Ideas of Africa: Portraiture and Political Imagination

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*Portrait of Evelyn Abbew, Ever Young Studio, Accra*

James Barnor. Portrait of Evelyn Abbew, Ever Young Studio, Accra. c. 1954–59 213

Gelatin silver print, printed 2018-20, 9 1/2 × 9 1/2" (24.1 × 24.1 cm). Acquired through the generosity of Ruth Nordenbrook

Artist, James Barnor:  Everything that happened in Accra passed through my street, and I call myself Lucky Jim. Anything that was happening, I was there.

I’m James Barnor. I was born on the 6th of June 1929. I had witnessed photography from a very small age because my mother’s brother was a professional photographer. My cousin was practicing in Accra, in Ghana. Because it was in the family, I must have thought, “Ah, this is something I could do in the future.”

Portraiture was number one. People are more important than places. I love people. ‘53, I got a studio and I called it Ever Young. I thought about making people young, or even [laughs] better than they were before.

My sister was a nurse, and so I knew some nurses, and Evelyn was at the nursing training college. This is a portrait that I took of her. I had so many different backgrounds. And this was actually drawn on the wall. This is a sky. You can see the clouds. When I look at the different tones, from the white highlight to the black of the hair, it’s so very nice. This is a picture that I like very much.

I’m lucky to be alive and to be telling the story about my work. The inspiration that people get from my work will carry on and inspire others to develop their own way. The future is going to be grander because of photography.