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	<?php $description = 'The day after Rivera arrived in New York City, the <i>New York Herald Tribune</i> reported on his plans to "paint the rhythm of American workers." The city was in the throes of one of the greatest construction drives of all time, made possible by the armies of surplus labor available during the Depression. The figures in the foreground here use a pneumatic drill and jackhammer to bore into Manhattan\'s granite foundation. Rivera later identified this scene as depicting preparations for the construction of Rockefeller Center, which was still in its early stages when he arrived in New York.'; ?>
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								<p>Fresco on reinforced cement in a galvanized-steel framework, approx. 94 x 74" (239 x 188 cm). Location unknown since 1977. Reproduced from a 1932 photograph by Peter A. Juley & Son. Photograph courtesy Peter A. Juley & Son Collection, Smithsonian American Art Museum (cat. no. J0005920)</p>
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								<p>Charcoal on paper, 97 1/4 x 76 7/8" (247 x 195.2 cm). Museo Dolores Olmedo, Xochimilco, Mexico. © 2011 Banco de México Diego Rivera & Frida Kahlo Museums Trust, México, D.F./Artists Rights Society (ARS), New York. Photograph © Eumelia Hernández and Ricardo Alvarado; Instituto Nacional de Bellas Artes  </p>
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							<div class="date">1931–1932</div>
							<h2>Pneumatic Drilling</h2>
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									<p>The day after Rivera arrived in New York City, the <em>New York Herald Tribune</em> reported on his plans to “paint the rhythm of American workers.” The city was in the throes of one of the greatest construction drives of all time, made possible by the armies of surplus labor available during the Depression. The figures in the foreground here use a pneumatic drill and jackhammer to bore into Manhattan’s granite foundation. Rivera later identified this scene as depicting preparations for the construction of Rockefeller Center, which was still in its early stages when he arrived in New York.</p>
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									<p>The location of the portable mural <em>Pneumatic Drilling</em> is currently unknown. Our understanding of the work is based on existing photographs and this full-scale cartoon, which reveals Rivera’s attempts to capture the vibrating force of modern-day construction tools. Zigzagging lines lend the composition a sense of dynamism, and the feet of the worker on the right, seen in multiple positions, indicate the jolting reverberations of the jackhammer.</p>
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