Installation view of Impressions from South Africa, 1965 to Now
Installation view of (from left to right) Sandile Goje’s Meeting of Two Cultures (1993), Nomathemba Tana’s Amanzi Amthatha from Makana Remembered (2001; bottom), Norman Catherine’s Wild Boar (1968; top), John Muafengejo’s Natal Where Art School Is (1974), Azaria Mbatha’s The woman who loved and was.../Innocent from accusation (1965; bottom), Charles Nkosi’s Submission to Death from the series Black Crucifixion (1976; top), and Dan Rakgoathe’s Moon Bride and Sun Bridegroom (1973) in Impressions from South Africa, 1965 to Now, The Paul J. Sachs Prints and Illustrated Books Galleries, second floor, The Museum of Modern Art, March 23–August 29, 2011. Photo by Thomas Griesel. © The Museum of Modern Art
