Between 1969 and the late 1990s, Heinecken continued to make hundreds of what he called “revised” or “compromised” magazines using three basic methods: overprinting an image on every page via photolithography, combining pages from various magazines to make a new periodical, and cutting out elements of the pages with an X-Acto knife. These works—which Heinecken described as “an exercise… a warm up… something that keeps you tuned”—address subjects such as politics and violence, consumerism, and the use of sex to sell practically everything. “I sometimes visualize myself as a bizarre guerrilla, investing in a kind of humorous warfare in which a series of minimal, direct, invented acts result in maximum extrinsic effect, but without consistent rationale,” Heinecken wrote in 1974. “I might liken it to the intention of making police photographs in which there is no crime involved—but with that assumption.”