Linocuts by Integral editor H. M. Maxy were distinctive features of the magazine’s covers. Bearing the subtitle Organ of the Modern Movement at Home and Abroad, this publication was conceived as an alternative to Contimporanul, which a younger generation of Romanian artists and writers thought had lost its edge, both aesthetically and politically. Maxy’s graphics and typography were paired with reviews of new international art, theater, and literature by Romanians living abroad, like Tristan Tzara, Constantin Brancusi, Hans Máttis-Teutsch, and Benjamin Fondane.