" (83) / Rob List Performance Works / Sound "MLU": Virgin Prunes, "Falls": Jed Speare |
|
| IV.B.iii.161 | List, Rob: "Rob List Excerpts 'Console' and 'Lone Ranger and Tonto' Duet with Tony Blevins; SCUD June 84" U-matic S videocassette. Case also labeled "Jam Video #9 8/4". |
1984 |
| IV.B.iii.162 | "R.T. Livingston" Audio cassette. c. 1985 Excerpts from The Purgatorio, Shades of My Life Part I |
|
| IV.B.iii.163 | "R.T. Livingston The Purgatorio Cuando, NYC 7/17/85 c. Livingston 1985" VHS videocassette. "Cue to: Before the Fall 1820-1890 / Green Eyed Mondster 1930-2015 / Uke Solo & Dancer 2085-2118 / Glutton for Punishment 2120-2206". Includes extensive materials on the artist, participants Lloyd Allen and Juncie Kwah, and their various works, with 35mm slides. Paper and photographic materials in separate folder. |
|
| IV.B.iii.164 | "?Liza Interview / ?at Column Rehearsal / 12/15/83" Audio cassette. Gospel at Column Rehearsal |
|
| IV.B.iii.165 | "Elise Long" VHS videocassette. "Washington Square Church Performance Friday January 4, 1985 / Halcyon - Flesh & Blood - Big Heart - Acme Ballroom". Includes cover letter, note, biographical sketch of the artist, and brochures of past performances. Paper materials in separate folder. |
|
| IV.B.iii.166 | "Long Gentle" Audio cassette. 1. Fade on Hold [illegible] change tempo / 2. One More Try / 1. Money, Money, Money |
|
| IV.B.iii.167 | "Al Loving 8/17/77 Howardena [Pindell] 8/18/77" Audio cassette. Case also labeled "#3". Originally found grouped with recordings IV.B.ii.22 and IV.B.iii.7. |
1977 |
| IV.B.iii.168 | "Joseph Lowery Hybrid" VHS videocassette. Includes CV and project proposal. Paper materials in separate folder. |
|
| IV.B.iii.169 | Mac Low, Jackson: "7705C Jackson Mac Low, New Wilderness Audiographics" Audio cassette. Commercial cassette with printed track listings and credits. |
|
| IV.B.iii.170 | Macintosh, Joan: "7709C Joan MacIntosh & Richard Schechner, New Wilderness Audiographics" Audio cassette. Commercial cassette with printed track listings and credits. |
|
| IV.B.iii.171 | Manhattan Transfer: "Extensions - The Manhattan Transfer" Audio cassette. Commercial recording with printed track listings and credits. Atlantic CS-19258 |
|
| IV.B.iii.172 | Mare, Aline Lili: "Erotic Psyche: Venus to Penis / Aline Lili Mare/Bradley Eros" U-matic S videocassette. "10 minute excerpt from 24 minute tape." |
|
| IV.B.iii.173 | Marika Denise: "Denise Marika, Video Sculpture Documentation 13 Minutes" VHS Includes video of six works. See complete liner notes. VHS tape. |
1983 |
| IV.B.iii.174 | Markel, Kathryn: "Kathryn Markel/Jill Kornblee Jack Tillman" Audio cassette. |
|
| IV.B.iii.175 | "Frank Maya" Audio cassette. c. 1983 |
|
| IV.B.iii.176 | McDonald, Dj: "Dj McDonald and Dancers" U-matic S videocassette. 1. 'Evening' excerpt from "Levittown" / 2. "Grandfather Songs" - solo excerpts / 3. "Toyota City" - excerpt / 5/7/84 |
|
| IV.B.iii.177 | Mcferran Mary: "Mary McFerran, Power Plays/Classified" U-matic S videocassette. "1. Power Plays, 4:56 min. Part A: Gal Friday Part B: Learn by Imitation / 2. Classified, 5:50 min." |
|
| IV.B.iii.178 | Media / Camera, Stone, Staple, Photo: "Media / Camera, Stone, Staple, Photo" U-matic S videocassette. |
|
| IV.B.iii.179 | Meir, Yvonne: "Excerpts from the Works of Yvonne Meir and Jennfier Mouson 84-85 VHS "Master". VHS tape. |
1985 |
| IV.B.iii.180 | Miles, Lainaka: "Lainaka Miles" Audio cassette. |
|
| IV.B.iii.181 | Miller, Bebe: "Excerpt from 'Gotham' (1983) Choreographed by Bebe Miller" U-matic S videocassette. "Commissioned by Creative Time Inc., Performed at the Brooklyn Bridge Anchorage Museum August 1983". |
1983 |
| IV.B.iii.182 | Morris, Butch: "Butch Morris" Audio cassette. Cassette labeled "Conduction #1". |
|
| IV.B.iii.183 | Morris, Butch: "Butch Morris Music Demo #1" Audio cassette. |
|
| IV.B.iii.184 | Morris, Butch: "Butch Morris Music Demo #2" Audio cassette. Case includes adhesive note "Tape needs music: incomplete -J." |
|
| IV.B.iii.185 | Muntadas, Antonio: "Reel 2 Program 2 - Public Events Cont'd / 'Between the Lines' Antonio Muntadas" U-matic S videocassette. |
|
| IV.B.iii.186 | Myers, Rita: "Rita Myers 'In the Planet of the Eye'" U-matic S videocassette. "Single channel. 5 mins. |
1984 |
| IV.B.iii.187 | Nengudi, Senga: "1. Senga Nengudi, Cheryl Banks, and Butch Morris Performance at JAM" U-matic S videocassette. Case also labeled "20/2 #2". This recording was transferred to the Department of Media and Performance, December 2024. An access copy remains viewable in the Museum Archives. |
1981 |
| IV.B.iii.188 | Nengudi, Senga: "Mouth to Mouth: Conversations on Being; A Series From A to Z - Part 4; Initiated by Senga Nengudi Fitz" Audio cassette. Case also labeled "part A". |
|
| IV.B.iii.189 | Nengudi, Senga: "'Nature's Way' (Dance Card) 6/86" VHS videocassette. Credits: "Choreographed by Senga Nengudi; performed by Maren Hassinger, Ulysees Jenkins, and Frank Parker; music by Butch Morris". |
1986 |
| IV.B.iii.190 | Nengudi, Senga: "Senga Nengudi 1. Senga/Shoes on Head / 2. Blue Paper Scrolls" U-matic S videocassette. Cassette also marked "BD 2, 11/21, 20/5". U-matic S tape. |
|
| IV.B.iii.191 | Nengudi, Senga: "Senga Nengudi 'Senga Torch Song'" U-matic S videocassette. Cassette labeled "BD. 1, 7VC, 17/9". Previous inventory included text: "Senga Nengudi, 'Torch Song' and Tone Read/Shoe Circle". |
|
| IV.B.iii.192 | Nengudi, Senga: "Senga Nengudi Torch Song" U-matic S videocassette. Cassette also marked. "BD 7 / 11/21". U-matic S tape. |
|
| IV.B.iii.193 | Nengudi, Senga: "Senga Nengudi 'Tone Filme Senga Blue Paper [Scrolls]'" U-matic S videocassette. Cassette also marked "BD 2, 11/21, 20/7". U-matic S tape. |
|
| IV.B.iii.194 | Nengudi, Senga: "'Shopping Bag Spirits'-Senga Nengudi, by Barbara McCullough" U-matic S videocassette. "10 mins". |
|
| IV.B.iii.195 | "New Wilderness Audiographics" Audio cassette. |
|
| IV.B.iii.196 | "New Wilderness Audiographics" Audio cassette. |
|
| IV.B.iii.197 | "New Wilderness Audiographics" Audio cassette. |
|
| IV.B.iii.198 | Nishio, Linda: "Linda Nishio Global Aphasia" Audio cassette. |
|
| IV.B.iii.199 | "No Image Reh" Audio cassette. |
|
| IV.B.iii.200 | "No Label, 1st part blank / 9/1 Inside Tape 1" Sony V-32 1/2 in. open reel videotape. |
|
| IV.B.iii.201 | "No Labels" U-matic S videocassette. "Wade Miller - End Credits and Original Ending". |
|
| IV.B.iii.202 | "No Labels" U-matic S videocassette. |
|
| IV.B.iii.203 | Nodal, Al: "Al Nodal WPA, Washington D.C., 24/D" U-matic S videocassette. Also labeled "18/6". |
|
| IV.B.iii.204 | Nosta/Bass: "Fayette, Screamer c. 1984 Nosta/Bass" VHS videocassette. |
|
| IV.B.iii.205 | Osterman, George: "Sherrie's Birthday by Georg Osterman" Audio cassette. "The Radio Show of Sherrie's Birthday by Georg Osterman" |
|
| IV.B.iii.206 | Osterman, George: "Sherrie's Birthday - Georg Osterman (apparent dupe)" Audio cassette. "The Radio Show of Sherrie's Birthday by Georg Osterman" |
|
| IV.B.iii.207 | Palevsky, Ann: "Ann Palevsky, 'Urban Child'" Audio cassette. Track list: "Life of London, Sad Sirens, Airstrip, Every Day Like the Last". Cassette includes inserts of song lyrics, artist's biography, and further credits. |
1985 |
| IV.B.iii.208 | Palevsky, Ann: "Parts of a Picture, c. 1984, Ann Palevsky" Audio cassette. Performed and composed by A. Palevsky on Fairlight CMI (Recorded at Pass) |
|
| IV.B.iii.209 | "Panache 12/19/86 Copy Mel" Audio cassette. No Case |
December 19, 1986 |
| IV.B.iii.210 | Parker, Franklin: "Franklin Parker Interview by Maren Hassinger 20/9" Audio cassette. Interview by Maren Hassinger. Cassette tape. |
|
| IV.B.iii.211 | Perricci: "A Performance 'Untitled' by Laurie Perricci and Penelope Wehrli, November 3, 1985. 8BC, NYC" U-matic S videocassette. |
November 3, 1985 |
| IV.B.iii.212 | Petronio, Stephen: "Danspace Perojects Presents Stephen Petronio April 1984" U-matic S videocassette. Case also labeled "Adrift (with Clifford Arnell); Choreographed by Stephen Petronio; Video Archival Project, St. Mark's Church NY, NY". |
1984 |
| IV.B.iii.213 | Pickett, Lenny: "Lenny Pickett Dance Music for Saxophones" Audio cassette. Also labeled "#III, #IV, #VIII 4/84 c. 1984 L. Pickett." Includes adhesive note saying "Thanks for letting us borrow the tape, L." |
|
| IV.B.iii.214 | Piper, Adrian: "Adrian Piper 3/29/84" Audio cassette. "Adrian Piper 3/29/84 Side 5 / …Side 6". |
March 29, 1984 |
| IV.B.iii.215 | Pope L., William: "William Pope L. from 'An 8-Part Soap Opera'" U-matic S videocassette. "Section 2: "The Son (sic) is Shining; She Plays Golf". (1984) / (25 min.)". includes bound script of the work, performance photographs anmd 35mm slides, and other information. Originally packaged with IV.B.iii.216. Paper and photographic materials in separate folder. |
|
| IV.B.iii.216 | Pope L., William: "William Pope L., Music For Wm. Pope's Soap Opera" Audio cassette. c. 1985 Thomas Ross Miller Originally packaged with IV.B.iii.215. |
|
| IV.B.iii.217 | "Pre Show" Audio cassette. |
|
| IV.B.iii.218 | "Psychodrama" Audio cassette. Also labeled "No Change Returned/Splotch of Blood/No Change c. 1982, Splotch c. 1981 Psychodrama." Includes addresses and phone numbers for "Brett" and "Leslie". |
|
| IV.B.iii.219 | "VHS RadioShack No Labels 7/5" VHS videocassette. |
|
| IV.B.iii.220 | "Vernon Reid" Audio cassette. Also labeled "Vernon Reid / Bernie Worrell 5/2/84" |
May 2, 1984 |
| IV.B.iii.221 | "'Resistance Conspiracy' in Progress, no music yet…" VHS videocassette. |
|
| IV.B.iii.222 | "Retakes November 23, 1985; January 19, 1986" VHS videocassette. Tape is damaged. |
1985-1986 |
| IV.B.iii.223 | "Retakes Rehearsals and Performances (original tape)" Video 8 videocassette. Case also labeled "November 23 January 19 1986". |
1986 |
| IV.B.iii.224 | Rogers, Alva: "Alva Rogers Quartet at 2nd Annual Festival Of Women Improvisers" Audio cassette. Performers: "Alva Rogers-vocals; Jason Hwang-violin; Vernon Reid-Guitar; Robert Poss-effects synthesizer". |
October 1, 1987 |
| IV.B.iii.225 | Rogers, Alva: "Alva Rogers 'Roulette'" Audio cassette. |
October 17, 1986 |
| IV.B.iii.226 | "Peter Rose " U-matic S videocassette. Also labeled "Excerpt from Loyaltown, USA! / Written and performed by Peter Rose / PS 122, New York, New York / February 1984". |
1984 |
| IV.B.iii.227 | Rosenthal, Rachel: "Rachel Rosenthal Performance Excerpts, 1984-1979" U-matic S videocassette. List of works: "Gaia, Mon Amour", "Traps", "Taboo Subjects", "Soldier of Fortune", "Leave her in Naxos", "My Brazil". |
|
| IV.B.iii.228 | Rothenberg Jerome: "7707A Jerome Rothenberg, New Wilderness Audiographics" Audio cassette. Commercial cassette with printed track listings and credits. |
|
| IV.B.iii.229 | Saunders, Jerome: "JAM Laboratory Submission: Jerome Saunders-Demo Tape" Audio cassette. "It Aint Necessarily So-George Gershwin / J.E.T.-Jerome Saunders / Decisions-Jerome Saunders." With cover letter and resume in envelope labeled "Proposal #40A J. Jerome Saunders". Paper material in separate folder. |
|
| IV.B.iii.230 | "Arlene Schloss" U-matic S videocassette. "Arlene Schloss c. 1984 /l Glenn Branca Symphony #4/Physics / 1983-84 Tour". |
|
| IV.B.iii.231 | Schneiderman, Sarah: "Sarah Schneiderman 'Dear Carol' - Dub" U-matic S videocassette. |
|
| IV.B.iii.232 | Self, Jim: "The Kitchen Presents Two Works by Jim Self and Richard Elovich: "Look-Out", 1982, "New Zuyder Zee" (premiere) U-matic S videocassette. "Music by A. Leroy / sets/costumes by Lauren Stringer". |
|
| IV.B.iii.233 | "September Lab Request Review" Audio cassette. |
|
| IV.B.iii.234 | "September Lab Request Review Side 3-4" Audio cassette. Also labeled "#2". Originally found grouped with recordings IV.B.iii.19 and IV.B.iii.239. |
1985 |
| IV.B.iii.235 | Several Stories Tall: "JAM 'Several Stories Tall' Collaboration" Audio cassette. |
|
| IV.B.iii.236 | Shapiro, Celia: "Katrimsky: A Portrait of Katrina Krimsky by Celia Shapiro" U-matic S videocassette. Includes CV and project proposal with return envelope. Paper materials in separate folder. |
|
| IV.B.iii.237 | "Larry Simon" Audio cassette. Also labeled "Musical Excerpts from 'Mr. Billings Tango' Four tracks c.1983". |
|
| IV.B.iii.238 | Skaggs Sarah: "Sarah Skaggs 'Solo Dancing'" VHS videocassette. "September '84 Premier / With Susan Braham and Susan Brown / Total Length 20 min. / This Excerpt 6 min. / Please View This Tape First". |
|
| IV.B.iii.239 | Skaggs, Sarah: "Sarah Skaggs 'Cross Cultural Studies'" VHS videocassette. "September '84 Premier / Sound Mix by Steven Harvey / Solo / Total Length 30 min. / This Excerpt: 9 min. / Please View this Tape Second". |
|
| IV.B.iii.240 | Skaggs, Sarah: "Satie Dance in Five Movements by Sarah Skaggs 1983" U-matic S videocassette. |
|
| IV.B.iii.241 | Skura, Stephanie: "Stephanie Skura" U-matic S videocassette. A. "It's Either Now or Later" (10 min.) 10/l83 / Choreographed by Skura, performed by Skura and Houston-Jones / video by Video D, excerpts from DTW performance / B. "Quack Pianist" (10 min.) 8/82 / Choreographed and performed by Skura, video by Terry Moyemont / Sound: Set Deck on Mix." |
|
| IV.B.iii.242 | Skura, Stephanie: "Stephanie Skura and Terry Moyemont" U-matic S videocassette. Excerpts from "Chase Scene" (1984) / Performance-with-video by Stephanie Skura and Terry Moyemont, 20 minutes. |
|
| IV.B.iii.243 | Skura, Stephanie: "Tape for Proposal by Stephanie Skura and Terry Moyemont" U-matic S videocassette. "1. Excerpts from projection material from video/peerformance work in progress. / 2. Excerpt from "The Mad Quack Pianist Takes to the Roof". |
|
| IV.B.iii.244 | Soho Gallery: "Soho Gallery - 2nd Night / Saxophone Player - Woman with Dips" Sony V-30H 1/2 in. open reel videotape. |
|
| IV.B.iii.245 | Soho Gallery: "Soho Gallery, Oct 31, Artist with Toys" Ampex 194 1/2 open reel videotape. |
|
| IV.B.iii.246 | Soho Gallery: "Soho Gallery, October 31, Monologue, John Malpede" Ampex 194 1/2 open reel videotape. |
|
| IV.B.iii.247 | "Some Inch Haunted Eve Part I / S.I.E. II" Audio cassette. "0 to 177 Gap at start of tape". |
|
| IV.B.iii.248 | "Some Inch Haunted Eve Part III" Audio cassette. |
|
| IV.B.iii.249 | Sonnier, Keith: "Keith Sonnier Animation 1" U-matic S videocassette. From Castelli-Sonnabend Tapes and Films. Label includes text: "(F-29, copy K) / color, sound, 1973, 14 min." |
|
| IV.B.iii.250 | "Spots I" VHS videocassette. |
|
| IV.B.iii.251 | Steele, Lisa: "Lisa Steele 'Some Call it Bad Luck'" U-matic S videocassette. |
|
| IV.B.iii.252 | Stitt, Andre: "Andre Stitt/Tara Babel Performance Tape" Audio cassette. "Stitt/Babel terra-inc." |
|
| IV.B.iii.253 | Streb, Elizabeth: "Dress Rehearsal Recording…by Elizabeth Streb" VHS videocassette. Full cassette label: "Dress rehearsal recording of equipment solos and duets; choreography by Elizabeth Streb; White Dog Studio NY, NY 5-8 April; 7/12; copy". |
|
| IV.B.iii.254 | "Super Fast Edit Test Artist Faces" U-matic S videocassette. |
|
| IV.B.iii.255 | Tatum, Antonio: "Park, 85 Documentary / Antonio Tatum / These Pieces Were Originally Made for and Performed in the Space at
P.S. 122" VHS videocassette. "Lucifer / Queenie: The Tragic Death of a Queen / Celebrate BKLN Prospect Park July 85". Includes photocopies of performance photos of "Lucifer" with C.V. and work proposals by choreographer Diane Martel. Paper materials in separate folder. |
|
| IV.B.iii.256 | "The Chyron VP-2 June 15, 1984" U-matic S videocassette. |
|
| IV.B.iii.257 | "The Fast Track" Audio book sample Audio cassette. no case |
|
| IV.B.iii.258 | "The Law" Audio cassette. "c. 1985." |
|
| IV.B.iii.259 | "The Law: Town & Country: A Five-minute Video Movie c.The Law 1985" VHS videocassette. |
|
| IV.B.iii.260 | "The System 'Sweat'" Audio cassette. Commercial recording with printed track listings and credits. Mirage Records SR 90062-4. |
|
| IV.B.iii.261 | "Tokyo Reggae Clash" Audio cassette. |
|
| IV.B.iii.262 | "Trieste Music Festival Master tape" Audio cassette. Side A: "Cassandra Wilson: 1. Women on the Verge / 2. Warm Spot / 3. Phase Jump / Steve Coleman and Greg Osby: 1. Micro Wave / 2. Wild / 3. Humantee Geri Allen: 1. See the World / 2. Wood / 3. Little Wind / 4. Black Pools / 5. Skin / 6. A Place of Power". Side B: "Lester Bowie: 1. Twilight / 2. Duke's Fantasy WorldSaxophone Quartet: 1. Fast Life / 2. Hattie Wall Holmes Brothers: 1. Up Above my Head / 2. None but the Righteous / 3. When Something is Wrong with My Baby The Neville Brother: 1. My Blood / 2. Voo Doo". |
|
| IV.B.iii.263 | "Jeff Turtletaub" U-matic S videocassette. "Whose Mother Said This? (Promo) / The Sound of Sand". |
|
| IV.B.iii.264 | "T-Venus Scratch Tracks of 'Smile Don't Touch that Dial'" Audio cassette. |
|
| IV.B.iii.265 | Unlabeled: "Unlabeled" Audio cassette. |
|
| IV.B.iii.266 | Unlabeled/No Name "7/11 x" VHS videocassette. |
|
| IV.B.iii.267 | "Voiceover / Multiples" U-matic S videocassette. |
|
| IV.B.iii.268 | "Washington D.C. 7 WPA" U-matic S videocassette. Case also labeled "24/B". Cassette labeled with overlapping text "DC WPA Greg Hannan Nodal Entrance." |
|
| IV.B.iii.269 | "Washington DC 24/c Hannan, WPA, Al Novac" U-matic S videocassette. |
|
| IV.B.iii.270 | "WBLS - FM 4/10/1988" Audio cassette. WBLS is a New York City area radio station. |
|
| IV.B.iii.271 | Wehrli, Penelope: "Penelope Wehrli 'Invasion of the Amazons (Continued Erosion)'" VHS videocassette. "Original in Super-8, color, sound c.1984" |
|
| IV.B.iii.272 | "Alice Weiner" VHS videocassette. "Altered to Suit / Ploughhman's Lunch / Alice Weiner / 6/5/85" |
|
| IV.B.iii.273 | Weiner, Lawrence: "'There But For' a Structure of Lawrence Weiner" U-matic S videocassette. "Video Camera: John Sanborn / Music: Peter Gordon / Video consultant: Kit Fitzgerald / Assistan Director and Script Consultant: Michale H. Shamberg / Performers: Peter Downsborough, Britta LeVa, Peter Nadin, Leslie Schiff, Michael H. Shamberg / 20 minutes color, A Production of Moved Pictures NYC." |
|
| IV.B.iii.274 | Werner, Michel: "Antics Amsterdam Demo, Michael J. Werner" U-matic S videocassette. |
|
| IV.B.iii.275 | Wessel, John: "John Wessel 2, Terminal Magazine and Auction 1 + 2" U-matic S videocassette. U-matic S tape. |
|
| IV.B.iii.276 | Wessel, John: "John Wessel 3/3/81" Audio cassette. |
|
| IV.B.iii.277 | Wessel, John: "John Wessel III" U-matic S videocassette. "Collector-Guggenheim / Met Cancelled". |
|
| IV.B.iii.278 | Wessel, John: "Wessel 11/7 1. Brooklyn Bridge 2. Terminal" U-matic S videocassette. |
|
| IV.B.iii.279 | Wester, Bradley: "Bradley Wester: 'Three Confessions in Confinement'; 'There Are Rocks on the Walls' U-matic S videocassette. "Performance by Bradley Wester 3/23/84 at the Contemporar Arts Center in New Orleans, Louisiana." |
March 23, 1984 |
| IV.B.iii.280 | White Columns: "Noise Fest - White Columns" Audio cassette. "Noise Fest was an art and music event at White Columns N.Y.C. June 16-24, 1981" Case has extensive track listings. |
1981 |
| IV.B.iii.281 | Whitfield, Tony: "Performance as Identity" U-matic S videocassette. "Sarah Lawrence College, curated by Tony Whitfield" |
|
| IV.B.iii.282 | Williams, Randy: "Randy Williams, David Hammons, Senga Nengudi, and David Ratziu" Sony 1/2" Open-Reel tape. "Tape I: Unedited / A. Randy Williams (11 min.-edit) / A. Senga Negudi (5 min-edit) / Tape I: Unedited / c. David Hammons (8 min-approx.) / d. David Ratziu (4 min approx)". |
|
| IV.B.iii.283 | Williams, Randy: "Randy Williams, Noah Jemison 8/15/1987" Audio cassette. Also labeled "#2". Originally found grouped with recordings IV.B.iii.48 and IV.B.iii.53. |
1987 |
| IV.B.iii.284 | Wofford, Philip: "Philip Wofford / Gong's Air Alto-Traveling Home Cumulus" Audio cassette. |
|
| IV.B.iii.285 | Wong, Mel: "Just Above Midtown Presents 'Future Antiquities' Choreographed by Mel Wong / Sculpture and Light Environment,
Cathey Billian" VHS videocassette. Performance at JAM on May 1984. VHS tape. |
May 1984 |
| IV.B.iii.286 | Wong, Mel: "Mel Wong Dance Company" VHS videocassette. "Migragtion", "Telegram" & Mel Wong Talks About His Work - 24 min. / "Desert Ghosts" & Mel Wong Talks About Work -24 min." |
|
| IV.B.iii.287 | "Workaday World Productions/Far from the comfort zone" Audio cassette. |
|
| IV.B.iii.288 | Yonemoto, Bruce: "Bruce Yonemoto and Kathy Hoffman" U-matic S videocassette. |
|
| IV.B.iii.289 | "Yo-No-Ho-O Collab" Audio cassette. Also labeled "#3". Originally found grouped with recordings IV.B.iii.19 and IV.B.iii.234. |
|
| IV.B.iii.290 | Zweig Ellen: "Ellen Zweig A: Trade Routes B: The Act of Watching" Audio cassette. Impressions of Africa IV. Trade Routes / introduction: to be played in total darkness / Impressions of Africa VI. The Act of Watching / voice: Ellen Zweig, music: Gregory Jones |
|
| IV.B.iii.291 | "Paul Zelevansky" Audio cassette. Wendy Perron / Anthony and the Aesthetics |
|
Subseries IV.C: Oral History Recordings 2021 |
||
|
Subseries IV.C contains oral histories with several JAM artists conducted in 2021 by Thomas T. Lax and Lilia Taboada prior to the opening of Just Above Midtown: Changing Spaces. Some interviews were conducted by phone; those are preserved here as .mp3 audio files. Other interviews were conducted via online virtual meetings; those are preserved here as .mp4 video files. |
||
| Item | Title | Date |
| IV.C.1 | Dawoud Bey .mp4 video file. |
January 27, 2021 |
| IV.C.2 | Horace Brockington .mp3 audio file. |
December 9, 2021 |
| IV.C.3 | Gylbert Coker .mp4 video file. |
April 9, 2021 |
| IV.C.4 | Pat Cummings .mp4 video file. |
December 2, 2021 |
| IV.C.5 | Kathleen Goncharov .mp3 audio file. |
December 17, 2021 |
| IV.C.6 | Maren Hassinger .mp4 video file. |
June 3, 2021 |
| IV.C.7 | Janet Olivia Henry .mp4 video file. |
June 10, 2021 |
| IV.C.8 | Janet Olivia Henry .mp4 video file. |
July 1, 2021 |
| IV.C.9 | AC Hudgins .mp3 audio file. |
December 10, 2021 |
| IV.C.10 | Senga Nengudi .mp4 video file. |
February 21, 2021 |
| IV.C.11 | Senga Nengudi .mp4 video file. |
March 26, 2021 |
| IV.C.12 | Lowery Stokes Sims .mp4 video file. |
December 3, 2021 |
| IV.C.13 | Kaylynn Sullivan .mp4 video file. |
April 22, 2021 |
| IV.C.14 | Faythe Weaver .mp3 audio file. |
February 11, 2022 |
| IV.C.15 | Tony Whitfield .mp4 video file. |
January 27, 2022 |
| IV.C.16 | Randy Williams .mp4 video file. |
November 5, 2021 |
|
|
||
File numbers marked by an asterisk (*) indicate oversize material that has been separated to the end of the collection. Researchers should include the asterisk when issuing a request for such material.
| Series | Folder Range | Box |
| I.A | 1–16 | 1 |
| I.A | 17–28 | 2 |
| I.A | 29–35 | 3 |
| I.A | 37–47 | 4 |
| I.A | 48–67 | 5 |
| I.A | 68–85 | 6 |
| I.A | 86–101 | 7 |
| I.B | 1–23 | 8 |
| I.B | 24–45 | 9 |
| I.B | 46–59 | 10 |
| I.B | 60–72 | 11 |
| I.B | 73–83 | 12 |
| I.B | 84–98 | 13 |
| I.C | 1–5 | 13 |
| I.C | 6–36 | 14 |
| I.C | 37–79 | 15 |
| I.C | 80–114 | 16 |
| I.C | 115–142 | 17 |
| I.C | 143–176 | 18 |
| I.C | 177–208 | 19 |
| I.C | 209–226 | 20 |
| II.A | 2–13 | 21 |
| II.A | 14–30 | 22 |
| II.A | 31–44 | 23 |
| II.A | 46–61 | 24 |
| II.A | 62–77 | 25 |
| II.A | 78–85 | 26 |
| II.A | 86–100 | 27 |
| II.A | 102–136 | 28 |
| II.A | 137–155 | 29 |
| II.A | 156–176 | 30 |
| II.A | 177–201 | 31 |
| II.A | 202–215 | 32 |
| II.A | 216–244 | 33 |
| II.A | 245–265 | 34 |
| II.A | 266–288 | 35 |
| II.A | 289–309 | 36 |
| II.A | 310–344 | 37 |
| II.B | 1–23 | 38 |
| II.B | 24–43 | 39 |
| II.B | 44–72 | 40 |
| II.B | 73–96 | 41 |
| II.B | 97–109 | 42 |
| II.B | 110–132 | 43 |
| II.B | 133–153 | 44 |
| II.B | 154–191 | 45 |
| II.B | 192–220 | 46 |
| II.B | 221–234 | 47 |
| II.B | 235–252 | 48 |
| II.B | 253–276 | 49 |
| II.B | 277–294 | 50 |
| II.B | 295–313 | 51 |
| II.B | 314–342 | 52 |
| II.B | 343–365 | 53 |
| II.B | 366–381 | 54 |
| II.B | 382–393 | 55 |
| II.B | 394–407 | 56 |
| II.B | 408–425 | 57 |
| II.B | 426–440 | 58 |
| II.B | 441–464 | 59 |
| II.B | 465–486 | 60 |
| II.B | 487–505 | 61 |
| II.B | 506–519 | 62 |
| II.C | 1–16 | 63 |
| II.C | 17–43 | 64 |
| II.C | 44–73 | 65 |
| II.C | 74–116 | 66 |
| II.C | 117–143 | 67 |
| II.C | 144–148 | 68 |
| III.A | 1–4 | 68 |
| III.A | 5–11 | 69 |
| III.A | 12–15 | 70 |
| III.A | 16 | 71 |
| III.A | 17–23 | 72 |
| III.A | 24–27 | 73 |
| III.A | 28–34 | 74 |
| III.A | 35 | 75 |
| III.A | 36 | 76 |
| III.A | 37 | 77 |
| III.A | 38 | 78 |
| III.A | 39–40 | 79 |
| III.A | 41–47 | 80 |
| III.A | 48–54 | 81 |
| III.A | 55–62 | 82 |
| III.A | 63–110 | 83 |
| III.A | 111–123 | 84 |
| III.A | 124–135 | 85 |
| III.A | 136–153 | 86 |
| III.A | 154–178 | 87 |
| III.A | 179–198 | 88 |
| III.A | 199–219 | 89 |
| III.A | 220–231 | 90 |
| III.A | 232–240 | 91 |
| III.A | 241–255 | 92 |
| III.A | 256–270 | 93 |
| III.A | 271–300 | 94 |
| III.A | 301–321 | 95 |
| III.A | 322–340 | 96 |
| III.A | 341–380 | 97 |
| III.A | 381–399 | 98 |
| III.A | 400–416 | 99 |
| III.A | 417–435 | 100 |
| III.A | 436–442 | 101 |
| III.B | 1–8 | 101 |
| III.B | 9–17 | 102 |
| III.B | 18–23 | 103 |
| III.B | 24–28 | 104 |
| III.B | 29–31 | 105 |
| III.B | 32 | 106 |
| III.B | 32–33 | 107 |
| III.B | 33–34 | 108 |
| III.B | 34–35 | 109 |
| III.B | 36–41 | 110 |
| III.B | 42–47 | 111 |
| III.B | 48–53 | 112 |
| III.B | 54–64 | 113 |
| III.B | 65–73 | 114 |
| III.B | 74–78 | 115 |
| III.B | 79–85 | 116 |
| III.B | 86–108 | 117 |
| III.B | 109–122 | 118 |
| III.B | 123–147 | 119 |
| III.B | 148–161 | 120 |
| III.B | 162–172 | 121 |
| III.B | 173–191 | 122 |
| III.B | 192–202 | 123 |
| III.B | 203–210 | 124 |
| III.B | 211–215 | 125 |
| III.B | 216–220 | 126 |
| III.B | 221–241 | 127 |
| III.B | 242–252 | 128 |
| III.C | 1–15 | 129 |
| III.C | 16–36 | 130 |
| III.C | 37–51 | 131 |
| III.C | 52–65 | 132 |
| III.C | 66–87 | 133 |
| III.C | 88–105 | 134 |
| III.C | 106–124 | 135 |
| III.C | 125–148 | 136 |
| III.C | 149–166 | 137 |
| III.D | 1–2 | 137 |
| III.D | 3–21 | 138 |
| III.D | 22–45 | 139 |
| III.D | 46–75 | 140 |
| IV.A | 1–34 | 141 |
| IV.A | 35–60 | 142 |
| IV.A | 61–98 | 143 |
| IV.A | 99–130 | 144 |
| IV.A | 131–156 | 145 |
| IV.A | 157–169 | 146 |
| IV.A | 170–177 | 147 |
| IV.A | 178–190 | 148 |
| IV.A | 191–209 | 149 |
| IV.A | 210–219 | 150 |
| IV.B.iii | 21, 22, 44, 45, 68, 70, 74, 77, 85, 87, 93, 100, 112, 129, 136, 147, 157, 163, 165, 168, 215, 229, 236, 255 | 155 |
| I.A | 5*, 12*, 36*, 46*, 63*, 65*, 80*, 83* | 151 |
| I.B | 7*, 15*, 41*, 55*, 63*, 70*, 90* | 151 |
| I.C | 4*, 17*, 18*, 30*, 187*, 201*, 221*, 223* | 151 |
| II.A | 1*, 37*, 45*, 51*, 54*, 57*, 68*, 76*, 80*, 99*, 101*, 103*, 105*, 107*, 109*, 111*, 113*, 115*, 117*, 119*, 138*, 159*, 165* | 152 |
| II.A | 183*, 184*, 186*, 188*, 190*, 192*, 195*, 206*, 243*, 304*, 316* | 153 |
| II.B | 11*, 15*, 22*, 30*, 51*, 298*, 444* | 153 |
| II.C | 24*, 25*, 28*, 31*, 32* | 153 |
| II.C | 33*, 38*, 53*, 66* | 154 |
| III.A | 51*, 134*, 138*, 175*, 251*, 360*, 433*, 439* | 154 |
| II.A | 122* | FF 3-9 |