Our Selves: Photographs by Women Artists from Helen Kornblum

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Meridel Rubenstein. Fatman with Edith. 1993

Palladium print, 18 1/2 × 22 1/2" (47 × 57.2 cm). Gift of Helen Kornblum in honor of Roxana Marcoci. © 2024 Meridel Rubenstein

Helen Kornblum: I'm Helen Kornblum. If there's a theme in my collection, I'd say it's people. My interest in people, meeting people, knowing people, learning about people.

I have felt about my photographs almost like a third child. Each one actually has its own story for me. Where I found them, who led me to them. I've just attached myself in different ways to each one.

One, for instance, is Fatman with Edith by Meridel Rubenstein. With this photograph she conflates war with the feminine. She has the inhumanly destructive warhead, the plutonium bomb, called Fatman, dropped on Nagasaki, juxtaposed with a portrait of a woman, Edith Warner, and a nurturing, warm cup of tea.

Curator, Roxana Marcoci: In the early 1940s Robert Oppenheimer, a physicist in charge of The Manhattan Project developed the first atomic bomb.This photograph belongs to a series that explores encounters in New Mexico between indigenous communities and the scientists who created the bomb. These two worlds collided in the home of Edith Warner, who ran a tearoom in Los Alamos.

Helen Kornblum: Oppenheimer knew Edith Warner, who lived near Santa Fe. And when he came to create the bomb at Los Alamos, he asked Edith if he could bring scientists to her home for a place away from the creation of this bomb, and he would come with them for dinner, all during the Manhattan Project.

Roxana Marcoci: By pairing two seemingly dissimilar images, Rubenstein said she hopes “to enlarge the lives of ordinary people, and strip the mythic characters of history down to their ordinariness.”