Behold a time capsule from the late 1970s. Four films by John Ahearn record an urban symphony unfolding on the city streets and the graffiti-covered subways that were the artist’s conduit from downtown to the South Bronx. Ahearn’s signature sense of rhythm, narrative and visual wit culminate in his filming of a blizzard befalling city folks around the World Trade Center that recall the physical comedy of silent film, and delighted those who saw its transmission on Colab’s Manhattan Cable program. On the other side of town, independent filmmaker Andre Degas records musician Jeorgia Anderson as a punkette grimly making her way to MoMA and staring down the works of modernist female beauty installed in the Sculpture Garden. Excerpts from Ricardo Nicolayevsky's lyrical portraits of friends and peers in New York and Mexico City are accompanied by two 16mm cityscapes whose formal experimentation and electronic soundtracks emphasize the enduring grit of a soon-to-be-gentrified neighborhood.