Although the premise of The Forever Now might seem at first to be critical—there is no one signature style for the 2000s—the exhibition argues a bit paradoxically for the strength of painting at this time: its imaginative breadth; its responsiveness to the availability of information; and, finally, its insouciant insistence, as a very old practice, on persisting as relevant—as timely in its timelessness as any other element of contemporary culture.