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	<?php $title = 'Energía eléctrica'; ?>
	<?php $description = 'Situated below a view of New York City\'s jagged skyline, a steel-and-cement power plant interior dominates <i>Electric Power</i>\'s composition. Rivera peeled back his plant\'s facade to bring the workers—deep in the inner workings of its machinery—into the space of the viewer, exposing the human labor that powers the modern city. The work captures Rivera\'s excitement at witnessing industrialization in the United States firsthand. He retrospectively described his time in the U.S. in the early 1930s as a "crucial test," saying that "unlike Mexico, [it] was a truly industrial country such as I had originally envisioned as the ideal place for modern mural art."'; ?>
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								<p>Fresco sobre cemento reforzado en estructura de acero galvanizado, 58 1/16 x 94 1/8" (147.5 x 239 cm). Colección particular, México. © 2011 Banco de México Fundación de Museos Diego Rivera y Frida Kahlo, México, D.F./Artists Rights Society (ARS), New York. Fotografía: Rafael Doniz</p>
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							<div class="date">1931 - 1932</div>
							<h2>Energía eléctrica</h2>
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									<p>Situado bajo el horizonte escarpado de la Ciudad de Nueva New York, el interior de acero y cemento de una planta de energía domina la composición de <em>Energía eléctrica</em>. Rivera despojó la planta de su fachada para colocar a los trabajadores —en las profundidades internas de la maquinaria— en el espacio del espectador, exponiendo así el trabajo humano que alimenta de energía a la ciudad moderna. La obra captura la emoción de Rivera al atestiguar con sus propios ojos, la industrialización en los Estados Unidos. De manera retrospectiva describe su época en los Estados Unidos al despuntar los años treinta, como una “prueba crucial”, diciendo que “a diferencia de México [Estados Unidos] era un país verdaderamente industrial semejante al que originalmente imaginé como sitio ideal del arte mural moderno”.</p>
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									<p>Situated below a view of New York City's jagged skyline, a steel-and-cement power plant interior dominates Electric Power's composition. Rivera peeled back his plant's facade to bring the workers—deep in the inner workings of its machinery—into the space of the viewer, exposing the human labor that powers the modern city. The work captures Rivera's excitement at witnessing industrialization in the United States firsthand. He retrospectively described his time in the U.S. in the early 1930s as a "crucial test," saying that "unlike Mexico, [it] was a truly industrial country such as I had originally envisioned as the ideal place for modern mural art."</p>
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