In the mid-1970s, Heinecken became interested in the new Polaroid SX-70, which produced developed pictures instantly and required no darkroom or technical know-how. He called it the “bedroom camera,” and indeed it afforded its operators privacy, as they did not have to take film to a photo lab to be developed. For his series He/She, Heinecken paired self-portraits, close-ups of objects, and pictures of body parts—images that suggest intimacy and sex—with short lines of a conversation between a man and a woman. The relationship between text and image in He/She is a complex weave of fiction and autobiography. As Heinecken noted, “the same images are used separately in different visual and verbal contexts, thereby altering their meanings through position.” Raising questions about what Heinecken would call “relational possibilities,” He/She offers a set of texts and dissociated images about sexual relations, undermining expected narrative resolutions.